Another test of the Reichatron on a flute sample. The signal chain for version 1 of the ensemble is now completely worked out and only some details of the beat mode controls for navigating the loop around the sample remain.
This time I employ…
Another test of the Reichatron on a flute sample. The signal chain for version 1 of the ensemble is now completely worked out and only some details of the beat mode controls for navigating the loop around the sample remain.
This time I employ…
So... Reichenbach is now called **Reichatron**.
I felt that the new sonic mangling possibilities of the ensemble were reminiscent of a Japanese monster movie than a composer of beautifully intricate harmonies.
Here I am playing with a flute…
So... Reichenbach is now called **Reichatron**.
I felt that the new sonic mangling possibilities of the ensemble were reminiscent of a Japanese monster movie than a composer of beautifully intricate harmonies.
Here I am playing with a flute…
I think I may have gone too far!
I've been working on the Reichenbach signal chain to include filtering, distortion, EQ, and a resonator. I've also switched out the delay and gone hog wild with modulation.
This piece shows how way out the…
I think I may have gone too far!
I've been working on the Reichenbach signal chain to include filtering, distortion, EQ, and a resonator. I've also switched out the delay and gone hog wild with modulation.
This piece shows how way out the…
I think I may have gone too far!
I've been working on the Reichenbach signal chain to include filtering, distortion, EQ, and a resonator. I've also switched out the delay and gone hog wild with modulation.
This piece shows how way out the…
A rather more fundamentally experimental piece with Reichenbach's new *drift* mode. In this mode a probability matrix controls periodic changes in the loop length and/or position.
Once more I am using one of the awesome [Rekkerd mixed bag](http…
I think I may have gone too far!
I've been working on the Reichenbach signal chain to include filtering, distortion, EQ, and a resonator. I've also switched out the delay and gone hog wild with modulation.
This piece shows how way out the…
A rather more fundamentally experimental piece with Reichenbach's new *drift* mode. In this mode a probability matrix controls periodic changes in the loop length and/or position.
Once more I am using one of the awesome [Rekkerd mixed bag](http…
A rather more fundamentally experimental piece with Reichenbach's new *drift* mode. In this mode a probability matrix controls periodic changes in the loop length and/or position.
Once more I am using one of the awesome [Rekkerd mixed bag](http…
A rather more fundamentally experimental piece with Reichenbach's new *drift* mode. In this mode a probability matrix controls periodic changes in the loop length and/or position.
Once more I am using one of the awesome [Rekkerd mixed bag](http…
A rather more fundamentally experimental piece with Reichenbach's new *drift* mode. In this mode a probability matrix controls periodic changes in the loop length and/or position.
Once more I am using one of the awesome [Rekkerd mixed bag](http…
A rather more fundamentally experimental piece with Reichenbach's new *drift* mode. In this mode a probability matrix controls periodic changes in the loop length and/or position.
Once more I am using one of the awesome [Rekkerd mixed bag](http…
A rather more fundamentally experimental piece with Reichenbach's new *drift* mode. In this mode a probability matrix controls periodic changes in the loop length and/or position.
Once more I am using one of the awesome [Rekkerd mixed bag](http…
Another of [Ronnie's Mixed Bag](http://rekkerd.org/) samples (this one called `120_hollow_01`) and another version of my Reichenbach ensemble for Reaktor.
The major difference here is the addition of playback modes and, in this case, the *slicer…
ok, that was an interesting comment by Sister. hehe...me and my visualizing things and all...I pictured raindrops coming to life and breaking into cars and what not. lol...
Another of [Ronnie's Mixed Bag](http://rekkerd.org/) samples (this one called `120_hollow_01`) and another version of my Reichenbach ensemble for Reaktor.
The major difference here is the addition of playback modes and, in this case, the *slicer…
This is a short experiment with Version 0.99.9 of my *Reichenbach* phase-shifted looping Reaktor ensemble (try saying that 3 times fast!)
I took a 2 second long piano sample and fed it into the loopers which were running at 0.98x, 1.0x, and…
Another experiment with Reichenbach, my phase-shited looping ensemble for Reaktor 5. This time I fed it a sample from the [Rekkerd.org](http://rekkerd.org/downloads/) mixed bag selection #2 called `106_sandylines_01.wav`.
I let the sample play…
Featuring Irina Panfilova, Piano Solo
Harvesting Memories by Pasha is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
Featuring Lena Panfilova, Vocals
Night Cafe by Pasha is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
I had to listen to this again straight away because I love the ambience of the piece. My favourite part is the 60s from 2m40 which is deliciously eerie and more than a little ominous. You've given me lots of ideas.
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Another in my ongoing series of experiments with the Reaktor instrument 'Metaphysical Function'.
This was produced and recorded entirely in Reaktor with the resulting AIFF file converted to MP3 using Fission.
In this piece I start with one…
Heh... i've been listening on monitors (I have a pair of KRK-RP5's) so maybe haven't experienced the full dose of HF myself :)
And Wildgeas, I hope that's a good kind of hurt :)
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
Well now, this is actually a very old track, made back in March '09 and not that long after I started learning piano.
I was learning a very simple 12-bar blues piece and getting bored with the piano sound I started messing about with the Logic…
A skipping CD of children's music, an old accordion with sticky keys, some subterranean drums and synth bass, a departing train. Hoping to achieve some kind of glitchy transcendence through the broken fragments.
From the archives. Traditional Irish slow air. Myself on the Uilleann pipes with synth backing. This was recorded at a concert here in Weston back in I think '92. Originally recorded on an ancient 4 track machine and then transferred to cassette…
A long meditation/wank.
This weeks guitar lesson we started looking at melodic minor modes. I went home and started practicing scales. Wasn't long before I got stuck on Dorian flat 2. So I fired up the looper and recorded a session.
Funny…
If it makes you laugh, you're supposed to laugh. If it makes you feel sick, you're meant to feel sick. If you like it, thanks. I saw you in the locker bay. I heard you like Toulouse-Lautrec. and by the way I didn't write the last twenty seconds…
Thank you so much for your comment on my Metamorphosis-1 track. I hope PG would agree since I do love his music and would hate to think I'd cause him offence.
This is one of several beat tracks for my new piece "Z-Land" for string orchestra, amplified string quartet, and DJ. The full piece will be performed by the Zeeland High School Orchestra (from Zeeland, MI) November 20 at the Baltimore City school…
Still under construction. Or maybe not. Bassline might be replaced by a real bass, maybe, and I'm not sure if I'll keep the Ableton Live softsynths as I may replace them with hardware. Maybe. I could just end up leaving it the way it is.
The exquisite bass was performed by my friend Edo Castro, but everything else was done on a Waldorf XTk.
In fact, originally the bass line was from an entirely other recording. What I did was to mute the other tracks and record all new ones…
Comments on Mr Sandbags's stuff
Interesting looking interface for that software in your video...
I love how when I read your descriptions I feel as if I'm in a modern music school! :)
Jasmine Savage says, 'That's nice!' (She doesn't have her own log in.)
You are getting there mate sounds good
Very cool sounds, but I think you'd better look out your window because the villagers are coming and they're carrying torches and clubs!
What's in your attic?
Cool sounds you are getting here mate dig it.
nice stuff. this is very experimental work.
great weird stuff sandbags. keep making more of it.
Thanks folks, your comments made me smile :)
This is weird, but very cool. Like listening to some heated argument in an alien language!
More coolness. Something that rewards repeated listens.
If Dali made music this is what it would be like. nice but disturbing
Some kind of underground bug conference, with drinks.
Well I think its all going in the right direction mate
All your stuff is like a big abstract soundtrack, it's great stuff, you should do a film with all of it in!
ok, that was an interesting comment by Sister. hehe...me and my visualizing things and all...I pictured raindrops coming to life and breaking into cars and what not. lol...
Raindrops...turning to crime.
Beautiful mate nice one.
Another very cool one mate
Comments made by Mr Sandbags
Great track and I love the piano on here, fantastic.
I've listened through and love the cool, laid back chic, of your pieces. Great sound and style.
Woah... loved this, very immersive.
This is really fabulous, love the sound, love the playing. Sad when it ended, but you'll upload more won't you? :)
I had to listen to this again straight away because I love the ambience of the piece. My favourite part is the 60s from 2m40 which is deliciously eerie and more than a little ominous. You've given me lots of ideas.
Ahh.. the creepy music box at the end top's it off horribly :)
What Kirk said.
Oh, this is a bit different. Love the way the track builds up and then decays at the end.
Heh... i've been listening on monitors (I have a pair of KRK-RP5's) so maybe haven't experienced the full dose of HF myself :) And Wildgeas, I hope that's a good kind of hurt :)
Rock isn't a genre I'll listen to often but I liked this.
Thanks folks. I had a lot of fun with this.
@lokakuunmaa: what an awesome comment mate, thank you :) It happens that Apollo is my favourite Eno album evar!
What a wonderful concoction.
Encore!
*joins applause*
Totally hypnotic.
Thank you so much for your comment on my Metamorphosis-1 track. I hope PG would agree since I do love his music and would hate to think I'd cause him offence.
This is great Erik, love it!
Liked this one a lot. I'm not sure if it would sound better with hardware and a different bassline. Sounded pretty cool to me as it is :)
Lovely sound.