Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Hi Kirk.
Thanks... I do have a crazy selection of effects these days which is responsible for a lot of the sonic mangling I can do. Over the next year or so I'd like to get more selective and more competent about the results :)
I also think Yelyah's onto something. This might actually be a "track" if it had more structure. As it is the micro-structure created by automation isn't enough.
Lots of things to work on!
Thanks again.
m/
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
OK- I'll admit I didn't listen to the whole thing, but I did hear about 6 minutes of it and it's interesting stuff! If I knew a tithe of what you do about manipulating sounds in software I'd be a league ahead of where I am!!
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Yelyah, thank you for the encouraging words.
You're right that I have a pretty unsophisticated approach to what a "song" is. It's a facet I've begun to notice in everything I have done so far, that it is structurally uninteresting.
Guess I need to figure out how to take the next step!
Thanks again.
m/
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
I listened to the full 24. :)
I dig what you've done here and would definitely call this music and not noise. I would like to see you create some separate sections. Like, a breakdown for instance, where you go for something totally different rhythmically before returning to the original idea.
Keep on experimenting! :)
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Bethan you're very kind to even attempt to listen to this!
The kick drum that runs through the track is the source of most of the sounds, just mangled, tortured, and beat into shapes & frequencies kick drums were never meant to reach.
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
This is quite an old track that got abandoned because I didn't feel it was right or going anywhere.
But listening to it in iTunes this morning I thought it passed muster. I don't think it has enough variation to justify it's length but it's gently…
This is quite an old track that got abandoned because I didn't feel it was right or going anywhere.
But listening to it in iTunes this morning I thought it passed muster. I don't think it has enough variation to justify it's length but it's gently…
Honestly I have no idea where this came from or how.
I was messing with Omnisphere patches and came across a lovely, flutey, breathy sound that put me in mind of the scenes inside the monolith at the end of 2001. I setup a Rytme pattern to…
Honestly I have no idea where this came from or how.
I was messing with Omnisphere patches and came across a lovely, flutey, breathy sound that put me in mind of the scenes inside the monolith at the end of 2001. I setup a Rytme pattern to…
I'm learning to play piano and my teacher has given me 'Old Joe Clarkes Boogie' to play. For 2 weeks it has kicked my ass. But I'm getting to grips with it now and this is my revenge!
The musical parts were recording using my Kurzweil SP3X…
This is quite an old track that got abandoned because I didn't feel it was right or going anywhere.
But listening to it in iTunes this morning I thought it passed muster. I don't think it has enough variation to justify it's length but it's gently…
I needed 2m02 to finish the album. I was completely spent and without a drop of creative juice left. Just noodling with an Omnisphere patch when one of my cats, Mississippi, jumped on my keyboard and proceeded to walk up and down and sit on various…
So this track was purely for the fun of it. I was messing about in Omnisphere and came across this wonderful sound that reminded me of the guild highliners in Dune.
I built a beat around in using Stylus, Ricochet, and Dubstation. Then added more…
This is quite an old track that got abandoned because I didn't feel it was right or going anywhere.
But listening to it in iTunes this morning I thought it passed muster. I don't think it has enough variation to justify it's length but it's gently…
So this track was purely for the fun of it. I was messing about in Omnisphere and came across this wonderful sound that reminded me of the guild highliners in Dune.
I built a beat around in using Stylus, Ricochet, and Dubstation. Then added more…
So this track was purely for the fun of it. I was messing about in Omnisphere and came across this wonderful sound that reminded me of the guild highliners in Dune.
I built a beat around in using Stylus, Ricochet, and Dubstation. Then added more…
This is quite an old track that got abandoned because I didn't feel it was right or going anywhere.
But listening to it in iTunes this morning I thought it passed muster. I don't think it has enough variation to justify it's length but it's gently…
This is quite an old track that got abandoned because I didn't feel it was right or going anywhere.
But listening to it in iTunes this morning I thought it passed muster. I don't think it has enough variation to justify it's length but it's gently…
So this track was purely for the fun of it. I was messing about in Omnisphere and came across this wonderful sound that reminded me of the guild highliners in Dune.
I built a beat around in using Stylus, Ricochet, and Dubstation. Then added more…
The exquisite bass was performed by my friend Edo Castro, but everything else was done on a Waldorf XTk.
In fact, originally the bass line was from an entirely other recording. What I did was to mute the other tracks and record all new ones…
For the upcoming Mobtown Modern show "Low Art" next Wednesday, Brian Sacawa will perform (among other pieces in the jumbo saxophone repertoire) "Maknongan" by Giacinto Scelsi (performed on bari sax). For the event, Brian asked me to create a remix…
Today I gave a quickie demo of Live to my guitar instructor. I started with an empty set and threw some crap at the wall just to show him one of the work flows.
Later, when I brought the thing home I couldn't leave well enough alone and started…
Interactive audio walking tour, a collaboration with artist Kianga Ford.
The Story of This Place is a series of site-specific narratives that offer a portable audio soundtrack that guides the listener through a site with a fictional narrative…
Logic 9 - using samples from "8.5" and "8.8" by Supersilent, as well as some drum sounds from "No One Gives A Hoot About Faux-Ass Nonsense" by Don Caballero
Memories of walking a coonhound in the small hours around the empty structures of Baltimore's Artscape festival before dawn- silent ferris wheel standing behind the rows of booths, vacant carnival installations on the Charles St Bridge. In this…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Uploaded a new version which fixes the drums although there's still a feedback problem (related to MIDI timing I think) that needs to be fixed in a final mix.
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Okay this is the problem with mixing being "throw a mastering channel strip on it, bounce, upload". At some point about the 2 minute mark the drums track have cut out - probably overloaded Reaktor again. So then you get 2:30 that is largely just the bass.
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
When you do this kind of track it evokes a feeling of travelling without moving.
It reminds me of being a passenger in a car on a motorway at night, slightly tired and letting the world glide, carelessly, past me.
I've always liked that feeling.
Comments on Mr Sandbags's stuff
Hi Kirk. Thanks... I do have a crazy selection of effects these days which is responsible for a lot of the sonic mangling I can do. Over the next year or so I'd like to get more selective and more competent about the results :) I also think Yelyah's onto something. This might actually be a "track" if it had more structure. As it is the micro-structure created by automation isn't enough. Lots of things to work on! Thanks again. m/
OK- I'll admit I didn't listen to the whole thing, but I did hear about 6 minutes of it and it's interesting stuff! If I knew a tithe of what you do about manipulating sounds in software I'd be a league ahead of where I am!!
Yelyah, thank you for the encouraging words. You're right that I have a pretty unsophisticated approach to what a "song" is. It's a facet I've begun to notice in everything I have done so far, that it is structurally uninteresting. Guess I need to figure out how to take the next step! Thanks again. m/
I listened to the full 24. :) I dig what you've done here and would definitely call this music and not noise. I would like to see you create some separate sections. Like, a breakdown for instance, where you go for something totally different rhythmically before returning to the original idea. Keep on experimenting! :)
Bethan you're very kind to even attempt to listen to this! The kick drum that runs through the track is the source of most of the sounds, just mangled, tortured, and beat into shapes & frequencies kick drums were never meant to reach.
Full of fun, rhythm and interesting sounds. Trying to work out what some of them are, very cool!
glu: :)
yeah, it feels feminine, artificial, and something else.. i'll let you know when I can place my finger on it... if it lets me...
still hiding.
wonderful use of textures and very cinematic as others have said :)
Love the blending going on in this one. And what a title! :)
man i really dig this one. The sounds and mood you achieved here are just stellar.
I caught this groove.
Father, the Sleeper has awakened. I don't know where I went for 4 minutes but it made my hair move. Pretty cool and very creative.
Former South American dictator turned clown? ha! Think I remember reading up on that..sandbagdido?
your music has definitely been going somewhere over the past few releases. This is great dubby sounds.
I just folded space from my shop and found myself sitting in the studio in front of the monitors. Neat track!
oooh this is compatible with my circuitry!!!
A very cool track.
Sounds like a sexy girl robot getting ready for a night out. That sound at the end is her zipping up her silver thigh-highs.
Comments made by Mr Sandbags
Welcome Seth :)
Perfect Sunday morning track.
Oh man that was great.
ack...foo... no edits... channelling...
I believe Sister is channel the shorts... or something :)
That was rather fun :)
Love your sound.
Love this.
I enjoyed this one very much.
Cool sound.
What an awesome track, I love this.
Awesome track man, this puts me in mind of my beloved Apollo: Atmospheres & Soundtracks. Kudos to you!
Very chilled. Bring on the full track.
I'm really liking your stuff and happy to see a fellow Logic user!
Uploaded a new version which fixes the drums although there's still a feedback problem (related to MIDI timing I think) that needs to be fixed in a final mix.
Okay this is the problem with mixing being "throw a mastering channel strip on it, bounce, upload". At some point about the 2 minute mark the drums track have cut out - probably overloaded Reaktor again. So then you get 2:30 that is largely just the bass.
When you do this kind of track it evokes a feeling of travelling without moving. It reminds me of being a passenger in a car on a motorway at night, slightly tired and letting the world glide, carelessly, past me. I've always liked that feeling.
Fabulous sound. Liked this one very much.
I love the hauntingly distant piano's you've created here. Very much.
I was so totally there. Awesome.