~C'est magnifique, mais ce n'est pas la guerre~
In fact, russians thought that the British cavalry were drunk (and think so still), which slightly improved the reputation of the British cavalry for the rest of the war.
Something I've been listening to this morning on repeat so I thought I would record and share it.
At heart it's two instances of the Morpheus metallophone instrument layered together with some nice verb and a bit of compression.
One of the…
Something I've been listening to this morning on repeat so I thought I would record and share it.
At heart it's two instances of the Morpheus metallophone instrument layered together with some nice verb and a bit of compression.
One of the…
Something I've been listening to this morning on repeat so I thought I would record and share it.
At heart it's two instances of the Morpheus metallophone instrument layered together with some nice verb and a bit of compression.
One of the…
Something I've been listening to this morning on repeat so I thought I would record and share it.
At heart it's two instances of the Morpheus metallophone instrument layered together with some nice verb and a bit of compression.
One of the…
Something I've been listening to this morning on repeat so I thought I would record and share it.
At heart it's two instances of the Morpheus metallophone instrument layered together with some nice verb and a bit of compression.
One of the…
Something I've been listening to this morning on repeat so I thought I would record and share it.
At heart it's two instances of the Morpheus metallophone instrument layered together with some nice verb and a bit of compression.
One of the…
Something I've been listening to this morning on repeat so I thought I would record and share it.
At heart it's two instances of the Morpheus metallophone instrument layered together with some nice verb and a bit of compression.
One of the…
Space Trumpet was an excuse to try out my new plugin "Little Spacey" from Expert Sleepers and also to exercise the Kore sounds from Acoustic Refractions.
MIDI was supplied via IAC from Reaktor using Lazyfish's Spiral sequencer. The project…
Another one from my ambient crackpot series.
This features two instances of my new instrument the Novaphone 340 Imperial. A grand name for a grand instrument (Xylo just didn't do it justice).
The first Novaphone is playing three samples…
A micro-tonal piece made using one instance of the Novaphone 340 ("Imperial") playing 3 piano samples from SoundIron's "Emotional Piano 2.0".
The samples were sequenced using a MIDI keyboard using the Novaphone Micro-8 scale (1/8 semitone per…
A micro-tonal piece made using one instance of the Novaphone 340 ("Imperial") playing 3 piano samples from SoundIron's "Emotional Piano 2.0".
The samples were sequenced using a MIDI keyboard using the Novaphone Micro-8 scale (1/8 semitone per…
Another one from my ambient crackpot series.
This features two instances of my new instrument the Novaphone 340 Imperial. A grand name for a grand instrument (Xylo just didn't do it justice).
The first Novaphone is playing three samples…
Yeah, I can see why MTC felt the cops were after him. It does sound like that in places. I like the footsteps, that's an interesting addition.
Oh, is it over ......
A micro-tonal piece made using one instance of the Novaphone 340 ("Imperial") playing 3 piano samples from SoundIron's "Emotional Piano 2.0".
The samples were sequenced using a MIDI keyboard using the Novaphone Micro-8 scale (1/8 semitone per…
From the startling first note I imagined this accompanying a video of old, sunken shipwrecks
covered in anenomes with sharks weaving in and out!
That's because I have just been looking at some stunning photos of such. Perfect for it!
A micro-tonal piece made using one instance of the Novaphone 340 ("Imperial") playing 3 piano samples from SoundIron's "Emotional Piano 2.0".
The samples were sequenced using a MIDI keyboard using the Novaphone Micro-8 scale (1/8 semitone per…
Another one from my ambient crackpot series.
This features two instances of my new instrument the Novaphone 340 Imperial. A grand name for a grand instrument (Xylo just didn't do it justice).
The first Novaphone is playing three samples…
A micro-tonal piece made using one instance of the Novaphone 340 ("Imperial") playing 3 piano samples from SoundIron's "Emotional Piano 2.0".
The samples were sequenced using a MIDI keyboard using the Novaphone Micro-8 scale (1/8 semitone per…
I would have added: as a result of sound pierced through and through, and go somewhere further on. I turned it on full blast in the studio and seems distant neighbors nervous. I hope they were worried about the meaning of life, as I do now. Here it is - The Result, Matt.
Another one from my ambient crackpot series.
This features two instances of my new instrument the Novaphone 340 Imperial. A grand name for a grand instrument (Xylo just didn't do it justice).
The first Novaphone is playing three samples…
Another one from my ambient crackpot series.
This features two instances of my new instrument the Novaphone 340 Imperial. A grand name for a grand instrument (Xylo just didn't do it justice).
The first Novaphone is playing three samples…
I feel like I'm aloft and tumbling wildly across vistas of 80's virtual reality grids as I'm listening to this like Tron meets a bad case of sunstroke. Nice use of pitch.
A demo track for a new Reaktor instrument I'm building codename: Mimetron.
Loop Guitar 1 is a long, flowing, ambient piece. Mellow with a few moments of grit.
Mimetron is a 3 voice sampler that is driven by incoming audio. It has 3 channels…
Thanks for the nice comments my friends. I've been away (for various reasons) from music for some time and this is one of my first few forays back. Trying to recapture my spirit of adventure!
This is the first track made with my new Reaktor instrument 'Super Scanoid' which might just have well been named '1950s Sci-Fi Soundtrack Generator".
The sounds it makes with this sample (a bouncy pizzicato cello) reminded me of the score from…
This is the first track made with my new Reaktor instrument 'Super Scanoid' which might just have well been named '1950s Sci-Fi Soundtrack Generator".
The sounds it makes with this sample (a bouncy pizzicato cello) reminded me of the score from…
Two guitar tracks, lots of effects and some beer.
For the gear heads, the effects list was:
EHX - Freeze
EHX - Memory Man with Hazarai
TC - Hall of Fame Reverb
Digitech - JamMan Stereo
TC/PGS - Trinity Reverb
xotic - EP booster
NI - Guitar Rig 4
I'm playing with making short animated movies (about 1 minute long at the moment) using ArtMatic and Studio Artist. This is a track composed to go with one of those movies.
It uses an original violin sample from Markus Czwiertnia.
I love the music and tone of this one. The way the opening draws you in, the tension of the strings, and the rising, sucking, synth almost like someone whistling across a wasteland. Yet the strings bring you back! The whole thing is more than the sum of its parts.
After a long summer of doing stuff other than recording it was time to get back on the horse.
Sonically, this isn't much of a departure but I am trying a couple of new things technically.
One it that I spent more time on the drums (an achilles…
Has a feeling of being in between places, like looking out of the window on a long train journey. I think the drums work quite well. Good stuff, welcome back :)
I'm trying to experiment with intentionally combining two different sounds. Since I seem to find this difficult I am starting with using a drone as one of the sounds taking my inspiration from the opening tracks of the Brian Eno & Jah Wobble…
I agree it's a bit shrill in places. This track is actually one of the few times I've thought I shouldn't just publish but should polish. I often struggle with this feeling and - as with this track - lose.
I'm trying to experiment with intentionally combining two different sounds. Since I seem to find this difficult I am starting with using a drone as one of the sounds taking my inspiration from the opening tracks of the Brian Eno & Jah Wobble…
Thanks for the positive thoughts. I'm getting some odd distortions on playing here this morning that I didn't notice in the original (esp. since this piece doesn't play "hot"). They're not supposed to be there. Odd.
Comments on Mr Sandbags's stuff
~C'est magnifique, mais ce n'est pas la guerre~ In fact, russians thought that the British cavalry were drunk (and think so still), which slightly improved the reputation of the British cavalry for the rest of the war.
~ Was there a man dismay'd? Not tho' the soldier knew Some one had blunder'd ~
Listened many times. Still haven't thought of anything to say. So I'll just leave it at: Kilroy was here.
I see icicles with the ends dripping. All lovely, crispy clean and sparkly. Very nice, Bags!
Great mix of very cool sounds.
very nice.
@igor: words fail me :) @sister: thank you :)
Lovely tones.
At heart it's a Tibetan, lost in mantras, is not seeking to escape because he did not need it anymore. He is in himself, completed. ~The Long Now~
Cool and distant, :)
Following on from Sirens, good use of space and delicate sounds, haunting.
Chilling and atmospheric, nice.
@Bethan: thanks... my imagery was of drifting far out on the edge of the solar system. A very similar feel... down in the inky depths.
Yeah, I can see why MTC felt the cops were after him. It does sound like that in places. I like the footsteps, that's an interesting addition. Oh, is it over ......
From the startling first note I imagined this accompanying a video of old, sunken shipwrecks covered in anenomes with sharks weaving in and out! That's because I have just been looking at some stunning photos of such. Perfect for it!
Nice mix mate very cool.
Wind, cold wind right here, with echoes of nothingness - that's where the trick, but not "filtering", Matt, even if you... I think so.
I would have added: as a result of sound pierced through and through, and go somewhere further on. I turned it on full blast in the studio and seems distant neighbors nervous. I hope they were worried about the meaning of life, as I do now. Here it is - The Result, Matt.
Whatever he said, it works for me.
Sounds like the cops are after me, kept looking over my shoulder ;)
Comments made by Mr Sandbags
I feel like I'm aloft and tumbling wildly across vistas of 80's virtual reality grids as I'm listening to this like Tron meets a bad case of sunstroke. Nice use of pitch.
Cool track.
Thanks for the kind words folks, gave me a lift :)
Thanks for the nice comments my friends. I've been away (for various reasons) from music for some time and this is one of my first few forays back. Trying to recapture my spirit of adventure!
Thanks Len. Looks like I have a lot of your uploads to catch up on!
Hmmm listening in headphones there's very little movement which creates a disappointingly static impression. Something to work on.
Thanks guys, inebriated waveforms could be said to be the speciality of the house!
This does have a Sci-fi feel to it. I think it fits right in with Voyager-1 leaving our solar system.
Why thank you all, glad you like :)
Think maybe we should do an extended version one day :)
Ah that last comment was from me, didn't notice I wasn't logged in.
Like it.
Great drone, love the percussion, cool track!
I love the music and tone of this one. The way the opening draws you in, the tension of the strings, and the rising, sucking, synth almost like someone whistling across a wasteland. Yet the strings bring you back! The whole thing is more than the sum of its parts.
Drama is clearly good for you :)
That was really good Steve. One strangeness: the track is listed as being 6:16 long but stops (seemingly naturally) at 5:52.
That was awesome guys.
Has a feeling of being in between places, like looking out of the window on a long train journey. I think the drums work quite well. Good stuff, welcome back :)
I agree it's a bit shrill in places. This track is actually one of the few times I've thought I shouldn't just publish but should polish. I often struggle with this feeling and - as with this track - lose.
Thanks for the positive thoughts. I'm getting some odd distortions on playing here this morning that I didn't notice in the original (esp. since this piece doesn't play "hot"). They're not supposed to be there. Odd.