This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous.
But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
Other then the choir, it reminds me of a windy night up in a canyon. Well...a little more ominious....so maybe spending a windy night in a canyon with no fire or flashlight, surrounded by wolves, and your sitting on a box of meat...alone in the dark......something like that....
In short i really like it.
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
Very cool. Really like the way the sound changes almost as though we moving through a space. Sometimes oppressive and closed, sometimes open, always dark. And that choir following us around like a full moon on those long night drives...
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This is a first test of a sequencer I built, using Max for Live, based on Audio Damage's latest plugin [Axon](http://www.audiodamage.com/instruments/product.php?pid=AD026).
Axon looks great but I'm saving for a Mac Pro so, to save money, I…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
I swore that I would NEVER upload this. Was having a bad day trying to loop "nice" acoustic guitar sounds and got frustrated so grabbed my Taylor and plugged it into a cheesy Effects box and straight into the looper. Started twiddling knobs and…
Ok, I have decided to put it here. It is a stretch containing several ideas, it falls apart here and there (especially at 3:10), but I think the atmosphere shines through.
Hope I can return to it in a couple of weeks (when my head is clear…
I really enjoyed this track, it's got a great groove and lovely sound. I didn't notice anything untoward around 3:10 although I confess I wasn't listening totally focused so maybe I missed something. For a work in progress I'd have to say this sounded pretty polished and I look forward to future mixes.
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
For improv friday
This is part 2 - see Keys at Lowes for an explanation of what I'm trying to do.
Ok, another try using base frequencies of 0.1, 3, 10, 17, 33 and 48 Hz spread in stereo space plus some of the original mixed in. (additional…
This is right up my street, you're really getting some fabulous timbres out of this. I tried the improvFriday site a couple of weeks ago but really had no idea what I was doing.
For improv friday
I did an experiment using Paul's Extreme Stretch harmonics function and Audacity.
I took a raw field recording (included here field recording http://notonlymusic.com/board/download/file.php?id=1187 ) and ran it through…
Comments on Mr Sandbags's stuff
I'm vibrating.....
Pardon?!
@Sis: Have to be careful of things swooping on you strangely :)
Very atmospheric, strangely swooping and ethereal for the thickness.
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous. But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
@MTC: lol... thank you
That choir chant coming in and out definitely makes this more psychedelic and somewhat disorienting... Nice textures & space.
Other then the choir, it reminds me of a windy night up in a canyon. Well...a little more ominious....so maybe spending a windy night in a canyon with no fire or flashlight, surrounded by wolves, and your sitting on a box of meat...alone in the dark......something like that.... In short i really like it.
Very cool. Really like the way the sound changes almost as though we moving through a space. Sometimes oppressive and closed, sometimes open, always dark. And that choir following us around like a full moon on those long night drives...
Reminds me of my days working in the Denebian trilithium mines.
@bethan: probably i need about 50' clearance all around!
So, it's going to be a detached one, I take it!! Stirring stuff Bags!
That was really cool mate.
Very cool hypnotic sounds!
The video is essential to even approach comprehension of this. Wild stuff!
The fun police are looking for you. Very cool.
That looks like far too much fun.
Oh, Bags, that's creepy stuff!
Wild system.
Comments made by Mr Sandbags
I can't put it any better than m'friend & colleague WS.
I'm still trying to get my head around improvFriday but I'm definitely going to give it another try if I can listen to you playing this kind of stuff!
Love your new sound :)
This isn't the kind of thing I'd normally go for but i like the sound and, as osckilo says, vibe you've got going on in this track.
Fun stuff.
Nice... and too short :)
Good stuff.
Great loop!
Well I enjoyed this.
Sounds good to me man!
Great track Bruce, really enjoyed that.
Cool sound.
I really enjoyed this track, it's got a great groove and lovely sound. I didn't notice anything untoward around 3:10 although I confess I wasn't listening totally focused so maybe I missed something. For a work in progress I'd have to say this sounded pretty polished and I look forward to future mixes.
Great song guys.
Enjoyed that.
Wish I could come along to one of your rehearsals!
Great track, esp. love the section starting around ~1:45 and the bass, and the synth, and oh everything :)
Oh man, i was just getting into that when it faded..!
This is right up my street, you're really getting some fabulous timbres out of this. I tried the improvFriday site a couple of weeks ago but really had no idea what I was doing.
Arthur C. Clarke once wrote "Any sufficiently advanced technology is indistinguishable from magic". This was truly magical my friend :)