Written for/about Ben Montgomery. Answering machine messages wondering where he might be are from yours truly and Jason Biehler, his two closest friends who were always trying to track him down.
After an adventure in re-recording the entire song down a third, we came back to the original, tightened and tuned.
Always the self flagellating perfectionist, it still needs a bit more love. Always the pragmatist, it is probably done for now.
After an adventure in re-recording the entire song down a third, we came back to the original, tightened and tuned.
Always the self flagellating perfectionist, it still needs a bit more love. Always the pragmatist, it is probably done for now.
Every single sound source on this tune comes from a cheesy 70's Capitol Records promotional record. A great record, mind you, complete with faked dialogues between engineer and producer. At times, it's messy, so hold onto your faders.
After an adventure in re-recording the entire song down a third, we came back to the original, tightened and tuned.
Always the self flagellating perfectionist, it still needs a bit more love. Always the pragmatist, it is probably done for now.
After an adventure in re-recording the entire song down a third, we came back to the original, tightened and tuned.
Always the self flagellating perfectionist, it still needs a bit more love. Always the pragmatist, it is probably done for now.
After an adventure in re-recording the entire song down a third, we came back to the original, tightened and tuned.
Always the self flagellating perfectionist, it still needs a bit more love. Always the pragmatist, it is probably done for now.
After an adventure in re-recording the entire song down a third, we came back to the original, tightened and tuned.
Always the self flagellating perfectionist, it still needs a bit more love. Always the pragmatist, it is probably done for now.
After an adventure in re-recording the entire song down a third, we came back to the original, tightened and tuned.
Always the self flagellating perfectionist, it still needs a bit more love. Always the pragmatist, it is probably done for now.
After an adventure in re-recording the entire song down a third, we came back to the original, tightened and tuned.
Always the self flagellating perfectionist, it still needs a bit more love. Always the pragmatist, it is probably done for now.
Every single sound source on this tune comes from a cheesy 70's Capitol Records promotional record. A great record, mind you, complete with faked dialogues between engineer and producer. At times, it's messy, so hold onto your faders.
Every single sound source on this tune comes from a cheesy 70's Capitol Records promotional record. A great record, mind you, complete with faked dialogues between engineer and producer. At times, it's messy, so hold onto your faders.
hello sudara-i like the way it starts wiv those beats..cool fx-reminded me of playing pld sega master systym games-mad vox-some crazy mixes thrown in there-had to fave it
thanks for taking care of that for me. i wasnt strssing though.iwas kind of amused by it. i dont think much of my music anyway. i do know there are people here that intend to make money doin this stuff and id hate for that to happen to them.p.s. as i type im listening to this absolutely beautiful song.great work.just lovely.ern
A jarring Elysium composition, structurally similar to Komposition-1 but using the Kore 2 instruments "Boesen Buddy" and "Trembling strings" played simultaneously. I think I was also using an osciallator to control note velocity. I need more flexibility…
The first bioelectrophilia track since returning to the US. This song was made with only 2 saki monkey vocalizations. Note the beginning of the song which demonstrates how one vocalization was turned into part of the percussion.
Woah, the dive and cut of the vocalization is awesome....then, the sweet entrance of the full beat...wooo! +1 for tunes that decompose/recompose and teach us how they are built.
This series is a definite hit!
This is a pre-release of a song from my new album. The song still needs some polish and rubbing. I will change it out once i get done with the final version. The lyric was written a long time ago, of what could or couldn't have been:) Thats the…
This song is going to be the intro to my debut album. I wanted choose to make a beat that would't be the norm in Hip Hop.This beat was the result and everything else just fit. This song is all about BECOMING somthing even though friend or foe…
Got into a bit of a mess recently and, well, this is me not doing anything about it (except sitting here and recording this, eh). I really need an acoustic with pickups.
this song is about entering the space of friends, brothers, loved ones.... it's about entering their sadness, their joy, their pain. Journeying along side those I love and finding out that so often I fall so short. This song is about the letting…
this song is about entering the space of friends, brothers, loved ones.... it's about entering their sadness, their joy, their pain. Journeying along side those I love and finding out that so often I fall so short. This song is about the letting…
The title comes from reading "The Willows in Winter" to my son Maurice, which is the sequel to "The Wind in The Willows" and thinking of Toad and the sort of idyllic natural landscape. While messing around in Logic, I ended up creating a "Drag…
This song made a little splash in the New Music blogosphere back in July 2008. With possibly the first diss rap directed at modern chamber music groups, Hybrid Groove Project (that's DJ Dubble8 and new music saxophonist Brian Sacawa) brought some…
This is freaking hilarious! Milton Bizzabit! Perfectly fitting samples. Create that controversy, Dubble8!
My absolute favorite line: "Sound original? Nope!
We’re putting new dope twists on licks that Philip Glass wrote."
When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
A piece I produced for Classical Public Radio last fall after interviewing conductor Stefan Sanderling. What he has to say about music and why he does what he does is powerful, especially against the backdrop of music from Shostakovich's Symphony…
For the record, nothing is out of "format" for alonetone. If it is uploadable, and you made it then it is worth listening to. Bring it on. (I mean it, I really enjoy listening to your stuff)
Comments on Sudara's stuff
Sign me up. I'm a fan.
Makes me want to go on a long drive to nowhere. Love it.
que nice
c h or d . we could call them the haunted years.
Diminished as in the chord, or the skill set?
The classic of classics from the diminished years.
You can't beat an acoustic guitar to express feelings of sadness and similar kind of emotions. A very beautiful melody with lovely rich tones.
boy o boy. that split pan out at around 4:30 makes me swooooon!
I LOVE this mix! Out-friggin'standing!
Dude I swear I just got a messege from you, that's crazy. Technology. Out of control.
is this Ichat ish?
I am ben's friend
Good god... I absolutely LOVE this mix! Out-friggin' standing.
you're better at David Bowie than he is!
wowowowowowowow!
This reminds me of Bob Dylan...except you have a better voice. A very cool track indeed.
Wow mate I love this and all the rest
nice bass jus droppin in now
hello sudara-i like the way it starts wiv those beats..cool fx-reminded me of playing pld sega master systym games-mad vox-some crazy mixes thrown in there-had to fave it
thanks for taking care of that for me. i wasnt strssing though.iwas kind of amused by it. i dont think much of my music anyway. i do know there are people here that intend to make money doin this stuff and id hate for that to happen to them.p.s. as i type im listening to this absolutely beautiful song.great work.just lovely.ern
Comments made by Sudara
"Jesus has had his weetabix!!" Awesome tune, i love the way it rolls.
This one is my favorite from your first three uploads
Woah, the dive and cut of the vocalization is awesome....then, the sweet entrance of the full beat...wooo! +1 for tunes that decompose/recompose and teach us how they are built. This series is a definite hit!
Wow, this one managed to slip by me a month ago. Good work.
Amazing mix of sounds, I keep being surprised. Quirky and poppy and oh my.
This one stopped me. Resonated with me.
Very very nice playing. That guitar sure sings!
This beat is great - drives you really well. Down with the norm, up with real people.
Pretty, with a side of melancholy. Love the metronome, it makes the tune for me.
Ok, more like two hours! over and over...
I just sat here and listened to your music for a good hour. Wonderful stuff, Anthony.
I agree with ACL. Short and very sweet.
Really enjoying the active Piano in this one, it rocks out at 7:10!
This is great. Chilled out and well recorded!
Nice, Skidoo, this is some clean and relaxing playing.
Man, this one clicks for me.
This is freaking hilarious! Milton Bizzabit! Perfectly fitting samples. Create that controversy, Dubble8! My absolute favorite line: "Sound original? Nope! We’re putting new dope twists on licks that Philip Glass wrote."
Ooooh, I love the wah and distortion on this one, freaking awesome.
Sweeet, great opener for this album, man.
For the record, nothing is out of "format" for alonetone. If it is uploadable, and you made it then it is worth listening to. Bring it on. (I mean it, I really enjoy listening to your stuff)