nice,,, i like this,, where did you get the tin synth? i play a bit of the whistle myself, but i have not seen such a synth,,, do they feature different types like clark and susato?
anyway well done Richard
so ahhhhhh are you a usc fan or just a fan of? anyway.....this is smooookin,,,, if this is what whiskey does for one,,, i'll have to go find myself some.... i guess only being a beer imbiber explains my own sounds..... well played/sounded?
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
well done friend,,, it's wonderful piece, and your orchestration it very interesting,,, some questions (and i'll make these as public, in case anyone else is interested in the tech aspects) did you have a digital piano score,, or working from printed manuscript first or perhaps you already know this memorized and broke it out from that? about how long did this process take??? It's a cool thought/work,,, and though i have not done this myself ,, yet,, it looks like a lot of fun.... once again well done,, i am constantly amazed at your creative/musical talents... Richard
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
This is one of my first alonetone collaborations written by Louis Smit.
Everyone should go listen to some of his tunes. Louis is a very original
and talented folk style acoustic guitarist- singer - songwriter.
You can hear him here.
http://alonetone…
This is a special request by Sister.
It's kinda sloppy. Frankly, because I suck at it :)
I'm not much of a cover musician but I gave it hell.
It's mostly analog. MIDI drums, DB33 organ patch,
strat leads, and Ibanez chords, Dean bass…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
Comments on vaisvil's stuff
Excellent arrangement mate the mix sounds good to me. This is a great piece any one who is into piano should do this one. Brilliant.
very very well done!
nice,,, i like this,, where did you get the tin synth? i play a bit of the whistle myself, but i have not seen such a synth,,, do they feature different types like clark and susato? anyway well done Richard
That's it- I'm buying a bottle of Jack Daniels later today!
Raunchy.
so ahhhhhh are you a usc fan or just a fan of? anyway.....this is smooookin,,,, if this is what whiskey does for one,,, i'll have to go find myself some.... i guess only being a beer imbiber explains my own sounds..... well played/sounded?
very hot and cool!
:)
ummm, ummm...I love this track! Excellent work! w;-)
I agree with ACL
One of the most beautiful pieces of music EVER written. Wonderful arrangement. w;-)
sweet
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Sounds lovely, very nicely done!
well done friend,,, it's wonderful piece, and your orchestration it very interesting,,, some questions (and i'll make these as public, in case anyone else is interested in the tech aspects) did you have a digital piano score,, or working from printed manuscript first or perhaps you already know this memorized and broke it out from that? about how long did this process take??? It's a cool thought/work,,, and though i have not done this myself ,, yet,, it looks like a lot of fun.... once again well done,, i am constantly amazed at your creative/musical talents... Richard
The low brass captures the mood of the piece perfectly. Nice interplay between the voices. Well done!
Nice Job Fella! I'll have to check out that link that you sent me. Thanks.
Wonderful job! It all sounds very realistic to me!
This is a frosty little piece, I like the blend and instrument choices
very nice
Comments made by vaisvil
Excellent!!
Excellent sounds and I keep wanting to hear more of her :-) I especially like the percussion.
Beautiful!! In composition and execution.
Nice tune - so this is a cover?
Nice tune - like the production
nice an heavy!
entrancing! Not at all what I expected with "march" in the name - much more subtle and smooth - I enjoyed this one very much!
Awesome!!! This is so perfect!
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!