in order
Agnus dei - Free organum Anonymous 12th C
Benedicamus domino - Melismatic organum Anonymous 12th C
Deo gracias Anglia (The Agincourt Carol) Anonymous 15th C.
score
http://micro.soonlabel.com/just/adaptive_JI/AGNUSDEI.pdf
in order
Agnus dei - Free organum Anonymous 12th C
Benedicamus domino - Melismatic organum Anonymous 12th C
Deo gracias Anglia (The Agincourt Carol) Anonymous 15th C.
score
http://micro.soonlabel.com/just/adaptive_JI/AGNUSDEI.pdf
19 note per equal guitar, loopstation, sonar X1, processing.
Impressions Of Francois-Marie Arouet (De Voltaire) written and read by Ezra Pound
III
To Madame Lullin
You’ll wonder that an old man of eighty
Can go on writing you verses…
in order
Agnus dei - Free organum Anonymous 12th C
Benedicamus domino - Melismatic organum Anonymous 12th C
Deo gracias Anglia (The Agincourt Carol) Anonymous 15th C.
score
http://micro.soonlabel.com/just/adaptive_JI/AGNUSDEI.pdf
Picture and information here:
http://chrisvaisvil.com/?p=859
Line up:
2 tracks (right and left) of hammer dulcimer, fretless bass, and cameo appearances for both fretless guitar and electric psaltery.
19 note per equal guitar, loopstation, sonar X1, processing.
Impressions Of Francois-Marie Arouet (De Voltaire) written and read by Ezra Pound
III
To Madame Lullin
You’ll wonder that an old man of eighty
Can go on writing you verses…
19 note per equal guitar, loopstation, sonar X1, processing.
Impressions Of Francois-Marie Arouet (De Voltaire) written and read by Ezra Pound
III
To Madame Lullin
You’ll wonder that an old man of eighty
Can go on writing you verses…
Ambient video and audio improvisation with my 19 notes per octave guitar, loopstation, Marshall amplifier, Zoom H2 and post-processing.
on youtube
http://www.youtube.com/watch?v=gGO0R381HQs
full quality video
http://clones.soonlabel.com/public…
Part-1 (first 11 minutes) was calming and elusive..the second part all the way to the 22nd minute was harpooning my thoughts, just brilliant Chris! More like this...please.
Picture and information here:
http://chrisvaisvil.com/?p=859
Line up:
2 tracks (right and left) of hammer dulcimer, fretless bass, and cameo appearances for both fretless guitar and electric psaltery.
Ambient video and audio improvisation with my 19 notes per octave guitar, loopstation, Marshall amplifier, Zoom H2 and post-processing.
on youtube
http://www.youtube.com/watch?v=gGO0R381HQs
full quality video
http://clones.soonlabel.com/public…
Ambient video and audio improvisation with my 19 notes per octave guitar, loopstation, Marshall amplifier, Zoom H2 and post-processing.
on youtube
http://www.youtube.com/watch?v=gGO0R381HQs
full quality video
http://clones.soonlabel.com/public…
Ambient video and audio improvisation with my 19 notes per octave guitar, loopstation, Marshall amplifier, Zoom H2 and post-processing.
on youtube
http://www.youtube.com/watch?v=gGO0R381HQs
full quality video
http://clones.soonlabel.com/public…
Ambient video and audio improvisation with my 19 notes per octave guitar, loopstation, Marshall amplifier, Zoom H2 and post-processing.
on youtube
http://www.youtube.com/watch?v=gGO0R381HQs
full quality video
http://clones.soonlabel.com/public…
This is in some boring typical genre. I just can't figure out which one. Perhaps Wiccan dances for epileptics? Not sure.
In Cold Hell, in Thicket is a microtonal musical setting of Charles Olsen reading his poem in 1950 as provided by PennSound…
I enjoyed the imagery on the video a real pandora box of images....... a nightmare vision within the music an excellent ride.....sounds like you had a big stick to conduct the prisoners
download full quality video (157 MB)
http://micro.soonlabel.com/17-ET/Dead_Sea.wmv
This is a guitar piece in classical style in 17 notes per octave using the 17 version of the phyrgian mode. In normal 12 equal tuning phyrgian mode starts on…
Lovely!
So your guitar has 17 frets to the octave or you retune so the octave is at the 17th fret instead of the 12th? does it tune up in a similar way? which fret gives you the note for the next string?
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
Wonderful use of the voices to produce the rhythm. Lovely!
Wow... This is superb!
Much beauty can be cultivated in 80 years... and perhaps true beauty always forgets itself.
Bringin us back to the ancient times with a nice little motet/chorale. Cool! Wish I could hear it with live singers. It would be glorious.
Very interesting sound indeed.
That is most touching, yes, most touching. With fading eyesight she looks out on a world through a net curtain, not noticing! The music was perfect.
The panning enriches the intro wonderfully. Very cool sounds.
Part-1 (first 11 minutes) was calming and elusive..the second part all the way to the 22nd minute was harpooning my thoughts, just brilliant Chris! More like this...please.
Another way to enjoy this is open a second window in your browser and start Norm's Ilesa at the same time.
loving the broken timing that is synced again in the end. very very tense in the intensity of it.
Very well done!!!!!!!
Cosmic
Whose house were the other 20 seconds at? Intriguing sounds!
Stirring and mystical! My kinda morning!
Very cool.
this one's right up my street Chris. Nice.
What have i to say?........i listened and let the words words wash over me and enjoyed the experience...thank you
I enjoyed the imagery on the video a real pandora box of images....... a nightmare vision within the music an excellent ride.....sounds like you had a big stick to conduct the prisoners
A little avante garde for me but I can appreciate the work that went into it.
Lovely! So your guitar has 17 frets to the octave or you retune so the octave is at the 17th fret instead of the 12th? does it tune up in a similar way? which fret gives you the note for the next string?
Comments made by vaisvil
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!
another very interesting piece! Thanks for sharing!
very interesting work here. What do you use for your sound source?