Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful
subtlety to this end. I like that.
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed.
And what an interesting poem. I read up on it. Some highlights:
With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure.
It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,†he begins, “I was aware of becoming involved in her laughter and being part of it.†He begins to feel as though he has physically become the laughter he is observing."
"The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If†the woman’s breasts “could†be stopped, “some†fragments “might†be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
As can happen when you listen to sometime a million times over your mind and ears start accepting things that later you wish you had not. This is a (much better imho) revision thanks to the urging of Gary from the music by computer list.
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
This is an improvisation (with a bit of editing where my timing got off by a lot) for this week’s ImprovFriday event
I used my M-Audio 88es to drive:
Korg MS2000
ARP 2600 V soft synth
Absynth 5 soft synth
Session 3 drummer soft synth
Pianoteq…
here is a song from 72, by bread, that I always wanted to make a harder rock version of. an idea I have had since the early 70's. this was one of the rockin' songs by bread who did a lot of mellow love songs. there is something fun about turning…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
Playing guitar while watching a storm come in on weather radar.
Fernandes guitar with the sustainor pickup system. It's like an ebow for all the strings at once! Loads of fun :)
Playing guitar while watching a storm come in on weather radar.
Fernandes guitar with the sustainor pickup system. It's like an ebow for all the strings at once! Loads of fun :)
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
I asked JohnnyRobbo from over on the Cool-lab to do the backer for this one as our next Collab together and he's done an outstanding job on it ...I had the easy bit adding the words...Hope you enjoy this Led Zep classic......
All this Big Brother is getting a bit much for Reg............so he's got to thinking... O,O!!.... So here's a bit of a noodling folkyPsychodelic thing in Protest at our loss of freedom and where the future may lie......who's to blame?..........
Reg is leaving in the morning...there's a great big world out there to see....Acoustic & Voice trying to play that Bb Harp.........
I can’t play it safe (Lyrics
i can hear you say you want to play it safe
but i’ve got dreams i want to…
Comments on vaisvil's stuff
Emilys voice is quite haunting in play with Ricks Guitar and Chris's Bass and the percussion goes with out saying is excellent. Good one
Beautiful job, Emily! I love it!
Nice additions. Very cool!
Like the soothing vocals, percussion by norm?,,,wow this good!
Cool song and istrumentation
Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.
WOW! Great sound and meaty lyrics, maestros!
very cool guys,,,,has a primal feel,,,,,,enjoyed very much
nice spoken word piece and the music provides the perfect backdrop.
Great percussion as well arrryyehh yeehh yaaah
Enjoyed this immensely in fact so much so i started to laugh
Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,†he begins, “I was aware of becoming involved in her laughter and being part of it.†He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If†the woman’s breasts “could†be stopped, “some†fragments “might†be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.
Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.
What a vocal. Go for it Chris!
Crazily spooky! Totally envy your sustained notes. Damn.
DL'd for later :)
I like the long held out vocals combined with the scales your using....very somber, and droning feel. Very off-tune...but yet very much in-tune...
Less then one minute in and i already love it.
very nice,, as always i am amazed by your art
Beatifully sick! I like it very much!!
Comments made by vaisvil
I'm at 28+ minutes.... this is awesome!
Beautiful. Gosh I really love what you do with your rig.
don't step on the event horizon!
yeah this is a good song indeed.
15 edo
crazy stuff!
I should mention the echo was a real echoplex... I do miss it.
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
If by fuzzy wuzzy you mean touching my heart - well I had a crush on Cindy.
it is a vintage 1975 cassette recording with bad equipment - please listen to the spirit, not the reality.
this is great - there is a lot of playing with expectation in this. that is awesome work Bruce!
Beautiful Bruce!
I agree with Kavin
awesome!!
Easily gets "one of the best of AT" awards! Awesome song!
oh yeah - this superb!
execellent!
Thank you so much for singing on this! Man you have a good voice!
is true that in Minnesota the ice never complete melts, it just get s a green cover in summer for a few weeks? lovely video and music guys!
downloaded for posterity...