Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
I used about half of the tones produced in my stop sign video as samples looped in Kontakt and improvised on an 88 key controller in 17 equal notes per octave. Not something you'd listen to for enjoyment.
In 2009 I ran an internet contest where contestants had to use one or more of the samples provided in their piece. Here I put together a number of the samples I provided into one piece.
Original Artist's description:
A cover of George Harrison's All Things Must Past created to mark TiS' imminent passing. Yes my voice sucks - if you want to take a shot at singing it contact me. now Norm joins in - any more takers?
In 2009 I ran an internet contest where contestants had to use one or more of the samples provided in their piece. Here I put together a number of the samples I provided into one piece.
Original Artist's description:
A cover of George Harrison's All Things Must Past created to mark TiS' imminent passing. Yes my voice sucks - if you want to take a shot at singing it contact me. now Norm joins in - any more takers?
I used about half of the tones produced in my stop sign video as samples looped in Kontakt and improvised on an 88 key controller in 17 equal notes per octave. Not something you'd listen to for enjoyment.
Original Artist's description:
A cover of George Harrison's All Things Must Past created to mark TiS' imminent passing. Yes my voice sucks - if you want to take a shot at singing it contact me. now Norm joins in - any more takers?
I used about half of the tones produced in my stop sign video as samples looped in Kontakt and improvised on an 88 key controller in 17 equal notes per octave. Not something you'd listen to for enjoyment.
Last one to upload today (probably)
Year: 1977
Album:
Classical Clones
Artist's description:
Something I found on tape - the best of the 6 pieces.
Me preforming a Villa Lobos piece about 1977 - a recording made while preparing for a recital…
I like IT!!!,, very nicely played, also you continue to amaze me with your production intensity, ah i hear Pyewacket,,, mine Dachshund Howie,, has a particular habit of howling whenever i play Bach,,, it's sort of funny (to me at least) i have thought of making a video of he and i in duet,,, anyhow well played friend
This is a combination of field recording, slicing up a guitar performance into loops, using loops and effects that came with Sonar X1 in Sonar's matrix view with a bit of editing of the matrix performance.
Can't Stop Myself by Chris (Vaisvil) and the Clones - Gothic Techno-industrial metal - ISDN stereo => from 1996
Can't Stop Myself
the thoughts they in my head
spinning around
the thoughts they eat my head
and rip me down
they want me to do…
Well, I should give some background. Sometimes, for me, the difference in tunings are hard to discern - I don't have perfect or even good relative pitch discrimination. So I can get fooled. The Prelude for a Centaur tuned piano was actually composed…
I have mashed Shane Cadman and Chris Vaisvil and myself. this is a neat mix -- I took Shane Cadman's song here and then with Chris's mandolin work I stretched it out to match the length of Shane's Song as well as doing the same with two drum…
Nice neoclassical trio - very pleasant!
The octave mandolin is available at music stores that deal in folk / country instruments. I bought mine used and is made by Trinity College. Not sure if they are still in business. Its double the size and not surprisingly tuned as a regular mandolin but an octave below. Search for Sierra Hull on youtube - excellent mandolin player and has some videos that compare the two.
So, here is the third and final Movement of my first Piano Concerto...have really enjoyed this project. I will soon now be adding the complete Work to this site too.
A collaboration with Chris Vaisvil! I'm so jazzed he took a Thumbjam sketch of an idea and ran with it. Either an alternate Star Wars imperial march or Amon Duul jamming with Mahavishnu, don't know which.
Chris Vaisvil: guitars
Kavin.: Synths…
Roland SE-02 through EHX Stereo Memory Man -> Zoom RFX-300. Title comes from a combination of the time length, and the fact that it was created for the current Sound-In for 1-7/1/2021.
Beautifully dark and mysterious that then explodes into barely contained chaos that ends in a plaintive song of longing. That's how I hear this. Wonderful piece Ben!
Comments on vaisvil's stuff
Very revealing!
nice!
fun bubbly lite piece,, i enjoyed listening
One of the nicest guitar sounds I've heard in a while. Nicely put together
At the risk of dating myself, this reminds me of the Small Faces..which is good. It has that 60's psych pop feel.
Good mix. The whole track comes together very well.
Nice one. Sure was a sad day.
I'm with 2monktup1!
interesting and cool as always
I think your vocal is perfectly good - lovely interpretation of a fine song!
Dreamy...sweet...heartbreakingly beautiful. (Perfect image.)
Nicely done!
Good one Chris. Creditable vox too!
pretty creepy. But cool.
Nice one mate
....but enjoy I did !
I like IT!!!,, very nicely played, also you continue to amaze me with your production intensity, ah i hear Pyewacket,,, mine Dachshund Howie,, has a particular habit of howling whenever i play Bach,,, it's sort of funny (to me at least) i have thought of making a video of he and i in duet,,, anyhow well played friend
Love the "da-da-da-dum-boom-boom" vocal touches.
Completely awesome! What a masterpiece, Chris!! Your vocals are on fire in this setting and the musical arrangement is blazing!!
More sinister beautiful - wonderful playing!
Comments made by vaisvil
nice work - somewhat subdued and introspective
nice work here!
Thank you for putting this together! Sounds great!
Nice neoclassical trio - very pleasant! The octave mandolin is available at music stores that deal in folk / country instruments. I bought mine used and is made by Trinity College. Not sure if they are still in business. Its double the size and not surprisingly tuned as a regular mandolin but an octave below. Search for Sierra Hull on youtube - excellent mandolin player and has some videos that compare the two.
this is cool - sounds very early electronic music with the pops and reverb - fav'd!
wow!
Beautiful work!
!!!! such a mood!
Lovely work! - back to give a well deserved like!
Finally got back to give you a like!
Thanks for the collaboration - all I can say is - I'd like to do more. :-)
It is so hard to cut through the end of RPM - I really like what you added to my bass line! Thank you for this! Your work is excellent!
https://youtu.be/7QXKRH0R4Og is the video for it
There are some definitely micro tonal inflections here!
beautiful!
the heavy flanging is a treat! I'll diverge from Bill and say its bigger birds at 14:00. this is cool!
Some excellent effect manipulations going on here!
has a very cool vibe!
Like the guitar - nice addition to a great track!
Beautifully dark and mysterious that then explodes into barely contained chaos that ends in a plaintive song of longing. That's how I hear this. Wonderful piece Ben!