There have been some discussions on the microtonal list about an isomorphic keyboard I have, the AXiS 49 (pictured above as I played it) and it reminded me I had not played it in a while. So I improvised 3 pieces on it in “selfless mode…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
I thought a microtonal piece almost completely in absynth would be a decent goal. So, I improvised bass, lead, chords, effects in 19 notes per octave against a sequence of drum loops run through effects. Then - just to see the difference I took…
This is simple test of East-West symphonic choirs solo soprano voice and East-West Hollywood strings contra-bass. I feel its a bit reminiscent of Lord of the Rings - of course, your mileage may vary - it is a very simple and direct arrangement…
This is an experiment where I slowed down Norm Harris’ percussion track “7th Son†http://alonetone.com/norm/tracks/7th-son and slowed it down by a factor of five and ran it through effects and such – and then played along with my 17…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
really like this one, congrats on this piece being selected !
By "computerized version" do you mean a MIDI or is this live guitar? man its hard to tell, the mic up on the neck seems just right.
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
This is the first time I picked up and tried to play a guitar that is in 88 cent equal temperament - the tuning does not contain an octave. Since this was the first time I made some mistakes. Nonetheless I think it sounds interesting.
Van Gogh, On the Threshold of Eternity
Gary from music by computer suggested a re-master with less drum volume - your choice http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3
I've had severe computer trouble…
I played 12 string guitar and 5 string bass along with Norm's original percussion track http://alonetone.com/norm/tracks/7th-son. The only effects were a bit of attack shaping on the bass (compression w/o compressing).
I did this kind of oddly…
After Creation is an entry into the Vox Novus 15 Minutes of Fame competition for flute and marimba duet. Unfortunately the entry was not accepted for performance but undeterred I present to you a performance of the score rendered by Garritan…
I thought a microtonal piece almost completely in absynth would be a decent goal. So, I improvised bass, lead, chords, effects in 19 notes per octave against a sequence of drum loops run through effects. Then - just to see the difference I took…
this is a mono/nonstereo track because my fourtrack recorded decided that mono is better then stereo but at least the dang thing works ,, I guess,, From now on it is direct records from the outside machine to the computer not thru the fourtrack…
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard.
This piece is crazy! How'd you do the drums?
As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that)
If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
very similar to the 'more of this a' but part 2
btw the video for todays' computer music work is getting uploaded now. all 25 min 25 sec and 25 frames there of.
1/1/11; took bits from two of Mark's tracks from Pleasure Listening (2002) and improvised in Max with them, then mixed in DP. a mellow vibe for the new year.
This song is not for everyone but I like it because its a live recording with a single instrument using infinity delay FX. (I turned on the loop delay at :09 after the guitar was flat on the floor.)
All the sounds are made with an acoustic bass…
I didn't like the 1st version so i changed it so here it is. imagine Sitting in the forest listening to the breeze being free and wanting to follow it..........................
Performed live by Rainbowtruth @ Irish Brigade Fredricksburg, VA circa late 1990's.
Barnett: Guitar/lead vocal
Osborne: Drums/back-up vocal
Duff: Guitar
Bowers: Bass
Slightly more aggressive than the original. Cool high-energy take w…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
Kinda rough. I'm uploading this mainly to share a guitar technique I've been working on. I'm wearing a slide on my picking hand and using it to alter pitches in single line phrases. There's a lot more can be done with this technique that I've…
I 2nd the request for a video. I'm assuming you are pushing the slide off the bridge toward the neck - correct? I've net ever heard of someone putting the slide on the picking hand before - but it sure sounds great!! Beautiful piece of work here Kirk!!
Comments on vaisvil's stuff
Very sci fi!
Wow!That is Stellar playing!!
very well done Chris,, congratulations
Excellent!
I love this. The harmonics sound wonderful. Is this in an alternate tuning system?
Gorgeous!
Congrats, nice piece. Had me fooled on first listen, nice faux guitar tone!
I agree...wonderful music......simply wonderful
Wonderfully pretty with a hint of the Japanese garden with in it's splendid display.
Wow, that's different! Most enjoyable!
Sort of mystical! With a lovely relaxing feel.
Hey, looking cool there dude! Sounding good all round too! Rhythmically creepy!
beautiful
really like this one, congrats on this piece being selected ! By "computerized version" do you mean a MIDI or is this live guitar? man its hard to tell, the mic up on the neck seems just right.
sounds beautiful.
interesting,, not sure how it makes me feel,, i would like to hear a little more about your thinking for this,, take care R
Totally wild and very cool!
very nice,, this all flows together very well,,,
very cool
That was a cool and different stigma....took me somewhere.
Comments made by vaisvil
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard. This piece is crazy! How'd you do the drums? As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that) If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
I watched the whole video - I take it what was happening is that you layered video of you layering the sound? Very disorientating and interesting.
this is intense!! more microkorg?
this is a fantastic trip!
your soul is motown~!
alright!! new keys!!! This sounds excellent!
haha! this is great!!
right up my alley - awesome work my friend!
sounds..... Hungarian!
enjoyed!!
one of my favorite songs covered with power and great taste!!
wild story!
excellent! I like the way the congas answer each other.
this is beautiful - I love the slide. Gosh I sound so amateurish compared to you guys (and Kirk, and Bethan, and Tess, and ..... I'm just wow'd .
I 2nd the request for a video. I'm assuming you are pushing the slide off the bridge toward the neck - correct? I've net ever heard of someone putting the slide on the picking hand before - but it sure sounds great!! Beautiful piece of work here Kirk!!
wow - this harkens back to the Beatniks with a motown funk vibe - that is so cool! - I love your voice Reg!!
would either of you have a rpoblem if I added to this?
excellent! The interplay between guitar and percussion is very good.
I notice "voip" - is this what caused SKYPE to crash? excellent!! brutal!
very funky! love the funky keys. what a story!