ahhhh It is the illusion of memory that makes is so real.

I must say I am impressed and I get it, I really do get it, you are not alone.

3 notes on the deck. like this one.

Very cool mix mate nice one

Now this is an idea i can get into. ;)

Thanks for your help, and i'm glad you and your wife liked the track!

Very impressive.

Ha!! Now, here's a 3000 dollar guitar. I never thought of field recording in a store. Unreal, and a very clever idea.

some of by best perfs have been in guitar centers, playing with the really expensive strings I can't afford.

epic trip.... great having some sparetime during weekens.

After hearing this i'm not sure......double stamped! score!!!

wow....amazing.

he's a legal alien.

Naaa....just a bad ass. Perfect track. Love it.

I am begining to wonder if vaisvil....it's still human...or...if the program has taken over his mind....and has become self aware...

so pretty pretty in did was she always so pretty?

they are alive at that , :)

nice track mate.

i like that this is longer then normal by the third minute I am committed to listen all the way :)this song became a fav @ minute 8 was this what you did with that sample of beat things you asked for? Wait I remember this now woe the memories are coming back they are the same yet different. wait i just lost myselves @ about minute 22:22

Listening to this takes me far far away to the unknown. i don't want to come back!!! a must listen track!

You made it into a classical piece - I love that. Great work Richard!

ohhh I didn't see you had uploaded this! To answer your question - it was a Yamaha - can't remember the model - it had 3 pedals - I agree about the low end but the high end was really weak in my opinion.

the scope of this is totally impressive

one of my favorite songs - done really well!

Beautiful Richard!!

this is an excellent song!

finally got to hear this. there is a distinct didgeridoo sound to it, especially when you start. I wonder what would happened if you bowed the string. - and - how did you pull the wire out of a tire - I want to do that.

This is cool! You made the google guitar sound like its going through a *huge* stack.

wow. very powerful words and music.

this is excellent - and unique!

lovely Richard! Sounds light music for a candle light dinner.

thank you for the listen and comment on my seagull improv.

Reg - he did do something like that one day - and yes it was great!

and the excellence of the music should be overlooked too.

Reg - you are one heck of a story teller! Have you considered writing a novel or short story?

Hi John, I like this one.

you should be creating music for sci-fi films!

I wish AT had a repeat button. I'm downloading this - great piece Norm!

I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.