oh yhea!!!! me and my buddy Billy chilling and jamming with the korg! great stuff!

Haha its a line from John Carpenters movie They Live were not really going to chew bubblegum and beat up Vaisvil

I'm here to chew bubblegum and kick ass and im all out of gum

נחמד מאוד!!

from time to time?..as for this...hmmmnnn very diggable....cool distortion craft 3rd shred.

soo long and yet soooo rewarding. Great trip....

Hey, isn't that George Burns?

That's quite the trip!

It's because it is so cleverly done and there is a little bit of the lover of the dark side in most of us. I have never heard anything like it, and the percussion, wow.

A most sympathetic track title and the musical implementation has a proper 'auntie character' too! :-)

cool. Hey, Vais how do you get those pics in the about section?

dang what an amazing sound here, fantastic.

I love the mandolin and the piano together, and Norm's perky percussion is great. Lovely track.

I dig that ebowed electric mandolin! Thanks for carrying me, Chris!

very cool Vais!

Sweet track, guys - I love it!

Very cool - I dig the photo too :)

Very Beautiful! Interesting tuning as well

Cool! Those mandolins make for a great texture

Is that you playing guitar? just curious from your other tracks. Very nice!!!

ohhh I didn't see you had uploaded this! To answer your question - it was a Yamaha - can't remember the model - it had 3 pedals - I agree about the low end but the high end was really weak in my opinion.

the scope of this is totally impressive

one of my favorite songs - done really well!

Beautiful Richard!!

this is an excellent song!

finally got to hear this. there is a distinct didgeridoo sound to it, especially when you start. I wonder what would happened if you bowed the string. - and - how did you pull the wire out of a tire - I want to do that.

This is cool! You made the google guitar sound like its going through a *huge* stack.

wow. very powerful words and music.

this is excellent - and unique!

lovely Richard! Sounds light music for a candle light dinner.

thank you for the listen and comment on my seagull improv.

Reg - he did do something like that one day - and yes it was great!

and the excellence of the music should be overlooked too.

Reg - you are one heck of a story teller! Have you considered writing a novel or short story?

Hi John, I like this one.

you should be creating music for sci-fi films!

I wish AT had a repeat button. I'm downloading this - great piece Norm!

I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.

This is beautiful! I love the bluesy feel. Would it be ok if I try to add to this?