Rocks.

ditto on the guitar at 330, the stay awake chorus is great too

Love this tune Mr.V. My kind of music.

This makes me think Hüsker Dü. Cool sounds. Love the drum part.

Alister's comment about the shaking hair is on target ,, very nice work... also agree about the guitar solo 3:30 into the piece

well spoken friend,,,i see you have a bit of that dramatic poetic within your wonderful musical talents,, i like this side of you very much R

simple and smooth,,, simple and captivating, simple and poetic,,, simply very cool,, well played

Gorgeous! This has a lot of potential!

Nice!

It will be interesting to hear what comes out of this music, I shall look forward to it. One or three spring to mind ... Interesting how it changes at 1 minute.

Very nice progression - hope you get to develop it further.

PiL was 'Public imag Ltd' with John Lydon as lead singer ;)

that solo at 03'30" is simply awsome! did you have long hair, shaking your head, at time? - and your singing reminds me PiL' love song, don't ask me why :p

Haha, this is really catchy! It's been going around my head since it finished, so I'm back for another bite! Love that verse melody against the brooding guitar line - super double extra hooky!

This is dark and heavy! Kind of like underground shock rock from the 70s! Way cool! Awesome chorus/bridge vocals!!!!!

great tune, lyrics are cool too

5 stars - A bit off your beaten path, but very good. One Mo' time!

i dig it for the lyrics, i dig it for that killer bass coming at 02:01 i dig it for your voice, as "bad" as some might think it sounds, so yes, i dig!

This is kinda adorable. :-)

I really like your voice work and the lyrics as well. And great one-armed drum work!

ohhh I didn't see you had uploaded this! To answer your question - it was a Yamaha - can't remember the model - it had 3 pedals - I agree about the low end but the high end was really weak in my opinion.

the scope of this is totally impressive

one of my favorite songs - done really well!

Beautiful Richard!!

this is an excellent song!

finally got to hear this. there is a distinct didgeridoo sound to it, especially when you start. I wonder what would happened if you bowed the string. - and - how did you pull the wire out of a tire - I want to do that.

This is cool! You made the google guitar sound like its going through a *huge* stack.

wow. very powerful words and music.

this is excellent - and unique!

lovely Richard! Sounds light music for a candle light dinner.

thank you for the listen and comment on my seagull improv.

Reg - he did do something like that one day - and yes it was great!

and the excellence of the music should be overlooked too.

Reg - you are one heck of a story teller! Have you considered writing a novel or short story?

Hi John, I like this one.

you should be creating music for sci-fi films!

I wish AT had a repeat button. I'm downloading this - great piece Norm!

I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.

This is beautiful! I love the bluesy feel. Would it be ok if I try to add to this?