Apologies to George but I love the song. Its shocking to find out that Paul and John rejected it until George dragged Eric to the studio one day. Imagine the White Album without this...
no effects of any type on this for good or ill.
Apologies to George but I love the song. Its shocking to find out that Paul and John rejected it until George dragged Eric to the studio one day. Imagine the White Album without this...
no effects of any type on this for good or ill.
Apologies to George but I love the song. Its shocking to find out that Paul and John rejected it until George dragged Eric to the studio one day. Imagine the White Album without this...
no effects of any type on this for good or ill.
The realtors always disliked showing the old Victorian house on Layton Way. It gave them a creepy, clammy feeling. Especially in the basement where mad whispers and the sound of metal working off in the distance could sometimes be almost heard…
The music is quite fitting in consideration of the description of the house for which this sound file is named -- and I love it! I enjoy a creepy, haunting recording when handled with taste and mix down mastery, as evident here. Truly enjoyed every spooky second, especially when the voice came in!
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
We forgot to mention that Reg visited Norm's place a little later and added some vocals. The video is a ride through the US state of Virginia. The Texas Tavern serves cheesy westerns (cheese, fried egg, burger, bun) in the downtown of Roanoke Va.
Reverie by Claude Debussy arranged for piano, violins, and violas.
Reverie may refer to:
A daydream
A dreamy state of mind.
reverie, an instrumental composition of a vague and dreamy character
“Rêverie”, a solo piano piece by Claude Debussy
I was passing by a darkened church this evening, as the wind danced through the trees, looking though the a window, i noticed a single candle lit, flickering on the alter step, casting a shadow within.. as i pressed an ear to the dusty glass…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
Comments on vaisvil's stuff
George my fav Beatle who in my opinion wrote some of the best material ... enjoyed your take on a great song!
One of my favourite songs too. Nice version.
you produced this so well ... it sounds like two different people .. very nicely made. yes, at this point the dual voice harmony is so good.
Has that raw gritty rock feel to it! No cowbell needed. Nice!
I dig the Classic Rock sound and got a kick out of the lyrics, and the vocals were fun.
The music is quite fitting in consideration of the description of the house for which this sound file is named -- and I love it! I enjoy a creepy, haunting recording when handled with taste and mix down mastery, as evident here. Truly enjoyed every spooky second, especially when the voice came in!
Interesting -- intriguing, actually. Dark, bitter, thorny. I stayed tuned all 7 1/2 minutes, and I come back for another hearing -- it's captivating.
The Monks are loose.....
Loving this too....
Loving this one Chris.....perfect as I'm sat sorting photographs from yet another wedding not mine I might add....
Snoopy visits the Middle East!
A nice Celtic feel.
Very peaceful and interesting.
I like how you separate the pieces on 1:28 and add/take bouncy sounds. great!
Looking through i found this one i'd forgotten all about....we should get the gang back and do some more
That's a unique scale the lead guitar is wielding about! What a psychedelic, groovy, tripping number. Keep grooving!
Alert me when it's finished.
Loved it
so very intense I like this very much..
Yeah, sounds kind of lonely! I nominate Trev! Cheers Bee
Comments made by vaisvil
Hi Richard, not a webcam - that was Stonehedge at winter solstice. Nice piece here!
Nice, though the mix gets a bit muddy for the effects flying all over. +100 for covering this.
Now to return the favor - thanks for listening and commenting.
Hi - the poem is here http://chrisvaisvil.com/i-live-by-the-cemetery-ambient-in-17-edo-harmonic-series-polytuned/
gosh this is like music from the other side of the veil of the multi-universe!
I'm up for a collaboration. Perhaps I can play my long string harp which you can manipulate and videoize.
True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.
Can I make a request - The Wizard by Sabbath?
nice job on this!
Lovely orchestral piece!
This is a beautiful piece!!
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!