The Metaphysical Evaporation of Wells Street is an ambient piece devised by mashing Summer Sky by Paul H. Muller, Sweeping the Clouds by Lydia Busler-Blais, I Half Remember Why I Got the Blues by Steve Layton, Blue Mountain by Diego Monroy…
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
It's easy to miss the music and percussion in this track because of Reg's outstanding vocal - excellent cover all round guys.
Nice bit of glass rubbing at the end there Chris!
What is that sound?
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
Well, the Unicorn in the glass dust may be the way to you, but Bee's voice is the way to me.
Don't tell Bee, but MY dreams are slightly different: in them I hear her telling me how naughty I am.
You did well with this Chris, it is really bizarre, just like a weird dream! I like the tinkling on the ivories and the strange meeowing sound of the guitar together. Works really well!
Please - this is not the concept I asked her contribution for. I didn't feel right putting her voice up without a credit. But.... this doesn't do justice - I got things I need to do but I will have a better setting.
Not what I was expecting with a Bee vocal. Cool piece. And, while I can only hope to hear Bee singing when I pass, I hope it is something more along her typical angelic lines.
Well, I have been dying to hear this one!
Sounds cosmic to say the least! Nice modern sounding approach with a very sexy rhythm. It's great Chris! Love it!
Aaron Krister Johnson is the founder of Untwelve and a virtuoso pianist. I was honored to have Aaron perform my piece
“Prelude for Prelude for Centaur Tuned Piano”
at an intimate Untwelve gathering last year on his piano which is tuned to Kraig…
Aaron Krister Johnson is the founder of Untwelve and a virtuoso pianist. I was honored to have Aaron perform my piece
“Prelude for Prelude for Centaur Tuned Piano”
at an intimate Untwelve gathering last year on his piano which is tuned to Kraig…
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
Such an emotive piece. Beautifully performed. The ending is very different from the main part, almost like a new beginning.
An excitingly mysterious ride, perfectly formed.
Mighty cover!!!
Excellent cover great vocals Reg.
great track!
It's easy to miss the music and percussion in this track because of Reg's outstanding vocal - excellent cover all round guys. Nice bit of glass rubbing at the end there Chris! What is that sound?
HI Vaisvil. very cool rendition. creative in all ways u did this cover and made it your own...great tribute. loved it all the way god bless NEIL .
Well, the Unicorn in the glass dust may be the way to you, but Bee's voice is the way to me. Don't tell Bee, but MY dreams are slightly different: in them I hear her telling me how naughty I am.
Trippy dreaming.....dreamin....dreami....dream...drea....dre...dr...d.....
You did well with this Chris, it is really bizarre, just like a weird dream! I like the tinkling on the ivories and the strange meeowing sound of the guitar together. Works really well!
Yes, it's a great song. Lovely to hear it again.
Please - this is not the concept I asked her contribution for. I didn't feel right putting her voice up without a credit. But.... this doesn't do justice - I got things I need to do but I will have a better setting.
I know your in there Bethan....RUN!!!....RUN AWAY....AWAY FROM THE LIGHT.....
I loved that album.
Not what I was expecting with a Bee vocal. Cool piece. And, while I can only hope to hear Bee singing when I pass, I hope it is something more along her typical angelic lines.
Well, I have been dying to hear this one! Sounds cosmic to say the least! Nice modern sounding approach with a very sexy rhythm. It's great Chris! Love it!
A lovely rich sounding, string based track. Wonderful deep last note, finished it off nicely.
Wow, has it already been a year?? Are you attending the gathering this year?
sweet, subtle. nice playing. the fxs are just right for the feel
Wow! A gorgeous piece and a superb pianist! Yeah, "Play it again, Sam!"
Comments made by vaisvil
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!
another very interesting piece! Thanks for sharing!
very interesting work here. What do you use for your sound source?