Electronic Dream #1 was made for the Internet Movie Project in 2002 that fell apart as I remember. All but the initial bright sweep which comes from the CZ-101 is from the Korg MS2000 analog modeling synthesizer. Excepting the Casio sample this…
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Oh Chris! Beautiousness indeed.
Just getting ready for bed and enjoying every note!
Night night! Thanks very much. I'd pay to go and listen to this.
Ooo, I'm come over all breathless!
The 11th Corridor of Tritave is an ambient piece performed originally on an M-Audio 88es with pianoteq in 11 edt, edited slightly and then ported over to four 11 edt instances of Z3TA+ 2.1 in Sonar X1.
This is a captured and then edited live performance using the Sonar Matrix view using various samples - some of which were paul stretched.
I'm liking this - if only they had the possibility to change the pitch live it would be like sticking…
Wow :) Very dark and mysterious... 2:35 is GORGEOUS. Very effective. 4:30 is a delicious modal mellowness. It's like the music got sleepy. The synth really ties this piece together though! I feel like I wanted the music to go somewhere more "wide open" if you know what I mean, especially with the thinning out at 3:40 and the more distorted guitar after 7:00.
I was passing by a darkened church this evening, as the wind danced through the trees, looking though the a window, i noticed a single candle lit, flickering on the alter step, casting a shadow within.. as i pressed an ear to the dusty glass…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
Comments on vaisvil's stuff
Nice guitar work.
Gorgeous! I love the shrill, crispy, clean bits. Then there is the deeper contrast, nice work!
Ahh, that's lovely! Well played!
Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.
Oh Chris! Beautiousness indeed. Just getting ready for bed and enjoying every note! Night night! Thanks very much. I'd pay to go and listen to this. Ooo, I'm come over all breathless!
Wuh, they don't expect anyone to hear their conversations there, do they? Lovely jingly music, very pretty! Sounds orchestrally seasonal!
Damn- this is intense. Nice piece of work!
Agree with Solo, some parts very floydesk enjoyed every bit of it
Wow :) Very dark and mysterious... 2:35 is GORGEOUS. Very effective. 4:30 is a delicious modal mellowness. It's like the music got sleepy. The synth really ties this piece together though! I feel like I wanted the music to go somewhere more "wide open" if you know what I mean, especially with the thinning out at 3:40 and the more distorted guitar after 7:00.
You captured a precious feeling on this one!
Excellent!
Wow, this is so dreamy. Guiding, yet haunting at the same time. Great stuff!
Love the acoustic interplay on this!
Good one.
Nice......
I enjoyed it more and more as time went by and thought it developed beautifully, holding the attention.
excellent....
This is lovely.
Love the midway elements that sound like ghostly vocals - and then the later cello-like echoes. Very lovely!
Lovely flavours - calm before the storm.
Comments made by vaisvil
Hi Richard, not a webcam - that was Stonehedge at winter solstice. Nice piece here!
Nice, though the mix gets a bit muddy for the effects flying all over. +100 for covering this.
Now to return the favor - thanks for listening and commenting.
Hi - the poem is here http://chrisvaisvil.com/i-live-by-the-cemetery-ambient-in-17-edo-harmonic-series-polytuned/
gosh this is like music from the other side of the veil of the multi-universe!
I'm up for a collaboration. Perhaps I can play my long string harp which you can manipulate and videoize.
True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.
Can I make a request - The Wizard by Sabbath?
nice job on this!
Lovely orchestral piece!
This is a beautiful piece!!
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!