Reg adds much better vocals to the backing track.
I dreamed I met a Galilean;
A most amazing man.
He had that look you very rarely find:
The haunting, hunted kind.
I asked him to say what had happened,
How it all began.
I asked again…
Reg adds much better vocals to the backing track.
I dreamed I met a Galilean;
A most amazing man.
He had that look you very rarely find:
The haunting, hunted kind.
I asked him to say what had happened,
How it all began.
I asked again…
I dreamed I met a Galilean;
A most amazing man.
He had that look you very rarely find:
The haunting, hunted kind.
I asked him to say what had happened,
How it all began.
I asked again, he never said a word.
As if he hadn't heard.
And…
I dreamed I met a Galilean;
A most amazing man.
He had that look you very rarely find:
The haunting, hunted kind.
I asked him to say what had happened,
How it all began.
I asked again, he never said a word.
As if he hadn't heard.
And…
I dreamed I met a Galilean;
A most amazing man.
He had that look you very rarely find:
The haunting, hunted kind.
I asked him to say what had happened,
How it all began.
I asked again, he never said a word.
As if he hadn't heard.
And…
I found the image at Rinkie's Blog
From this past weekend's improvfriday
Lovely piano from Norbert Oldani - 5 string bass from me. We only wish we could have performed it live for you...
I found the image at Rinkie's Blog
From this past weekend's improvfriday
Lovely piano from Norbert Oldani - 5 string bass from me. We only wish we could have performed it live for you...
I found the image at Rinkie's Blog
From this past weekend's improvfriday
Lovely piano from Norbert Oldani - 5 string bass from me. We only wish we could have performed it live for you...
My Fender Mustang + Marshall Amp + I dragged out the whammy bar - AKG D950 mic behind the amp and Zoom H2 in front - dropped the tracks into sonar and panned a bit. I also midi recorded the guitar and used the midi to drive upright bass, albino…
My Fender Mustang + Marshall Amp + I dragged out the whammy bar - AKG D950 mic behind the amp and Zoom H2 in front - dropped the tracks into sonar and panned a bit. I also midi recorded the guitar and used the midi to drive upright bass, albino…
Only my Fender Mustang + Marshall Amp + I dragged out the whammy bar - AKG D950 behind the amp and Zoom H2 in front into sonar and panned a bit. Yes I reach for that E to G movement again. If you are dissatisfied I will refund your money.
I want to be able to do that beginning ....... love the wild sound of it... one day (Reg learning guitar)...now where was I 1st finger on the 5th string 2nd fret and 2nd finger on the 4th string 2nd fret and pluck ....ha ha Em I'm away......wow my fingers hurt......it may be a while Chris before were dueting with guitars .......I think I'll stick to the singing...this excellent enjoyed that sound of Fender and Marshall with a little help from Vaisvil...
the planet of the apes comes to mind ..."70s Tv......love it....congures some great imagery of intrigue and trouble......love to hear this live....excellent ...
Please see the blog page for the complete blow-by-blow description of this collaboration with drummer / composer Peter Thoegersen
http://chrisvaisvil.com/?p=1361
now that's some drumming ......like the ominous bass.....and what ever that is creeping in guitar mid will have check the blog.....great sounds....nice ending back to ominous bass and space.........
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
ohhh I didn't see you had uploaded this! To answer your question - it was a Yamaha - can't remember the model - it had 3 pedals - I agree about the low end but the high end was really weak in my opinion.
Added a little more to this nice little change of strumming patterns played as an excuse to write a little love song.
I FOUND LOVE
You know I love you more than I
Ever thought one simple man could
You know I need you more than I
Ever…
The berimbau is a Brazilian instrument associated with Capoeira, which is a Brazilian art form that combines elements of martial arts, sports, and music. It was created in Brazil mainly by descendants of African slaves with Brazilian native…
finally got to hear this. there is a distinct didgeridoo sound to it, especially when you start. I wonder what would happened if you bowed the string. - and - how did you pull the wire out of a tire - I want to do that.
Lyrics:
======
I hate you when you breathe. Could you stop?
Waking up is hard to do when sleep never comes
But your ugly faces woke me up...
Callous sycophants
I know you too well to rest again
I'll stay up forever. I'll be ready
I've seen…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
these are the dronishness effects going thru my mind at times..
I have the midi files saved if you would like them? although some of this is performance midi records If I can say that? ;)
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
I'm going to put this in my profile if it will fit.
the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
Comments on vaisvil's stuff
Stretchy!
chilled ambient tune C. headphones open i t u p in to t h e D A R K ness
WOW! Excellant! LG
excellent. enjoyed that
Everything's alright, yes, everything's fine.
One of my favourite musicals too........
Absolutely fantastic Chris!
soo kool
Yep. Still.
Hey i remember that....#1 on youtube lol as for the music....mighty fine!
A feast of bass and piano.
that's one lonely dark wet street.........loving the bass and piano together......
just love it......
Whoa, I was almost expecting the Wagner choir! Very dramatic! The vikings are coming again!
speak up Norm I can't hear you!
What can I say?
I want to be able to do that beginning ....... love the wild sound of it... one day (Reg learning guitar)...now where was I 1st finger on the 5th string 2nd fret and 2nd finger on the 4th string 2nd fret and pluck ....ha ha Em I'm away......wow my fingers hurt......it may be a while Chris before were dueting with guitars .......I think I'll stick to the singing...this excellent enjoyed that sound of Fender and Marshall with a little help from Vaisvil...
the planet of the apes comes to mind ..."70s Tv......love it....congures some great imagery of intrigue and trouble......love to hear this live....excellent ...
now that's some drumming ......like the ominous bass.....and what ever that is creeping in guitar mid will have check the blog.....great sounds....nice ending back to ominous bass and space.........
I love the way the effects flow from one ear to the other.
Comments made by vaisvil
You made it into a classical piece - I love that. Great work Richard!
ohhh I didn't see you had uploaded this! To answer your question - it was a Yamaha - can't remember the model - it had 3 pedals - I agree about the low end but the high end was really weak in my opinion.
the scope of this is totally impressive
one of my favorite songs - done really well!
Beautiful Richard!!
this is an excellent song!
finally got to hear this. there is a distinct didgeridoo sound to it, especially when you start. I wonder what would happened if you bowed the string. - and - how did you pull the wire out of a tire - I want to do that.
This is cool! You made the google guitar sound like its going through a *huge* stack.
wow. very powerful words and music.
this is excellent - and unique!
lovely Richard! Sounds light music for a candle light dinner.
thank you for the listen and comment on my seagull improv.
Reg - he did do something like that one day - and yes it was great!
and the excellence of the music should be overlooked too.
Reg - you are one heck of a story teller! Have you considered writing a novel or short story?
Hi John, I like this one.
you should be creating music for sci-fi films!
I wish AT had a repeat button. I'm downloading this - great piece Norm!
I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.