interesting,, not sure exactly what i think about it, but it's always neat to hear your musical thoughts

I like your spare take on this!

wild tones...duel survival.

Well that was interesting....like!

it is close what if the split octave for one horn is say half a tone above the 13 tones used by the other horn is that dissonance or something more diabolical like I don't know we would have to listen to something like that to know. :) This peace is just great but I am all over the french horn sound that and long string harmonics.

Very smooth! Enjoyed the distinct parts.

Sweet sweet collab.

reminds me of the day the notice came. "We are sorry, we will no longer be providing news servers" I miss the news groups.

Agree that it's wild, but I like the common thread running through it and the bass work is awesome.

well, it's pretty interesting,,, and as always i enjoy, reading, listening, and learning from your musical journey

Wild stuff.

Wild mix mate very cool thanks for your comments mate. This is very cool.

A crazy zaperish Grooms nightmare dream .......way too. short a piece of excellence........loved the bass working its way through the crazy vibes going on.....loved it fav'd and saved

Simple and impressive little tune :-)

Sax is a great touch!

Very much so.

Chilling stuff! - Wonderful to hear this!

Shout out for these lyrics - brilliant! "Without belief there is no fall The silent solstice will hear no call"

Ozzy Vaisvil!!!!!!!!

Wow, you're so bold! This is an awesome capture. Beautiful playing...

You made it into a classical piece - I love that. Great work Richard!

ohhh I didn't see you had uploaded this! To answer your question - it was a Yamaha - can't remember the model - it had 3 pedals - I agree about the low end but the high end was really weak in my opinion.

the scope of this is totally impressive

one of my favorite songs - done really well!

Beautiful Richard!!

this is an excellent song!

finally got to hear this. there is a distinct didgeridoo sound to it, especially when you start. I wonder what would happened if you bowed the string. - and - how did you pull the wire out of a tire - I want to do that.

This is cool! You made the google guitar sound like its going through a *huge* stack.

wow. very powerful words and music.

this is excellent - and unique!

lovely Richard! Sounds light music for a candle light dinner.

thank you for the listen and comment on my seagull improv.

Reg - he did do something like that one day - and yes it was great!

and the excellence of the music should be overlooked too.

Reg - you are one heck of a story teller! Have you considered writing a novel or short story?

Hi John, I like this one.

you should be creating music for sci-fi films!

I wish AT had a repeat button. I'm downloading this - great piece Norm!

I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.