the end of this is best --- It just works in there--- the this type of buzz saw like noises OGM I love these things.. --- I get these when I tweak the supernova II and use the max feedback for digital delay and level maxed out with the time at like zero to 1 to two .. the smallest intervals for that .. it is greatness. these sounds.

nice---

Powerful and good groove, out of the dark much light!

I like this

this sounds just fun... -- I like this... there maybe be ways to intermix the changes at the 12 bar interface with a kind of blending maybe? course that would be a different song,..

yeah the end tabla is sweet .. just perfect mix into this type of ending.. what is up with the light cone or time bending swirles ??

great beats and sounds.. great guitars going on- great -

That was a mystic ride

Quite a sonic journey!

I thought I commented on this yesterday? Apologies, I listened and thought WOW! ... I can confirm it has the same effect on me today.

Thoroughly enjoyed this.

Oh yes, I likes this

Liking that groove

Great Sabbath like groove on this!

good sounds. -- faux imitation and almost imaginary type comment here.-- but still it is great music-- like it is.

I keep thinking Wendy Carlos is an influence here till about 4 min and it becomes more modern. Noise filtering @6 min or what you are doing with the oscillator. Good work and interesting foray that is cool and nostalgia like.

WIth some more instrumentation, this could be a very good dungeon synth track.

The opening granular sound is awesome descriptive and retro of the lost in space/star trek time.

Tranquil but ominous..

this sounds huge. I love the tone

nice, really nice!

Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!

I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation

nice progression

welcome! And excellent track!

Aengus is all Ethno 2.

I love your voice reef. Excellent tune and production - your acoustics sound especially nice.

This is brilliant! Would you consider doing a collaboration sometime?

I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.

excellent collab!!

nice work - very rich - listened to it several times.

Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!

I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.

lovely, touching. A nice song and excellent vocals / lyrics.

Great vocal harmonies!

Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)

Excellent!!

very different - twitch dance :-)

one of my favorites by you!

one word... Chills.