Jeff has passed over the rainbow bridge today as I held him. We went out back one last time for a few minutes until the sun came back out and it was too hot. He enjoyed that. The last thing he did was put his paw on my hand and left it there…
Jeff has passed over the rainbow bridge today as I held him. We went out back one last time for a few minutes until the sun came back out and it was too hot. He enjoyed that. The last thing he did was put his paw on my hand and left it there…
A collection of four improvisations on 19 note per octave electric guitar.
Sucralose
Aspartame
Cyclamate
Saccharin
The title is a play on artificial sweeteners and a collection of songs being a suite.
Per wikipedia "In music, a suite…
Jeff has passed over the rainbow bridge today as I held him. We went out back one last time for a few minutes until the sun came back out and it was too hot. He enjoyed that. The last thing he did was put his paw on my hand and left it there…
in order
Agnus dei - Free organum Anonymous 12th C
Benedicamus domino - Melismatic organum Anonymous 12th C
Deo gracias Anglia (The Agincourt Carol) Anonymous 15th C.
score
http://micro.soonlabel.com/just/adaptive_JI/AGNUSDEI.pdf
in order
Agnus dei - Free organum Anonymous 12th C
Benedicamus domino - Melismatic organum Anonymous 12th C
Deo gracias Anglia (The Agincourt Carol) Anonymous 15th C.
score
http://micro.soonlabel.com/just/adaptive_JI/AGNUSDEI.pdf
in order
Agnus dei - Free organum Anonymous 12th C
Benedicamus domino - Melismatic organum Anonymous 12th C
Deo gracias Anglia (The Agincourt Carol) Anonymous 15th C.
score
http://micro.soonlabel.com/just/adaptive_JI/AGNUSDEI.pdf
19 note per equal guitar, loopstation, sonar X1, processing.
Impressions Of Francois-Marie Arouet (De Voltaire) written and read by Ezra Pound
III
To Madame Lullin
You’ll wonder that an old man of eighty
Can go on writing you verses…
in order
Agnus dei - Free organum Anonymous 12th C
Benedicamus domino - Melismatic organum Anonymous 12th C
Deo gracias Anglia (The Agincourt Carol) Anonymous 15th C.
score
http://micro.soonlabel.com/just/adaptive_JI/AGNUSDEI.pdf
Picture and information here:
http://chrisvaisvil.com/?p=859
Line up:
2 tracks (right and left) of hammer dulcimer, fretless bass, and cameo appearances for both fretless guitar and electric psaltery.
19 note per equal guitar, loopstation, sonar X1, processing.
Impressions Of Francois-Marie Arouet (De Voltaire) written and read by Ezra Pound
III
To Madame Lullin
You’ll wonder that an old man of eighty
Can go on writing you verses…
19 note per equal guitar, loopstation, sonar X1, processing.
Impressions Of Francois-Marie Arouet (De Voltaire) written and read by Ezra Pound
III
To Madame Lullin
You’ll wonder that an old man of eighty
Can go on writing you verses…
Ambient video and audio improvisation with my 19 notes per octave guitar, loopstation, Marshall amplifier, Zoom H2 and post-processing.
on youtube
http://www.youtube.com/watch?v=gGO0R381HQs
full quality video
http://clones.soonlabel.com/public…
Part-1 (first 11 minutes) was calming and elusive..the second part all the way to the 22nd minute was harpooning my thoughts, just brilliant Chris! More like this...please.
Picture and information here:
http://chrisvaisvil.com/?p=859
Line up:
2 tracks (right and left) of hammer dulcimer, fretless bass, and cameo appearances for both fretless guitar and electric psaltery.
Ambient video and audio improvisation with my 19 notes per octave guitar, loopstation, Marshall amplifier, Zoom H2 and post-processing.
on youtube
http://www.youtube.com/watch?v=gGO0R381HQs
full quality video
http://clones.soonlabel.com/public…
Ambient video and audio improvisation with my 19 notes per octave guitar, loopstation, Marshall amplifier, Zoom H2 and post-processing.
on youtube
http://www.youtube.com/watch?v=gGO0R381HQs
full quality video
http://clones.soonlabel.com/public…
Faith is assurance of things hoped for, the conviction of things not seen.
When Faith goes to the market, it always takes a basket.
The beginning of anxiety is the end of faith and the beginning of faith is the end of anxiety. [George Mueller…
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
Here's a "live" thing, if it can be called that, if one performs in a public place and there's no audience, can you call it "live"...?
If you'd like to hear the rest of the set, go here:
http://soundcloud.com/breaking-light/sets/no-audience…
This is a collab tune which was originally written by Tad Rees (aka Solo). He plays the Keyboard.synth, and I did the guitar and drums. The last half blends with his original which can be heard in completion at :
http://www.traxinspace…
Combined two separate segments from the performance for this remix. I'm posting live recordings on Soundcloud now. To hear the rest of the set go here and bookmark:
http://soundcloud.com/breaking-light/sets/no-audience-breaking-light-live
As Dave rightly guessed, Elvis is not dead. He is alive and well living in our cellar in Sheffield. He kindly agrees to do a bit for us now and again, as he is getting on a bit now and gets out of breath easily. So here he is possibly for the…
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
She's left, your drunk and on the floor not able to see a future, your friend is trying to help, your not listening, he obviously doesn't understand you need the drink..........
This is a song i always wanted to have a go at and it wasn't until Johnny let me have a go on his representation of it i got my chance. Thanks Johnny for letting me have a go, may you rest in peace............
Combined two separate segments from the performance for this remix. I'm posting live recordings on Soundcloud now. To hear the rest of the set go here and bookmark:
http://soundcloud.com/breaking-light/sets/no-audience-breaking-light-live
Comments on vaisvil's stuff
My fav stones great choice cause I didn't know what I wa s going to listen to and now I got just what I wanted thanks
Cool, i like your take on a classic man..
Sweet!
I just love that growling fretless bass.
This is really cool Chris.
very cool,, Chris
Wonderful use of the voices to produce the rhythm. Lovely!
Wow... This is superb!
Much beauty can be cultivated in 80 years... and perhaps true beauty always forgets itself.
Bringin us back to the ancient times with a nice little motet/chorale. Cool! Wish I could hear it with live singers. It would be glorious.
Very interesting sound indeed.
That is most touching, yes, most touching. With fading eyesight she looks out on a world through a net curtain, not noticing! The music was perfect.
The panning enriches the intro wonderfully. Very cool sounds.
Part-1 (first 11 minutes) was calming and elusive..the second part all the way to the 22nd minute was harpooning my thoughts, just brilliant Chris! More like this...please.
Another way to enjoy this is open a second window in your browser and start Norm's Ilesa at the same time.
loving the broken timing that is synced again in the end. very very tense in the intensity of it.
Very well done!!!!!!!
Cosmic
Whose house were the other 20 seconds at? Intriguing sounds!
Stirring and mystical! My kinda morning!
Comments made by vaisvil
I like the arp work - more microkorg here? Have you tried hooking up the supernova to the korg via midi and audio?
excellent!
nice!
enjoyed - nice piano work!
interesting - though why just in the right channel more or less?
great composition!
your voice is just awesome on this!!
a wonderful story!
yes... its live and excellent!
nice work from the two of you.
Do you like your Boss looper pedal? There are quite a few models out there - and mostly expensive - hearing your work makes me lust for one though :-)
very groovy 60's cool sound
a very cool $5 program!!
ha!! great!!
enjoyed!
that is one effected guitar!!
nice!! Would you consider doing a collaboration?
you do a good Morrison!
very strange!
very cool. What gear do you use?