My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
download full quality video (157 MB)
http://micro.soonlabel.com/17-ET/Dead_Sea.wmv
This is a guitar piece in classical style in 17 notes per octave using the 17 version of the phyrgian mode. In normal 12 equal tuning phyrgian mode starts on…
i thoroughly enjoyed this. jus read the description n understood as far as.. this is a guitar piece! some people really know their shit! tis a good thing
This is a video piece made for the ImprovFriday drone theme event which used my DIY 9 string canon, DIY electrified 8 string psaltery, viola bow, ebow, and fingers. The tuning in unknown – just something I did by ear.
Pictures, streamable video…
download full quality video (157 MB)
http://micro.soonlabel.com/17-ET/Dead_Sea.wmv
This is a guitar piece in classical style in 17 notes per octave using the 17 version of the phyrgian mode. In normal 12 equal tuning phyrgian mode starts on…
very nice,,, im going to have to come back and watch the video,, in a way it reminds me of the softer side of Michael Hedges, have you ever heard of him? if not i think you would really enjoy looking him up,,,, this is very beautiful!! perhaps we could figure out some sort of piano and guitar colab... though im not sure how that might work with the tunings you use,, but perhaps i can re-tune my yamaha i use for recording,,, or we take care Richard,, and once again well done!!
This is an experiment where I slowed down Norm Harris’ percussion track “7th Son†http://alonetone.com/norm/tracks/7th-son and slowed it down by a factor of five and ran it through effects and such – and then played along with my 17…
I played 12 string guitar and 5 string bass along with Norm's original percussion track http://alonetone.com/norm/tracks/7th-son. The only effects were a bit of attack shaping on the bass (compression w/o compressing).
I did this kind of oddly…
This is a video piece made for the ImprovFriday drone theme event which used my DIY 9 string canon, DIY electrified 8 string psaltery, viola bow, ebow, and fingers. The tuning in unknown – just something I did by ear.
Pictures, streamable video…
download full quality video (157 MB)
http://micro.soonlabel.com/17-ET/Dead_Sea.wmv
This is a guitar piece in classical style in 17 notes per octave using the 17 version of the phyrgian mode. In normal 12 equal tuning phyrgian mode starts on…
This is a video piece made for the ImprovFriday drone theme event which used my DIY 9 string canon, DIY electrified 8 string psaltery, viola bow, ebow, and fingers. The tuning in unknown – just something I did by ear.
Pictures, streamable video…
This is the first time I picked up and tried to play a guitar that is in 88 cent equal temperament - the tuning does not contain an octave. Since this was the first time I made some mistakes. Nonetheless I think it sounds interesting.
download full quality video (157 MB)
http://micro.soonlabel.com/17-ET/Dead_Sea.wmv
This is a guitar piece in classical style in 17 notes per octave using the 17 version of the phyrgian mode. In normal 12 equal tuning phyrgian mode starts on…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
There have been some discussions on the microtonal list about an isomorphic keyboard I have, the AXiS 49 (pictured above as I played it) and it reminded me I had not played it in a while. So I improvised 3 pieces on it in “selfless mode…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
*impressive!*
i thoroughly enjoyed this. jus read the description n understood as far as.. this is a guitar piece! some people really know their shit! tis a good thing
Almost sounds like a bit of Paulstretch going on there in parts.
very nice,,, im going to have to come back and watch the video,, in a way it reminds me of the softer side of Michael Hedges, have you ever heard of him? if not i think you would really enjoy looking him up,,,, this is very beautiful!! perhaps we could figure out some sort of piano and guitar colab... though im not sure how that might work with the tunings you use,, but perhaps i can re-tune my yamaha i use for recording,,, or we take care Richard,, and once again well done!!
I love the beats...wow! Kinda spooky this one! Very inventive!!
Picking up some medieval flavours towards the end - very nice!
Love the reverse touches - reminds me of something I was working on, but this is way better.
Lovely outdoorsy feel. Norm's beats cut through beautifully, while the 12 string holds my attention.
Great expression here! (Also, your "about" pics are fabulous!)
very nice sonic imagery.
Wish it lasted an hour...compelling and wonderful! Great!!
Such an awesome piece of music, the sci-fi waves compliment the tonal guitars that you add trough out the piece. Bravo Chris!
Very interesting sound... I should learn something about this, i didn't have any idea about it.
Amazing.......!
Spell-binding piece! Congrats on being selected!
Very sci fi!
Wow!That is Stellar playing!!
very well done Chris,, congratulations
Excellent!
I love this. The harmonics sound wonderful. Is this in an alternate tuning system?
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.