improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Norm's original 12/8 percussion track that forms the basis for the entire piece. http://alonetone.com/norm/tracks/mother-nut-drop
I'm involved in a microtonal music class. We are studying 11 edo instead of the normal 12 edo (equal division…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Norm's original 12/8 percussion track that forms the basis for the entire piece. http://alonetone.com/norm/tracks/mother-nut-drop
I'm involved in a microtonal music class. We are studying 11 edo instead of the normal 12 edo (equal division…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
I think you have aptly named this track.
Tremendous atmosphere here. Love the spell casting
in the middle. I have to say it made me feel uncomfortable. Mission accomplished!
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
This is just a bit of silly fun I had one day with a four-track cassette recorder...about 9 years ago (yup...another lost find fro the racks). Just blowin' off some steam on a day off in my little apartment of Tokyo. On first listen-back...it…
Another one For Wren's Album
Little Bird
ORH:Vocals and Lyrics
OsCKilO: MusicLittle Bird, Little Bird
the tiny brown wren
so small but so loud
its voice fills the woodlands and moorlands and farms
its beautiful song
so vibrant and full
it…
This is the third song from the Thomas - Lennon project.
A collaboration with Michael Thomas of Cave Street.
http://alonetone.com/cavestreet
Lyrics and vocals - Michael Thomas
Wildgeas Music - Paul Lennon
Enjoy!
Love is Free
as you let it…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
This is a remix of an improvised track I did for our first RPM album. For this new mix, I got rid of the vocals & added a most excellent electric guitar part by our good friend, Chris Mitchell. He listened to the track just once and proceeded…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
We were having a little tipple down the cellar last night and we came up with a Christmas song for the festive season...hope you enjoy..........
CHRISTMAS TIME AT THE DRUNK’S HOUSE (Lyrics)
it's Christmas time in the drunks house
and the…
Well Jefferry came down the cellar this evening for a chat and a bit of consoling.................. so we decided to recant his tale of woe........................poor old Jeferry.............
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Comments on vaisvil's stuff
This is stunning...agree with the guys - beautiful.
like the way this sweeps .. perfect darkness. electronic evils
It's great to hear some home made instrument action. I have several percussion instruments that I have made...
Sweet!
Kinda disturbing!! Sounds like slowly uncoiling madness, as the onlookers back away.
Some very mischievous riffs in here!
Great stuff!
I still love it...
I always think long held notes are very effective in an atmospheric sort of way. This is a very lovely piece.
Excellent production. Lots going on here... going in for another listen.
Out of chaos comes order .......great sounds.
Groovy. Starts off like an old delta blues!
I agree with Norm BEautiful....
This is beautiful, Chris.
Ah, all the right questions! Hypnotic music and plaintive vocals.
Lovely jam you had there with yourself!
Sort of sitting on the porch, watching the sun going down and appreciating life type music.
I think you have aptly named this track. Tremendous atmosphere here. Love the spell casting in the middle. I have to say it made me feel uncomfortable. Mission accomplished!
Oh that's lovely!
This is a really great song.
Comments made by vaisvil
love the FM synth sounding lines!
Beautiful and serene
very dreamy lovely song!
I'm not familiar with the original - this version is absolutely touching though!
sweet sound and great playing!
wow you ARE pink floyd! This is a out take from Ummagumma right?
Beautiful!!Great work here!
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
I love the floating feel this has.
also - you have an astounding memory!
Ha - this riff is mine? I sure don't remember it - now I feel embarrassed about my comment :-)
excellent! I love the opening guitar riff and cool ending!
Nailed Tom's voice!
Very Tom Waits - love it!
wow your voice sounds so like the Kinks!
love your voice here!
May I invite you to participate at ImprovFriday? You may have some fun! http://improvfriday.com/
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
What do you have in your ambient rig? I am enjoying your work!
Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.