This is an "official" contribution to the ImprovFriday Japan charity event album if the music is approved.
More details:
http://improvfriday.ning.com/
and here
http://improvfriday.ning.com/forum/topics/japan-charity-event-thread
Fallen Arkansas Blackbirds is inspired by the 2011 New Year's Eve report of thousands of blackbird dead and dying in Beebe Arkansas. Some apparently dead upon impact others dying a bit slower as they tried to walk away. This is the sad scene…
Fallen Arkansas Blackbirds is inspired by the 2011 New Year's Eve report of thousands of blackbird dead and dying in Beebe Arkansas. Some apparently dead upon impact others dying a bit slower as they tried to walk away. This is the sad scene…
Fallen Arkansas Blackbirds is inspired by the 2011 New Year's Eve report of thousands of blackbird dead and dying in Beebe Arkansas. Some apparently dead upon impact others dying a bit slower as they tried to walk away. This is the sad scene…
This is an loop station improvisation with my death metal strung up strat (low B - effectively a baritone guitar - which I did see one at Guitar Center a couple weeks ago) with some layered synths afterward.
Hopefully you'll find it as…
This was well done. I really enjoyed it towards the end as it built up and became prettier.
What about that picture then. Where are we, somewhere like Venezuela?
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Comments on vaisvil's stuff
I wish they approve this one vaisvil, it's beautifull..
Very niiiice!!!! I agree with regs, all going on here!!
Just. Love a great 60'vibe got the doors Zappa airplane all going on for me .....great job..........
Intoxicating blend!
Great piece.....bravo
Nylon 6,6 and I'm thinkin' what's he up to now :) A-1 playing. It's difficult to hear any looping at all.
interesting piece,,, personally i have found it difficult to work with fh and trombone,,, take care R
Dreamily lilting Chris.
Time to melt away...I needed that. Beautiful!
very nice Chris
Nice, floating sound..
Adventurous and epic!
Laid back, twinkly playing.
Intriguing and intricate sounds! Gorgeous!
Nice! Love that sound. Planning on adding a nylon string to my arsenal soon
This was well done. I really enjoyed it towards the end as it built up and became prettier. What about that picture then. Where are we, somewhere like Venezuela?
Love the picture! You know I'm not technical, but I really enjoyed the right ear on the head set. This is a lovely piece.
I do have to say that your composition is ideal for the subject matter. That was great!
Why are all the pretty ones insane? This is unnerving and scary. Thanks!! :)
Amazing!
Comments made by vaisvil
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?