that second dissonant chord construction is tense or intense or extensively extreme// this is so neat of a composition it could go on and on IMO :) well done..

Love the Eastern flavours you're cooking with more and more these days - great stuff from El Norm also.

Great subject matter you have captured the suspense and Mystery and horror....similar in feel not content of the music Jaws the way in which it feels like he is encircling his prey....an excellent feel to this piece.. love it

Hypnotic! Wow!! Captured some real power here!

Love this riff - not sure which I prefer, I think the other has the edge...but love the extra improvised bits here.

Totally original - great effect with the mandolin!

Woah, did I? Go me! This is magical - tranquil and mystical with a sting in the tail.

Back for another visit loving this

excellent..... love the Conrads poem and the performance of it....a real mystery going on with the sounds in the second half.. Conrads voice reminds of someone of the Lou Reed album the Raven

7/8 = awesome pick for this song.

Excellent! Percussion is top notch!

Is that you or a vocal-sample?...wow this cool stuff....kick percussion with both hi-hats fit right in...this is intense!

Nuthin' unsteady about those hands. Great work! And what WAS that stuck to the eave?

i hear a music of, long vistas, desolate but beautiful landscapes,, weither it is internal or external, i can not be sure... Chris, this very will done, on many levels R

really really cool. particularly when you start exploring the odd (non tempered?) intervals

Quite the trip! Wonderful groove!

Love the music, flavours of Istanbul. Cool perc. there Norm!

Nice tone there, sounding good to me Chris and I hope you are feeling better.

A fine Asian feel great percussion. Liked it a lot ......

This is wild! Strangely attractive, inspite of the voltage noises you push through my head. A couple of great guitar licks, around 2:30 and love the rhythm guitar riff around 5:45. Your percussion work is top notch.

great music, it is like a speech. Prodding, pleading, shouting.

nice vamp!

Such a huge expanse is painted here!

A cool microtonal experimental piece!

This is beautiful!

starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!

This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.

I really like how unusual this sounds

beautiful in its sadness

really well done!

this may be long, but it isn't empty. I really, really like this one!

it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work

This is cooler - the SE-02 seems to be quite a nice synth~!

love the runs in this piece! Very powerful!

awesome!!!

I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!

But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.

excellent!

Beautiful!

Lola has my respect. What synth was slept on?