11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
Great subject matter you have captured the suspense and Mystery and horror....similar in feel not content of the music Jaws the way in which it feels like he is encircling his prey....an excellent feel to this piece.. love it
This starts at essentially the same improvisation pattern and then travels elsewhere - I think I like the Martin version better myself. This one is in stereo.
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
excellent..... love the Conrads poem and the performance of it....a real mystery going on with the sounds in the second half.. Conrads voice reminds of someone of the Lou Reed album the Raven
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
Well, I feel almost human today. Been a rough few days with the flu or something. I'm running on a baked potato - seems I can't each much else yet. It was ironic that I became sick just when I went to pick up a Boss Loop Station I found for half…
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
i hear a music of, long vistas, desolate but beautiful landscapes,, weither it is internal or external, i can not be sure... Chris, this very will done, on many levels R
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
Well, I feel almost human today. Been a rough few days with the flu or something. I'm running on a baked potato - seems I can't each much else yet. It was ironic that I became sick just when I went to pick up a Boss Loop Station I found for half…
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
This is wild! Strangely attractive, inspite of the voltage noises you push through my head. A couple of great guitar licks, around 2:30 and love the rhythm guitar riff around 5:45.
Your percussion work is top notch.
This started up while I was commenting something else... initially I was going to stop it, but something dragged me in... I was over halfway through before I realised I'd stopped typing!
Nice one, well worth a listen... it kept my attention all the way.
(I do hope I actually pressed send on the other comment - I keep forgetting to when this happens!)
The only thing notable about this cover of George Harrison's The Art of Dying is that it is one take (of *many* blown attempts) with the only edit being adding a bit of choir at the end using the midi data from the Roland GR-20. And no I didn…
this is just too good I have to give the machine's all the credits I did little more then guide them thru this landscapes in timeless experiential effects. I will have the big video that was cut up and layered here before effects soon to see…
yes this is part three of the disk i did...
this piece includes a hypnosis session doing a past life regression of me, bill newbold,.
just edits in the sounds.
This is a collab song with MTC. I almost hated adding anything to it cuz the first track he sent me was kickass vintage Jim. It totally changed flavors in the collab process, but still one of my favs
Didnt mean to have a political slant but had just got denied my large order soft drink in Manhattan.
All thats left are the small sodas with the "NY loves big cans" tee shirts
always liked this song. as a guitarist in the early 80's i played this song a lot in a band i was in. i went for a live sound on this so it would have a sort of an amplifier played live. i am the only one to blame for this song, as i did it all…
I think this needs a guitar solo but i'm not capable of doing it so if anyone would like to give it a go i would love to hear what you could come up with its in C. Otherwise i'm quite happy with it...now with a solo by Billy Jack
Please Don…
some mistakes, like playing live, but i make them right quicky. the song is for halloween and make of the lyrics what you will.
the drums have phaze on them. some of the soft guitars have phaze and flange. the beginning 2 1/2 mins are slow…
Chris Vaisvil sent me over some guitar to see what i could come up with…he also sent it to Phantasm777 to see what he could come up with on the drums and i might add has done a striling job with them….Chris then mixed it and sent it to me for…
yikes, hope i don't disgrace the beatles with this one. i tried to stay to the spirit of the song. obviously i didn't have a sitar and i didn't think i should need to re-create every sound effect they did, but i did many! one of my fav psyche…
i was trying to work on a piece for a shark video of mine, but this is what came out instead,, my piano moments collections are the small musical threads that emerge amongst/while i am working/thinking about other things,,,
Comments on vaisvil's stuff
Great subject matter you have captured the suspense and Mystery and horror....similar in feel not content of the music Jaws the way in which it feels like he is encircling his prey....an excellent feel to this piece.. love it
Hypnotic! Wow!! Captured some real power here!
Love this riff - not sure which I prefer, I think the other has the edge...but love the extra improvised bits here.
Totally original - great effect with the mandolin!
Woah, did I? Go me! This is magical - tranquil and mystical with a sting in the tail.
Back for another visit loving this
excellent..... love the Conrads poem and the performance of it....a real mystery going on with the sounds in the second half.. Conrads voice reminds of someone of the Lou Reed album the Raven
7/8 = awesome pick for this song.
Excellent! Percussion is top notch!
Is that you or a vocal-sample?...wow this cool stuff....kick percussion with both hi-hats fit right in...this is intense!
Nuthin' unsteady about those hands. Great work! And what WAS that stuck to the eave?
i hear a music of, long vistas, desolate but beautiful landscapes,, weither it is internal or external, i can not be sure... Chris, this very will done, on many levels R
really really cool. particularly when you start exploring the odd (non tempered?) intervals
Quite the trip! Wonderful groove!
Love the music, flavours of Istanbul. Cool perc. there Norm!
Nice tone there, sounding good to me Chris and I hope you are feeling better.
A fine Asian feel great percussion. Liked it a lot ......
This is wild! Strangely attractive, inspite of the voltage noises you push through my head. A couple of great guitar licks, around 2:30 and love the rhythm guitar riff around 5:45. Your percussion work is top notch.
This started up while I was commenting something else... initially I was going to stop it, but something dragged me in... I was over halfway through before I realised I'd stopped typing! Nice one, well worth a listen... it kept my attention all the way. (I do hope I actually pressed send on the other comment - I keep forgetting to when this happens!)
Cool playing - comforting song choice. RIP Johnny Stone. x
Comments made by vaisvil
this is... like being inside of a factory at night when the machines wake up and devise artifacts of their alien will.
I found this really interesting.
This series has a good flavor so far. More subtle than usual. The first piece reminded me of the magnetic field of Jupiter as picked up by Voyager.
cool!
love what you guys did here.
wow the a capella is just stunning!
Love the vocal harmonies!! Great tune to pick and nice excution
Nice - sounds very romantic period - quite dramatic and powerful.
Well, I like this one 'cause I can relate to the lyrics.
great vocals, great solo, great story!
incredible musical and story telling vision in this!
Thanks everyone!
lol! this is crazy great!~
Ah wow!
Thanks for the listen and comment! This is crazy! in a good way!
Thank you for the listen and comment Richard! We ought to try a classical guitar and piano duet some day!
awesome version! enjoyed this a lot!
I like stretched music - I do a lot of it myself - did you stretch a version of the Beatles Dear Prudence?
I usually don't fav songs i'm on... but it really was 99% Reg and Phan so...
Thanks for cooking up this collab - you and Phantasm rock!