a person is like a clock
when the hands don’t move anymore
and it doesn’t tick-tock anymore
then you are dead
but the clock is just broken
Sonar X1 recording + mastering
Norm Harris percussion track “Cabinets†See link for details…
Angels Missing Bill Sethares for simultaneous 12 equal guitar and faux voices in Sethares Neutral 10 tuning
More pieces from the survey can be found here: http://chrisvaisvil.com/?p=493
! E:\Cakewalk\scales\sethares-neutral10.scl
!
sethares…
Angels Missing Bill Sethares for simultaneous 12 equal guitar and faux voices in Sethares Neutral 10 tuning
More pieces from the survey can be found here: http://chrisvaisvil.com/?p=493
! E:\Cakewalk\scales\sethares-neutral10.scl
!
sethares…
I can't understand this or anything Bill Sethares did. But here's a link to some of his music (free downloads):
http://sethares.engr.wisc.edu/otherperson/all_mp3s.html
a person is like a clock
when the hands don’t move anymore
and it doesn’t tick-tock anymore
then you are dead
but the clock is just broken
Sonar X1 recording + mastering
Norm Harris percussion track “Cabinets†See link for details…
a person is like a clock
when the hands don’t move anymore
and it doesn’t tick-tock anymore
then you are dead
but the clock is just broken
Sonar X1 recording + mastering
Norm Harris percussion track “Cabinets†See link for details…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
Love it, great vocal a kind of Brian Ferry, feel, and that 6o's vibe excellent we should form the mutual appreciation society. Enjoying it ............. and the solo Yeah!... have mentioned the melody...........
I electrified my psaltery and played it in various ways in an tuning adjusted by ear. Probably some JI of some type then. I played along with some modified drum loops and ran it through effects of course.
Well, you are taking me around the world today.
I'm in the Far East now!
of course, if Sister wasn't wearing my headphones, I would hear it better. But sounds wonderful anyway.
I electrified my psaltery and played it in various ways in an tuning adjusted by ear. Probably some JI of some type then. I played along with some modified drum loops and ran it through effects of course.
I electrified my psaltery and played it in various ways in an tuning adjusted by ear. Probably some JI of some type then. I played along with some modified drum loops and ran it through effects of course.
I electrified my psaltery and played it in various ways in an tuning adjusted by ear. Probably some JI of some type then. I played along with some modified drum loops and ran it through effects of course.
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Ah this sounds great. I like the percussion too, sounds like a room of different clocks. Sax is it? Nice!
Cool tune, love the mix.
I can't understand this or anything Bill Sethares did. But here's a link to some of his music (free downloads): http://sethares.engr.wisc.edu/otherperson/all_mp3s.html
diggin the bass and the poem. sax is really good too
Great growling bass, excellent percussion love that vocal, the sax too, wow! all round good as Norm says "Now this works"
Crazy track man, it's right up my alley.
Whoa, full on track! Great sound!
Chris, that I believe, is your best vocal performance so far.
Love it, great vocal a kind of Brian Ferry, feel, and that 6o's vibe excellent we should form the mutual appreciation society. Enjoying it ............. and the solo Yeah!... have mentioned the melody...........
Rocking track great beat crazy synth and voices yeah
Woooo, agree with the warships thang! I'm on the argo! Rowing from Talos!!
fascinating from start to finish. i want some synths to have a play around. need a change
Yes - I love it. 'nuff said!
Great sound like a bootleg of a live Doors gig. Excellent
Well, you are taking me around the world today. I'm in the Far East now! of course, if Sister wasn't wearing my headphones, I would hear it better. But sounds wonderful anyway.
Am completely behind on my listens, but could hear Bethan playing this and had to know what it was - very compelling!
mid section took me off balance man! trippy guitars..right on!
like the low-fi intro...very sharp observation and tight percussion skills here.
Very cool experimental piece!
evoking
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!