I have a story to tell. Debbie and I went to a Guitar Center across town looking for a cheap used bass for me to convert to fretless like I did my Squire Strat. Well.... I ran into a really nice used Ibanez 5 string bass - with a B below E…
I have a story to tell. Debbie and I went to a Guitar Center across town looking for a cheap used bass for me to convert to fretless like I did my Squire Strat. Well.... I ran into a really nice used Ibanez 5 string bass - with a B below E…
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
remembers back in 1993? when I saw kurt do this.. don't make me repeat the tale about how I was one person away from him in the mosh pit, and he spit on me. LOL - I had to of talked about that someplace on the net..
This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…
This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…
Calculated Electron Orbitals
I have been exploring Sonar X1 and one of the ideas on my list was to apply the apreggiator to a piece of music that was classical and used the harmonic series – just sounded like a good idea. Well, here is the…
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
Based on Norm Harris' Percussion Solo Moonbathing http://alonetone.com/norm/tracks/moonbathing this piece uses bass pictured above after conversion to fretless and uses my fretless Fender Squire through the metallurgy 3 demo effect.
A collaboration with Chris Vaisvil! I'm so jazzed he took a Thumbjam sketch of an idea and ran with it. Either an alternate Star Wars imperial march or Amon Duul jamming with Mahavishnu, don't know which.
Chris Vaisvil: guitars
Kavin.: Synths…
Roland SE-02 through EHX Stereo Memory Man -> Zoom RFX-300. Title comes from a combination of the time length, and the fact that it was created for the current Sound-In for 1-7/1/2021.
Beautifully dark and mysterious that then explodes into barely contained chaos that ends in a plaintive song of longing. That's how I hear this. Wonderful piece Ben!
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80’s with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
This is not the same ponderous endless time being that was mentioned by someone, somewhere. But rather I touch the water lightly and expecting the circles to disappear. And again.
from the album 50
vocals Alejandro Olivares
lead guitar Dan Upton
search for so long to belong a place to go thats my own where everything is real the walls are never cold tell you how I feel while I am growing old and I am coming home to…
Comments on vaisvil's stuff
woooooooh,,, very different,, what's the story behind this????
like this a lot:)
mmmmm tastes like nirvana ;)....
The mix is tight and sweet as well...
Gotta love the Guitar center used section....the only trouble is i have to travel about 145 miles to get to one...
The more I listen to this the more profound it becomes.
Has a kinda nirvana feel to the vocal, like that bass.
remembers back in 1993? when I saw kurt do this.. don't make me repeat the tale about how I was one person away from him in the mosh pit, and he spit on me. LOL - I had to of talked about that someplace on the net..
Always loved this track.
Love this song... Looking forward to hearing it develop.
Pleasing and peaceful.
Very colourful, vibrant, and hopeful.
Beautiful.
Ooh, potent, sounds like confusion, paranoia, searching for a warm safe place.
It slinks and it beats.
Nice tune!
This is excellent,dreamy, serious,poignant to now. The eye is everywhere a masterpiece the video fits like a glove.
just love this
Nice funky fretless jam...cool travel..
Great fretless bass sound!
Comments made by vaisvil
Thanks for the collaboration - all I can say is - I'd like to do more. :-)
It is so hard to cut through the end of RPM - I really like what you added to my bass line! Thank you for this! Your work is excellent!
https://youtu.be/7QXKRH0R4Og is the video for it
There are some definitely micro tonal inflections here!
beautiful!
the heavy flanging is a treat! I'll diverge from Bill and say its bigger birds at 14:00. this is cool!
Some excellent effect manipulations going on here!
has a very cool vibe!
Like the guitar - nice addition to a great track!
Beautifully dark and mysterious that then explodes into barely contained chaos that ends in a plaintive song of longing. That's how I hear this. Wonderful piece Ben!
Excellent piece!
this is really great!
Good to see you around these parts again! Enjoying your music with attitude!
This is epic!
indeed beautiful!
great song, vocal and lead!
Really cool sounds Bill!
man I love the vibe you have here!
awesomely deep and cool!
I like the experimental aspect of this!