For Improv Friday
I improvised this guitar track and recorded audio and midi (Fender Mustang + GR-20) feel free to add to this
After some editing I came up with "And No One Listens"
I used Guitar Rig 4, Kontakt (bass), hyperwave synth, True…
I used sonar 8.5 matrix view to turn my M-audio 88es into a sampler keyboard - assigning samples to almost every key. Most of the samples are field recordings from today and yesterday - most of the others are recordings I made of a drumset I…
This is part of a microtonal tuning survey. for those of a stout constitution all of the options follow:
These are playable online here:
http://notonlymusic.com/board/viewtopic.php?f=23&t=749&start=0
Here is the original harpsichord…
I used sonar 8.5 matrix view to turn my M-audio 88es into a sampler keyboard - assigning samples to almost every key. Most of the samples are field recordings from today and yesterday - most of the others are recordings I made of a drumset I…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
A piano solo in the JI version of Wilsonistic pivot on C tuning posted to the Just Intonation group by Margo Schulter 12/25/2010. The piece was improvised on a M-Audio 88es using Pianoteq 3.6 and recorded in Sonar 8.5 with some editing of the…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Recomposition of the following ImprovFriday composers / pieces
Peter Thörn
Wheel be
Norbert Oldani
Piano Impro 1,2 3
Another Aulos Impro.
Jeff Duke
Scanners and Bells
Kavin Allenson
dragchain
brain salad surgeon
Slim and None…
A piano solo in the JI version of Wilsonistic pivot on C tuning posted to the Just Intonation group by Margo Schulter 12/25/2010. The piece was improvised on a M-Audio 88es using Pianoteq 3.6 and recorded in Sonar 8.5 with some editing of the…
A piano solo in the JI version of Wilsonistic pivot on C tuning posted to the Just Intonation group by Margo Schulter 12/25/2010. The piece was improvised on a M-Audio 88es using Pianoteq 3.6 and recorded in Sonar 8.5 with some editing of the…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Gary Thompson from the Music by Computer yahoo list (aka Johnny Pumphandle) remixed me version 2 of Sweeny's Agony - and blew me away - by toning down the volume he brought out a lot more soul in my opinion. I love it - and I hope you do too.
Chris
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Comments on vaisvil's stuff
really really cool
Great shadow socks. A must, to be always worn when thinking outside of the box..........
just one word Beautiful.
Interesting stuff. Definitely thinking outside the box
very fun
excellent delivery
crazy song, love the lyrics. the FX on the vocals go great with the keys
Nice!
Excellent
Jus' gets better and better! One of the killer Alonetone collab tracks.
Still totally digging this! All elements work perfectly.
What a delightful piece. Thank you for uploading.
*APPLAUSE*
!!! Brilliant! The music slinks along awesomely, but the narration is the kiss of la la la la life!
PLEASE put me in one of these some time!!! This is rich, inventive and exciting!
Chillingly atmospheric human voice sounds - very clever!
very pretty Chris I like the running chromatics here.
really digging this
I *love* this one.
Hi Chris, superb remix. The harsh lead guitar on the earlier versions was blocking out the other instruments. Very nice. John.
Comments made by vaisvil
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?