The complete "how to" article and online play back is on my blog http://chrisvaisvil.com/?p=404
Yesterday I was able to capture the Fractal Tune Smithy midi stream of an "on the fly" relay re-tuned performance in Sonar 8.5 by use of LoopBe1…
A piano solo in the JI version of Wilsonistic pivot on C tuning posted to the Just Intonation group by Margo Schulter 12/25/2010. The piece was improvised on a M-Audio 88es using Pianoteq 3.6 and recorded in Sonar 8.5 with some editing of the…
This is an improvisation (with a bit of editing where my timing got off by a lot) for this week’s ImprovFriday event
I used my M-Audio 88es to drive:
Korg MS2000
ARP 2600 V soft synth
Absynth 5 soft synth
Session 3 drummer soft synth
Pianoteq…
This is part of a microtonal tuning survey. for those of a stout constitution all of the options follow:
These are playable online here:
http://notonlymusic.com/board/viewtopic.php?f=23&t=749&start=0
Here is the original harpsichord…
The complete "how to" article and online play back is on my blog http://chrisvaisvil.com/?p=404
Yesterday I was able to capture the Fractal Tune Smithy midi stream of an "on the fly" relay re-tuned performance in Sonar 8.5 by use of LoopBe1…
The complete "how to" article and online play back is on my blog http://chrisvaisvil.com/?p=404
Yesterday I was able to capture the Fractal Tune Smithy midi stream of an "on the fly" relay re-tuned performance in Sonar 8.5 by use of LoopBe1…
The complete "how to" article and online play back is on my blog http://chrisvaisvil.com/?p=404
Yesterday I was able to capture the Fractal Tune Smithy midi stream of an "on the fly" relay re-tuned performance in Sonar 8.5 by use of LoopBe1…
The complete "how to" article and online play back is on my blog http://chrisvaisvil.com/?p=404
Yesterday I was able to capture the Fractal Tune Smithy midi stream of an "on the fly" relay re-tuned performance in Sonar 8.5 by use of LoopBe1…
For Improv Friday
I improvised this guitar track and recorded audio and midi (Fender Mustang + GR-20) feel free to add to this
After some editing I came up with "And No One Listens"
I used Guitar Rig 4, Kontakt (bass), hyperwave synth, True…
I used sonar 8.5 matrix view to turn my M-audio 88es into a sampler keyboard - assigning samples to almost every key. Most of the samples are field recordings from today and yesterday - most of the others are recordings I made of a drumset I…
This is part of a microtonal tuning survey. for those of a stout constitution all of the options follow:
These are playable online here:
http://notonlymusic.com/board/viewtopic.php?f=23&t=749&start=0
Here is the original harpsichord…
I used sonar 8.5 matrix view to turn my M-audio 88es into a sampler keyboard - assigning samples to almost every key. Most of the samples are field recordings from today and yesterday - most of the others are recordings I made of a drumset I…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
A short improv piece. I'm starting a new project, where I will post at least one improv video/recording online each week, and at the end of each month collate them into an album.
This is the first one. Since July is almost over, I figure I…
This is a tune that's been on the back burner for a bit. I was looking to get a dark Ultravox kind of sound. Anyone feel like puttin' on their Midge Ure hat???
Anyway, these aren't the droids your looking for.
Move along..............Move along.
Finally, the finishing touches seem to be put on this three-year-old song thanks to some very talented people.
The band is:
Liam (age 13 at the time of recording) on drums
A Girl Named Sam (she's no kid!) with the backing vocals
Genevieve…
A few of you know I accidentally wiped out one of my SD cards that had all my works in progress on it. I'm just starting to piece it all together again - A slow process. This was supposed to be a reprise to "In My Head", but ended up being in…
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
this is one inventive piece! what a mix - are you sure you didn't grow up south of I-10 in Louisiana? You have that Cajun blues thing down and who'd expect you could get oboe and bassoon to work so well with it! wow.
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
Really nothing more than some voice leading practice. Unfortunately, I had no keyboard or orchestral samples when I did this, so I used Lilypond and TiMidity++ and step programmed it in a text editor. I've since bought Cubase and EastWest/QuantumLeap…
As chance had it, I found myself in an acoustically great room, full of cajons! Well, they were unfinished cabinets actually, but they had lovely tones. Since this is the stuff dreams are made of, I had no choice but to seize the opportunity and…
well.... tell your wife you'll build her a new addition if she lets you keep this room as is :-)
nice - the sound is so surprisingly robust and resonate in tone.
Caveat emptor: I did absolutely none of the drumming in this piece.
WORLD PREMIER! FIRST RECORDING OF THIS PATTERN - EVER!
My friend Kokou "Alex" Yemey called me a few days ago with some urgency in his voice: "I must record this before…
It seems a lot of you record with open mics and can relate. I record 1 track at a time with usually 4 or 5 tracks. So, Im only asking for about 15 minutes of Silence...IS THIS TOO MUCH TO ASK??? Anyway, my house is so loud, I get a lot of bloopers…
Hi, The Suicide is programmed actually and uses Kontakt sounds. I have a large number of manuscripts which I created in college and shortly after (before 90's no computer program I had could let me score reasonably). In this case, The Suicide, was scored at an upright piano and I could play it at the time. Its really easy to play.
The last track that I'm going to upload for a while. I will be re-recording a few songs to release a LP under my own name. Hopefully it'll be good :)
This one is another exploration using loops and delays. I hope you like it!
Comments on vaisvil's stuff
Love the unsettling intro riff - strange but kind of compelling sounds throughout.
Eerie...
Nice keys!!
Retro in all the best ways!
very pretty, Chris
Sweeeet even though I do not fully grasp the concept, I love how it comes across in the mix. Very diverse sounds.
Sonar- nice use of software with many related tones and sounds!
However you did it this is beautiful!
has an almost slowed down crafty guitar like effect just more organized then that. pretty.
really really cool
Great shadow socks. A must, to be always worn when thinking outside of the box..........
just one word Beautiful.
Interesting stuff. Definitely thinking outside the box
very fun
excellent delivery
crazy song, love the lyrics. the FX on the vocals go great with the keys
Nice!
Excellent
Jus' gets better and better! One of the killer Alonetone collab tracks.
Still totally digging this! All elements work perfectly.
Comments made by vaisvil
nicely done~!
interesting ! What is your set up? It sounds as if you were recorded in a hall.
I especially like parts I and II - nice work!!
boy, are you ever going through a creative period - everything is sounding top notch - I love the percussion + ambiance style here. World electro?
interesting aggressive minimal electro
nice themes!
Sam sounds like one of the Indigo Girls :-) Very nice song everyone!
this is very good - like the solid vocal harmonies and leads.
this is one inventive piece! what a mix - are you sure you didn't grow up south of I-10 in Louisiana? You have that Cajun blues thing down and who'd expect you could get oboe and bassoon to work so well with it! wow.
This is a great tune - I love the percussion and the deep deep sounds.
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
nicely done - sounds a bit floydish. Introspective Roger Waters.
all of the compositions are wonderful - I feel emotion from your work.
this is a very nice progression against a pedal point and exposition. I agree the room acoustics are really great - it sounds great!!
very classical period sounding.
well.... tell your wife you'll build her a new addition if she lets you keep this room as is :-) nice - the sound is so surprisingly robust and resonate in tone.
wow - this is complicated!! and cool!
Hi, The Suicide is programmed actually and uses Kontakt sounds. I have a large number of manuscripts which I created in college and shortly after (before 90's no computer program I had could let me score reasonably). In this case, The Suicide, was scored at an upright piano and I could play it at the time. Its really easy to play.
wonderful!! So this is in part classical guitar? If so great tone!
bizarrely the opening bass riff sounds like the theme to green acres - a usa 60's sitcom.