For Improv Friday
I improvised this guitar track and recorded audio and midi (Fender Mustang + GR-20) feel free to add to this
After some editing I came up with "And No One Listens"
I used Guitar Rig 4, Kontakt (bass), hyperwave synth, True…
I used sonar 8.5 matrix view to turn my M-audio 88es into a sampler keyboard - assigning samples to almost every key. Most of the samples are field recordings from today and yesterday - most of the others are recordings I made of a drumset I…
This is part of a microtonal tuning survey. for those of a stout constitution all of the options follow:
These are playable online here:
http://notonlymusic.com/board/viewtopic.php?f=23&t=749&start=0
Here is the original harpsichord…
I used sonar 8.5 matrix view to turn my M-audio 88es into a sampler keyboard - assigning samples to almost every key. Most of the samples are field recordings from today and yesterday - most of the others are recordings I made of a drumset I…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
A piano solo in the JI version of Wilsonistic pivot on C tuning posted to the Just Intonation group by Margo Schulter 12/25/2010. The piece was improvised on a M-Audio 88es using Pianoteq 3.6 and recorded in Sonar 8.5 with some editing of the…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Recomposition of the following ImprovFriday composers / pieces
Peter Thörn
Wheel be
Norbert Oldani
Piano Impro 1,2 3
Another Aulos Impro.
Jeff Duke
Scanners and Bells
Kavin Allenson
dragchain
brain salad surgeon
Slim and None…
A piano solo in the JI version of Wilsonistic pivot on C tuning posted to the Just Intonation group by Margo Schulter 12/25/2010. The piece was improvised on a M-Audio 88es using Pianoteq 3.6 and recorded in Sonar 8.5 with some editing of the…
A piano solo in the JI version of Wilsonistic pivot on C tuning posted to the Just Intonation group by Margo Schulter 12/25/2010. The piece was improvised on a M-Audio 88es using Pianoteq 3.6 and recorded in Sonar 8.5 with some editing of the…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Gary Thompson from the Music by Computer yahoo list (aka Johnny Pumphandle) remixed me version 2 of Sweeny's Agony - and blew me away - by toning down the volume he brought out a lot more soul in my opinion. I love it - and I hope you do too.
Chris
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
really really cool
Great shadow socks. A must, to be always worn when thinking outside of the box..........
just one word Beautiful.
Interesting stuff. Definitely thinking outside the box
very fun
excellent delivery
crazy song, love the lyrics. the FX on the vocals go great with the keys
Nice!
Excellent
Jus' gets better and better! One of the killer Alonetone collab tracks.
Still totally digging this! All elements work perfectly.
What a delightful piece. Thank you for uploading.
*APPLAUSE*
!!! Brilliant! The music slinks along awesomely, but the narration is the kiss of la la la la life!
PLEASE put me in one of these some time!!! This is rich, inventive and exciting!
Chillingly atmospheric human voice sounds - very clever!
very pretty Chris I like the running chromatics here.
really digging this
I *love* this one.
Hi Chris, superb remix. The harsh lead guitar on the earlier versions was blocking out the other instruments. Very nice. John.
Comments made by vaisvil
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!