Very strong vocal drive. this is totally awesome! I often say that about all your music. Keep em coming and burning!

love the narration, and the echo FX's of the tea in the garden bit. And harp too? excellent.

Impressive piece of work! Enjoyed that!

Nice work Chris and Emily!, so many great additions to the killer beat i am getting lost!

EXCELLENT Chris and Emily! Honored to be part of this collaboration.

Really love how this has developed!

Emilys voice is quite haunting in play with Ricks Guitar and Chris's Bass and the percussion goes with out saying is excellent. Good one

Beautiful job, Emily! I love it!

Nice additions. Very cool!

Like the soothing vocals, percussion by norm?,,,wow this good!

Cool song and istrumentation

Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.

WOW! Great sound and meaty lyrics, maestros!

very cool guys,,,,has a primal feel,,,,,,enjoyed very much

nice spoken word piece and the music provides the perfect backdrop.

Great percussion as well arrryyehh yeehh yaaah

Enjoyed this immensely in fact so much so i started to laugh

Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,” he begins, “I was aware of becoming involved in her laughter and being part of it.” He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If” the woman’s breasts “could” be stopped, “some” fragments “might” be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.

Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.

What a vocal. Go for it Chris!

Thank you so much for singing on this! Man you have a good voice!

is true that in Minnesota the ice never complete melts, it just get s a green cover in summer for a few weeks? lovely video and music guys!

downloaded for posterity...

damn, I'm floored. This is perfect and you are becoming an incredible song writer. All the right stuff in all of the right places - its that special sound man, you got it! Knock 'em dead!

great vocals and lyrics - wonderful guitar work! and the harp too!

beautiful Keith, just beautiful. I love Indigo Girls and this is so on the money.

just give your phone a bath - that will do it!

on a roll!

this is a cool take on this. its like pink flyod version from the period they were doing movie sounds tracks.

I do say it seems you've added a great deal more Tension since the last revision I heard.

Always loved this song! Here is the CSO version http://alonetone.com/vaisvil/tracks/tension-acoustic-orchestral

I love what you did with it!

cool - very convincing orchestration and production!

wow - this is excellent! your production skills are getting really good!

Are you related to Robert Fripp? It sure sounds like it. Man this is lovely. I could heart this 3 or 4 more times.

What JamesRainmondi said - masterwork here - stunning!

this a quite good - enjoyed

Nice work, and realistic I'd say.

excellent.... needed to be said

beautiful, I'm sorry I missed it when first posted.