Very strong vocal drive. this is totally awesome! I often say that about all your music. Keep em coming and burning!

love the narration, and the echo FX's of the tea in the garden bit. And harp too? excellent.

Impressive piece of work! Enjoyed that!

Nice work Chris and Emily!, so many great additions to the killer beat i am getting lost!

EXCELLENT Chris and Emily! Honored to be part of this collaboration.

Really love how this has developed!

Emilys voice is quite haunting in play with Ricks Guitar and Chris's Bass and the percussion goes with out saying is excellent. Good one

Beautiful job, Emily! I love it!

Nice additions. Very cool!

Like the soothing vocals, percussion by norm?,,,wow this good!

Cool song and istrumentation

Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.

WOW! Great sound and meaty lyrics, maestros!

very cool guys,,,,has a primal feel,,,,,,enjoyed very much

nice spoken word piece and the music provides the perfect backdrop.

Great percussion as well arrryyehh yeehh yaaah

Enjoyed this immensely in fact so much so i started to laugh

Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,” he begins, “I was aware of becoming involved in her laughter and being part of it.” He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If” the woman’s breasts “could” be stopped, “some” fragments “might” be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.

Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.

What a vocal. Go for it Chris!

can't say I'm done 4ths - I'm usually fixated on 5ths - nice improv - did you play the synth at the same time?

lovely is too mild of a word - this is gorgeous and spell binding.

very enjoyable!

2 am at a smoky bar with an audience mesmerized by the band.

nice work - it must have been your doppelganger joining in !

the post was not resonant.

actually both parts of the sign, or should I say, both signs, were resonant. And sure if I can talk Debbie into doing the video I'll be happy to - can't be too many traffic sign solos out there :-)

a guitar player's guitar player you are!!

I wish I could have seen you do this - great!

this is great!

man... I can't touch this.

ole time radio!

Hi, my 17 guitar is 17 equally spaced notes to the octave. So it has 5 extra frets. I tune it like a regular guitar with small adjustments to take into account the different fret placements. you can find pictures of the guitar here http://chrisvaisvil.com/?p=436

nice smooth track - love the chilled vibe. Its all about the Neolithic Revolution!

one of my fav bowie songs - the first side of the album was superb. Like what you've done with this!

thanks for all of the work you and Norm did - it was a lot of fun!

beautiful

great song!!

I like to watch you conduct the synthesizers :-)

but who decides what is real? the dreamer or the dreamed? 2 vocoders? did you grab another microkorg?