Very strong vocal drive. this is totally awesome! I often say that about all your music. Keep em coming and burning!

love the narration, and the echo FX's of the tea in the garden bit. And harp too? excellent.

Impressive piece of work! Enjoyed that!

Nice work Chris and Emily!, so many great additions to the killer beat i am getting lost!

EXCELLENT Chris and Emily! Honored to be part of this collaboration.

Really love how this has developed!

Emilys voice is quite haunting in play with Ricks Guitar and Chris's Bass and the percussion goes with out saying is excellent. Good one

Beautiful job, Emily! I love it!

Nice additions. Very cool!

Like the soothing vocals, percussion by norm?,,,wow this good!

Cool song and istrumentation

Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.

WOW! Great sound and meaty lyrics, maestros!

very cool guys,,,,has a primal feel,,,,,,enjoyed very much

nice spoken word piece and the music provides the perfect backdrop.

Great percussion as well arrryyehh yeehh yaaah

Enjoyed this immensely in fact so much so i started to laugh

Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,” he begins, “I was aware of becoming involved in her laughter and being part of it.” He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If” the woman’s breasts “could” be stopped, “some” fragments “might” be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.

Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.

What a vocal. Go for it Chris!

Hey Richard - for Rumba - the guitar tunings are standard so if you want to play along on your piano it should work. If I remember correctly Brian laid down a basic I-IV-V in D major. I put 7th chords on top of that.

I'll see what I can up with.

nice work!!

this is excellent

excellent!! Love the sweeps. This is nicely setting Norm's percussion - cool tune!

nice jam - hot guitar - progressive rock

wild ride!

very cool electro!

downloaded to play again, and again!

yes, this is satisfying - very nice.

excellent groove - it will be interesting to see what AT folks can do with it. (I hope!!)

now *that* was satisfying!

Hi there! Yep - it is all GR-20 and guitar. I have done work with driving soft synths and my Korg MS-2000 on other pieces.

wow this is fabulous!

Richard thank you so much for your support. I don't have a problem with simple though it is not something I strive for. Talking to God is hampered more by my inability at the keybaord. However I could not have written that piece on my guitar. I have great respect and admiration for someone like yourself who has command of the keyboard. I have a heck of a time putting to hands together to make something. Chris

great work my friend!!

I'll give a shot in putting sax to this

lovely - this is chill out at its best!

Lovely!!!

Excellent!