jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
A "re-composition"
Father's voice on a Relativistic Train
I abused the following ImprovFriday composers:
Fathers Voice by Adam Kondor
Heard Through Walls by Jim Goodin and Steve Moyes
IF - Winter by Andrew McCance
Piece 112610 by Shane W…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
2008 - A 12 string guitar Acoustic Improv played in the Pelican tuning DEADAD. It has some rough spots but sometimes the best takes are the first ones. final edits made in Ableton 9 and audacity.
While wiring up a new FX processor in my studio I was messing around with this classic traditional sea shanty. Probably because at this time last week I was playing at the Harwich (UK) International Sea Shanty Festival. Anyway, while messing around…
Orphans were asked to contribute a track to a new 'Halloween Compilation' - released by Whiplash Records - this is our cover of the Coops 'Dwight Fry' - Hope you enjoy!
For this track I used a scale that John McLaughlin once mentioned in an interview, which I later figured out was a Phrygian Dominant scale with the flat-6 omitted.
Thanks for listening.
Inspired by a "flash of gratitude", to the Universe, God or whatever..sitting in the warm summer heat watching my sweetie tend her plants, puffy clouds filling the sky and surrendering to the momentary bliss.
Comments on vaisvil's stuff
Sweet
Had to come back for another listen. Really gorgeous piece, but oddly enough I keep wanting to hear it in equal temperament!
Dynamic, slightly atonal. Nice!
Lovely!
Inspired! Love the beats and the clanging sound throughout - great rising synth voices also.
beautiful decemberpiece
What a gorgeous piece. Now, that's lovely!
Wow, powerful stuff indeed. Crumbs Chris, that's amazing.
No saint, her.
Nice!
Had a few listens (TIS)...Great track!
nice shorty. I may have to look into that 60x60 as well.
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
:( Poor Eire. These are crazy days. Very expressive, moody track.
Different! but again your diversity speaks for itself!
I can feel the splinters coming out and it's driving me mad...another brilliant track!
Like some kind of devilish pick and mix!
Very cool. Perhaps it's my imagination but it seems that the chords in this tuning take on a different, almost metallic texture.
Very intriguing.
Very interesting!
Comments made by vaisvil
Very good - nice and intimate, uncompromising!
Perfection! - but we all do not expect less for you and your collaborators Tess!
Sounds like middle eastern EDM!
Great guitar work!
great build and texture development!
Legolas and the woodland elvish band after being gifted synthesizers by Gandalf :-)
some really cool sounds in this!
This really is spooky - it is like being in a haunted house - is this the revived super nova?
really hot guitar!
Is this all you? In any case impressive vocals!
Fantastic cover!
you don't want to wait until I upload the noiseless samples?
This has a really a great sweetness tinged with regret feel.
Nice work!
this is sweet! What all are the effects used? It is an incredible soundmass you've created
Nice - must be a cosmic sink!
wonderful!
gosh you sound eerily like Kurt! Great cover yes!
I agree - excellent cover!
lovely!