song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
A "re-composition"
Father's voice on a Relativistic Train
I abused the following ImprovFriday composers:
Fathers Voice by Adam Kondor
Heard Through Walls by Jim Goodin and Steve Moyes
IF - Winter by Andrew McCance
Piece 112610 by Shane W…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
A "re-composition"
Father's voice on a Relativistic Train
I abused the following ImprovFriday composers:
Fathers Voice by Adam Kondor
Heard Through Walls by Jim Goodin and Steve Moyes
IF - Winter by Andrew McCance
Piece 112610 by Shane W…
After Sebs football today I went up into the loft searching for an old guitar a friend gave me a few years back. When I lifted the lid of the case I saw that the tone switch was pulled off leaving bare wires. I couldn't remember if it worked or…
I don't always start a new project in my recorder , so this is the result of recording a jam with Paracosms and then hearing what was already on the rest of the track (probably from a couple of months ago?) when I stopped recording...I liked the…
Pleased with this orchestration and the Tina Arena arrangement of this iconic Kate Bush classic...have always loved it! Produced and performed by myself, except for the stunning vocal performance by Tina of course .....
(Original Song…
Pleased with this orchestration and the Tina Arena arrangement of this iconic Kate Bush classic...have always loved it! Produced and performed by myself, except for the stunning vocal performance by Tina of course .....
(Original Song…
This song was inspired by Roger and Chris's works, so I have made a voice synth mix for the DADA event at sound in.. :) mmmm all I really say with voice is dada but yeah I might of snuck in a tada IDK a closer listen will tell-
more-east-coast-meets-west-coast-snsthesis by Chris + the runout jig by James + supa polynova 1-07 by Bill - Songs mixed together,.. Chris's song is stretched to fit the size of the other songs...
more-east-coast-meets-west-coast-snsthesis by Chris + the runout jig by James + supa polynova 1-07 by Bill - Songs mixed together,.. Chris's song is stretched to fit the size of the other songs...
Since you’ve gone
It’s all gone south
The dunces took over
Stupidity rules
They open their mouth
To prove they’re fools
You didn’t believe in god
And made me wonder how
If there was one
How could he allow
What evil has been done…
Comments on vaisvil's stuff
nice shorty. I may have to look into that 60x60 as well.
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
:( Poor Eire. These are crazy days. Very expressive, moody track.
Different! but again your diversity speaks for itself!
I can feel the splinters coming out and it's driving me mad...another brilliant track!
Like some kind of devilish pick and mix!
Very cool. Perhaps it's my imagination but it seems that the chords in this tuning take on a different, almost metallic texture.
Very intriguing.
Very interesting!
This reminds me of the material of yours on that radio programme a while back. Most intriguing and clever stuff.
very beautiful!! Love it!
Movie material!
Brilliant composition!
Priceless tones and a bit drunk indeed, i like the sounds your pulling out of the GR-20!
interesting,,,
Drunken tones!
Wild tones.
Am finding your tunings project fascinating - and must say I really like the feel you have captured here. Beautiful piece!
Sounds kind of Christmassy - like the choir voice.
excellent
Comments made by vaisvil
Great music Brian and company!
really quite like this one! floaty, bouncy but has some nice grit layered in!
Rock on Reg!
Interesting sounds - what synth are you using?
How did you get Tina's vocal?
This is fantastic!
man.... you make the piano speak!
OMG I hate this place! You've made it in psychedelic salad!
excellent!
excellent rolling D's!
Rockabilly Awesome!
Thanks for mashing!
certainly gets a vibe going!
A stormy composition Ben that rolls on the listener like waves - excellent!
Yes indeed! Wonderful piece!
Just awesome!
A lovely aural dream!
astounding work! - love the coda especially
ahh then the actual sysnth pad ! - excellent!
nicely done! I like how the reverse guitar becomes a pad - it has shades if Magical Mystery Tour to my ears.