This is a solo piano piece performed on a M-Audio 88es driving pianoteq which was re-tuned to Gene Ward Smith's 17 per octave equal beating dwarf(<17 27 40|). The piece was originally recorded in pianoteq using the standalone mode and then…
This is a solo piano piece performed on a M-Audio 88es driving pianoteq which was re-tuned to Gene Ward Smith's 17 per octave equal beating dwarf(<17 27 40|). The piece was originally recorded in pianoteq using the standalone mode and then…
Thanks once again for stretching my ear's ability to appreciate alternate tunings. You have always been on the cutting edge of this aspect of music. A rare perspective indeed, and, in contrast to the blue dwarf, fully marvelous.
This is a solo piano piece performed on a M-Audio 88es driving pianoteq which was re-tuned to Gene Ward Smith's 17 per octave equal beating dwarf(<17 27 40|). The piece was originally recorded in pianoteq using the standalone mode and then…
Enjoying these pieces of yours in alternate tunings. Some of this reminds me of early blues recordings where certain notes were played "out of tune" because that's the way the players heard those notes. Cool stuff!
This is a solo piano piece performed on a M-Audio 88es driving pianoteq which was re-tuned to Gene Ward Smith's 17 per octave equal beating dwarf(<17 27 40|). The piece was originally recorded in pianoteq using the standalone mode and then…
wow! the rabbit hole is deep here. this is one of your best ever. I'd love an album of this! Downloaded.
I'm checking out your other new ones after this finishes. I'm at 6 min right now.
Its done. wow - this is really something else. Excellent work!
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
Hello guest (75.27.136.221)
I'm just following my ears. I suspect my mind imposes more order on the chaos than just running wild - also I suspect it is not a strict "anything" like a MOS.
Back to basics here. recorded with the Yeti mic.
Ramblin' round your city,ramblin' round your town
I never see a friend I know
As I go ramblin' round boys
As I go ramblin' round
My sweetheart and my parents I left in my old hometown…
Back to basics here. recorded with the Yeti mic.
Ramblin' round your city,ramblin' round your town
I never see a friend I know
As I go ramblin' round boys
As I go ramblin' round
My sweetheart and my parents I left in my old hometown…
ok this is the center portion of the the tape transfer and remix so if you like the intro and end so on this just gets more intense that it is centered and focused some.
to create your own new work play the video and music together .. each time…
ok this is the center portion of the the tape transfer and remix so if you like the intro and end so on this just gets more intense that it is centered and focused some.
to create your own new work play the video and music together .. each time…
This is a captured and then edited live performance using the Sonar Matrix view using various samples - some of which were paul stretched.
I'm liking this - if only they had the possibility to change the pitch live it would be like sticking…
This was a collab i heard today on Songcrafters and was wondering wether to ask to have a go at it vocally when Tharek sent me message asking me to have a go so Thanks Tharek and Dave, i am more than pleased to give it a go. i loved this music…
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
Hi Richard, Re: Hotel Cali => yes clarinet for main vocal, oboe for backing vocal - everything you hear is from Kontakt's standard sample set. Thank you for the listen and comment!
Chris sent this track to me earlier today with the request that I add some percussion to it.
I had something different in mind.
After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…
I Ate My Xanadu
ADDENDUM TO THE INCIDENT REPORT
It’s burning.
Nothing else matters.
Nothing.
It’s burning and I love it.
It’s so clear
what is illusion and what is real.
I love the clarity.
I could drink it.
I could eat it.
I could…
This is a piece using 2 keyboards, an M-Audio 88es (vocal choir) and Alesis Q49 (brass choir) in 17 notes per octave. The objective was to use some functional xenharmonic chord progressions. I would be interested in knowing if you perceive the…
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM
Comments on vaisvil's stuff
Faved.. Genius!!!!!
This track has a strange but compelling kilter! Very cool stuff!
Whoa....... Beautiful!
Gorgeous. I hear vocals. :)
very very nice treat
Quite beautiful. I like this tuning
Excellent
Good one.
Redefining the bass guitar.....Les Claypool style. Creative.
Some nice changes man. I enjoyed the whole progression.
I hear strings
...beautious, senor!
Totally whack!
Thanks once again for stretching my ear's ability to appreciate alternate tunings. You have always been on the cutting edge of this aspect of music. A rare perspective indeed, and, in contrast to the blue dwarf, fully marvelous.
Enjoying these pieces of yours in alternate tunings. Some of this reminds me of early blues recordings where certain notes were played "out of tune" because that's the way the players heard those notes. Cool stuff!
Weirdy stuff, I like the use of the choir, inspired touch! No, I think you are ok, I just found something belonging to you!
There's a real warmth to this - an unsettling warmth. Some of the runs remind me of church bells. Very clever.
Out there, but very interesting!
Woah, potent stuff!!!!!!!!!
Bizarre, yet Cool tune, I like the background vocals, This sounds like this could have originally been a MIDI track with new/diff samples inserted
Comments made by vaisvil
again - this is great! Downloaded!
wow! the rabbit hole is deep here. this is one of your best ever. I'd love an album of this! Downloaded. I'm checking out your other new ones after this finishes. I'm at 6 min right now. Its done. wow - this is really something else. Excellent work!
Hello guest (75.27.136.221) I'm just following my ears. I suspect my mind imposes more order on the chaos than just running wild - also I suspect it is not a strict "anything" like a MOS.
oh wow - James Bond 22nd century style!
The Texas Tavern serves cheesy westerns (cheese, fried egg, burger, bun) in the downtown of Roanoke Va.
nice meditation!
this is extremely cool! much enjoyed!!!
great!!
I like this a lot - more than like this is great! To my ears it sounds like a microtonal progressive rock song.
I'm watching the video. This is truly impressive and progressive art!
ompt manual http://forum.openmpt.org/index.php?topic=4387.0 and the software http://openmpt.org/download
OMPT = Open Mod Plug Tracker - a program that turns your computer into a sampler.
awesome!!! hell can't be so bad if its so funky ;-)
Hi Richard, Re: Hotel Cali => yes clarinet for main vocal, oboe for backing vocal - everything you hear is from Kontakt's standard sample set. Thank you for the listen and comment!
that genesis piece is beyond my skill to play - but it took a bit of work to get it to be nice with my software.
I am amazed at how you constantly pull new textures from your equipment. Very cool - parts sound like a futuristic police chase.
I see you've taken up body levitation as evidenced by your avatar picture. :-)
your new avatar is freaky!
very cool sound - I like this piece quite a bit!
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM