All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
Ha! This was great fun for me generating a large number of interesting spooky noises -all acoustically- in my laboorratory. The chilling errie wind sound was created with a long spring, attached to the head of a small hand drum (known as a “spring drumâ€, of course) and the “opening crypt†sound was generated by running my thumb nail down the spring under tension. And any time I get to hit the 30†Paiste gong, you know I’m smiling –evilly in this case.
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
I extended my very short Halloween piece - doubled it in length - not too hard considering it still is only a minute long.
This is using the Garritan Personal Orchestra sample set.
2 organs, piano, flute, bassoon.
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
I extended my very short Halloween piece - doubled it in length - not too hard considering it still is only a minute long.
This is using the Garritan Personal Orchestra sample set.
2 organs, piano, flute, bassoon.
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
I extended my very short Halloween piece - doubled it in length - not too hard considering it still is only a minute long.
This is using the Garritan Personal Orchestra sample set.
2 organs, piano, flute, bassoon.
I extended my very short Halloween piece - doubled it in length - not too hard considering it still is only a minute long.
This is using the Garritan Personal Orchestra sample set.
2 organs, piano, flute, bassoon.
Last one for today, promise. Two Old Friends - again from 1983 and created using 2 cassette decks,4 channel mixer, Fender Mustang, vocals. Lyrics by Evan Harrington.
Two Old Friends
Leaves bear mark of the changing of season
Soon to be crushed…
I also recorded this once through on the Martin and Zoom H-2 yesterday as well. One day I'll do a decent version of this, I promise. For now this is my modest Happy B-day to John.
I also recorded this once through on the Martin and Zoom H-2 yesterday as well. One day I'll do a decent version of this, I promise. For now this is my modest Happy B-day to John.
Last one for today, promise. Two Old Friends - again from 1983 and created using 2 cassette decks,4 channel mixer, Fender Mustang, vocals. Lyrics by Evan Harrington.
Two Old Friends
Leaves bear mark of the changing of season
Soon to be crushed…
I also recorded this once through on the Martin and Zoom H-2 yesterday as well. One day I'll do a decent version of this, I promise. For now this is my modest Happy B-day to John.
I also recorded this once through on the Martin and Zoom H-2 yesterday as well. One day I'll do a decent version of this, I promise. For now this is my modest Happy B-day to John.
I resorted to some unmarked old CDRs in the car today on my way to and from my Dad's (I brought him a new laptop) and found one of the earlier collaborations between Norm and myself.
This is dedicated to the families who have (and still…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Comments on vaisvil's stuff
Lovely, lovely piece, beautifully balanced strings. A wonderful listen!
Provocative and powerful.
i like it.
Ha! This was great fun for me generating a large number of interesting spooky noises -all acoustically- in my laboorratory. The chilling errie wind sound was created with a long spring, attached to the head of a small hand drum (known as a “spring drumâ€, of course) and the “opening crypt†sound was generated by running my thumb nail down the spring under tension. And any time I get to hit the 30†Paiste gong, you know I’m smiling –evilly in this case.
Wonderful stuff guys!
Lovely medieval feel!
Ah, dark shadows indeed! That was gorgeous!
great classic moving organic underbelly piece
Very cool.
Nice and slightly crazy vampirian atmosphere, an interesting song, good work!
Which ferret is the witch ferret?
Bach meets Dracula! Awesome.
pretty fucking cool!
cool cover Vais.
Well, you couldn't have picked a harder one to sing and you pulled it off!
Nice one buddy!
Cool science fiction spirited fantasy trip. Nice crazy atmosphere, well implemented!
Love The Beatles, cool cover,
note.. one (egg) and one (egg) and one (egg) makes and omelet not? but a broken one while sitting like a cornflake with milk and honey, ever so.
This tune brings me back into some great times man. Still dig this collab.
Comments made by vaisvil
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?