please see linked video => A Harmonic Series composition, Reverend Terry Jones, radical Islam, radical Christianity, doing harm in the name of religion.
I took recordings of mandolin, guitar, and bass and processed them in Paul Extreme…
Well done. I'm all for free speech, but I question motives of those who want to burn books, flags, etc. for any "cause". I think the burner's seek attention for themselves more often than not.
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Badass!! Feverish playing - I love it. This will suffer many, many listens from me - So glad it's a 320K mp3.
Norm, you rocked it, too - Brilliant percussion that is not overdone and fits in perfectly!
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
The story cracked me up. Your fretless guitar would be perfect for slide guitar, i'm learning slide some now , easy to do basic style but hard to be great at it as are all things.
Great vocal on this tune,i'm impressed.
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
We went to visit my dad at his assisted living facility and they have a Yamaha Clavinova on which I improvised for a half hour to provide some entertainment. This is a ~ 3 minute excerpt from about half way through. This was recorded on my Zoom…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Here it is baby: This is your best vocal work ever... not nearly as sexy as the sister's rendition (and I love the shock value of a girl singing this one – I really hope that gem gets posted too) but your enthusiasm is infectious and it brings me joy to hear you torturing your fretless guitar. Was that a bit of a laugh I heard at one point? Well, it works for you. Call me country…
Trap set? We don’t need no stinking trap sets. Tambourine, cajón and cymbals.
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Comments on vaisvil's stuff
Well done. I'm all for free speech, but I question motives of those who want to burn books, flags, etc. for any "cause". I think the burner's seek attention for themselves more often than not.
Yes, I can see why you wanted to cover this Chris. A great performance all round.
this one is so very cool!! everything
very cool!
Wild! :D
it's one of these songs you'd wish they'd go on and on.. most excellent!
Badass!! Feverish playing - I love it. This will suffer many, many listens from me - So glad it's a 320K mp3. Norm, you rocked it, too - Brilliant percussion that is not overdone and fits in perfectly!
Damn! That guitar work is as raw and tortured sounding as it gets. Very cool! I'm gonna go rub some salt in an open wound now!
:)
Rrrrrrr!!!!! You're a growly lover! Buddy would be proud. :-) This is the definitive AT cover, guys. Chris's vision, as it should be! Nice one!
Gritty, raw, cool Tramp tribute. I think the fretless guitar is excellent. perc matches the raw feel.
There's certainly a kernel of something really good here. I'll stay tuned!
The story cracked me up. Your fretless guitar would be perfect for slide guitar, i'm learning slide some now , easy to do basic style but hard to be great at it as are all things. Great vocal on this tune,i'm impressed.
Badass, yawl. I can attest BG is microtonal having seen him, his strings bends are often slightly sharp, an amazing gtrist when he wants to be.
I'm digging this raw riff, actually the whole piece is raw...nice!
Nice tune, sounds like Jimmy Page material
Here it is baby: This is your best vocal work ever... not nearly as sexy as the sister's rendition (and I love the shock value of a girl singing this one – I really hope that gem gets posted too) but your enthusiasm is infectious and it brings me joy to hear you torturing your fretless guitar. Was that a bit of a laugh I heard at one point? Well, it works for you. Call me country… Trap set? We don’t need no stinking trap sets. Tambourine, cajón and cymbals.
Everything I like. Distorted guitars, solid bass line, serious percussion, Hardly a train wreck Sir. It rocks.
Perfect ending!!
Damn, you parked this one right in between the flats and sharps. There's a lot to listen to.
Comments made by vaisvil
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?