:)

Rrrrrrr!!!!! You're a growly lover! Buddy would be proud. :-) This is the definitive AT cover, guys. Chris's vision, as it should be! Nice one!

Gritty, raw, cool Tramp tribute. I think the fretless guitar is excellent. perc matches the raw feel.

There's certainly a kernel of something really good here. I'll stay tuned!

The story cracked me up. Your fretless guitar would be perfect for slide guitar, i'm learning slide some now , easy to do basic style but hard to be great at it as are all things. Great vocal on this tune,i'm impressed.

Badass, yawl. I can attest BG is microtonal having seen him, his strings bends are often slightly sharp, an amazing gtrist when he wants to be.

I'm digging this raw riff, actually the whole piece is raw...nice!

Nice tune, sounds like Jimmy Page material

Here it is baby: This is your best vocal work ever... not nearly as sexy as the sister's rendition (and I love the shock value of a girl singing this one – I really hope that gem gets posted too) but your enthusiasm is infectious and it brings me joy to hear you torturing your fretless guitar. Was that a bit of a laugh I heard at one point? Well, it works for you. Call me country… Trap set? We don’t need no stinking trap sets. Tambourine, cajón and cymbals.

Everything I like. Distorted guitars, solid bass line, serious percussion, Hardly a train wreck Sir. It rocks.

Perfect ending!!

Damn, you parked this one right in between the flats and sharps. There's a lot to listen to.

If I lived closer to you, I would drag a couple conga drums along and join you at the retirement facility! Very honorable!

I love that you take the time to entertain people who may not otherwise get the opportunity. And a fine performance too!

Recorded great for live , well done.

The residents are really lucky to have your dad with them - look at the perks they get.

nice sound, nice improvisation! thank you Vaisvil

What a nice thing for you to do. Well done!

I like the subtle progression- almost a rick wakeman feel near the second part. I like the simple ending too.

wow, strings really fill up the room. Great sound !

great music, it is like a speech. Prodding, pleading, shouting.

nice vamp!

Such a huge expanse is painted here!

A cool microtonal experimental piece!

This is beautiful!

starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!

This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.

I really like how unusual this sounds

beautiful in its sadness

really well done!

this may be long, but it isn't empty. I really, really like this one!

it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work

This is cooler - the SE-02 seems to be quite a nice synth~!

love the runs in this piece! Very powerful!

awesome!!!

I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!

But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.

excellent!

Beautiful!

Lola has my respect. What synth was slept on?