Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
cool. I like your range of work (a fellow eclectic).
re: twikk, there may be some beating effects thought they weren't explicitly planned. there's certainly a crapload of hard, random panning.
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Not terribly odd except for how I did it with Fretless gutiar.
I recently bought a used Fender Squier for $60, pulled the frets with pliers, filled the cuts with plastic wood, sanded, and jammed. Took about 2 hours to make the guitar fretless…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
For improv friday
I did an experiment using Paul's Extreme Stretch harmonics function and Audacity.
I took a raw field recording (included here field recording http://notonlymusic.com/board/download/file.php?id=1187 ) and ran it through…
For improv friday
I did an experiment using Paul's Extreme Stretch harmonics function and Audacity.
I took a raw field recording (included here field recording http://notonlymusic.com/board/download/file.php?id=1187 ) and ran it through…
For improv friday
This is part 2 - see Keys at Lowes for an explanation of what I'm trying to do.
Ok, another try using base frequencies of 0.1, 3, 10, 17, 33 and 48 Hz spread in stereo space plus some of the original mixed in. (additional…
This is right up my street, you're really getting some fabulous timbres out of this. I tried the improvFriday site a couple of weeks ago but really had no idea what I was doing.
For improv friday
I did an experiment using Paul's Extreme Stretch harmonics function and Audacity.
I took a raw field recording (included here field recording http://notonlymusic.com/board/download/file.php?id=1187 ) and ran it through…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
oh yeah!
cool. I like your range of work (a fellow eclectic). re: twikk, there may be some beating effects thought they weren't explicitly planned. there's certainly a crapload of hard, random panning.
How come i never heard this one before? this is great stuff vaisvil.
hell ya! i like the groove and what you did with your Fretless Guitar...
very cool. I've gotta come back and check this out in its entirety. Illegal Alien
Phantasmagoric!
interesting...
visceral and compelling
that's a cute baby. very fng! JRR
Mr.Beanie Baby?
This sounds like it could be a lost song from "The Cooler" soundtrack. I dig it!
i wonder where you recorded this sample, really smooth and atmospheric!
hefty piano work. lovely.
I'm always learning from you. Thanks man.
Beautiful... Non-dominant 7ths or otherwise.
Lovely improv!
nice piano improvisation I love it!
This is right up my street, you're really getting some fabulous timbres out of this. I tried the improvFriday site a couple of weeks ago but really had no idea what I was doing.
Arthur C. Clarke once wrote "Any sufficiently advanced technology is indistinguishable from magic". This was truly magical my friend :)
Mellow.
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.