Trax in Space appeared to be shutting down - so this was a musical interpretation of the pending demise. As it turned out TiS is still struggling to breathe => not too unlike those smokers on oxygen you see in anti-smoking ads.
Trax in Space appeared to be shutting down - so this was a musical interpretation of the pending demise. As it turned out TiS is still struggling to breathe => not too unlike those smokers on oxygen you see in anti-smoking ads.
Trax in Space appeared to be shutting down - so this was a musical interpretation of the pending demise. As it turned out TiS is still struggling to breathe => not too unlike those smokers on oxygen you see in anti-smoking ads.
Trax in Space appeared to be shutting down - so this was a musical interpretation of the pending demise. As it turned out TiS is still struggling to breathe => not too unlike those smokers on oxygen you see in anti-smoking ads.
Trax in Space appeared to be shutting down - so this was a musical interpretation of the pending demise. As it turned out TiS is still struggling to breathe => not too unlike those smokers on oxygen you see in anti-smoking ads.
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3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
Sounds 15th century to me. I think the beauty of this lovely piece is the fact that apart from it being beautifully played, it is timeless.
A piece that doth posess wondrous endurance.
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3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
most excellent! something post-Waters in sounding and creativity, and the tortured vocal is totally unexpected, inventive and grabs the listener attention firmly!
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
Lovely track all round. Superb actually! I know where you are coming from but I can't handle the pic of that beautiful creature lying there.
Booty job.
Lovely!
Excellent!
Beautiful playing!
Strong sounds! But oh, sad pic of the swan! And what a desolate road to die upon. :-(
oh man. i love this tune. john downland is a champ, and this is a great rendition.
Just heard this loud. Oh my god. That'll be a big fat fave then.
great piece, and excellent transposition!
neat-o!
Sounds 15th century to me. I think the beauty of this lovely piece is the fact that apart from it being beautifully played, it is timeless. A piece that doth posess wondrous endurance.
This is the sort of stuff Jane Austen listened to while she penned Elizabeth Bennet's growing affection for Mr Darcy. Lovely!
Wow, awesome closing credits sound!
No shit! The build into the unknown makes me wish there was another five minutes tacked on the end.
Killer guitar!! Kind of as a "There goes my girl" feel to it. Very cool!
most excellent! something post-Waters in sounding and creativity, and the tortured vocal is totally unexpected, inventive and grabs the listener attention firmly!
What a tremendous and full sound. Awesome as they say.
really good!!!!!!!
Scorching guitar playing. Ooooo that's a great change up at 3:00. Spooky.
Wild rock'n out mix.
Comments made by vaisvil
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!