This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
Firstly, love the rhythm, tinkling and the music.
Gets the old hips unashamedly swaying.
Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
something in semi-performance mode on a real piano recorded at the meb(medical education building) in October the fifteenth or ides of October 2012 at eleven fifty three before lunch, I was actually reacting to the people walking by and sorta…
Here's request Carry on my Wayward son by Kansas we had.... again Gene has outdone himself with some superb musicianship ......and i've again had the easy job with the vocals...thanks Gene
For the grandchildren, when I get some!
Moonbee started life as a doodle, then he was turned into a little story, then a song!
This is Part 1 of the series - I have no idea how many there will be in total!
Enjoy! xox
P.S. This is…
Well that didn't last long Reg felt something wrong so he's moving on to pastures new..........it got Reg feeling Jazzy......
Time to go (Lyrics)
Theres something in your smile that tells me its time for me to go
when i ask if everything is ok…
Maybe the last for 2012 Reg got the Acoustic out on this one and a touch of guitar fx for the vocal hope you enjoy.......Happy New Year....Although Reg is a miserable sod........
I've enjoyed your work too - though mostly via Sound-In - Alonetone... I've found less and less time for AT as I've been getting more active in the microtonal community. However, Sound-In... I wait for every week :-)
Dawn awaits – SKEEN 121013
The beating, of her heart up next to mine,
So sweetly keeping time
Stirring, from her slumber through the night
Slowly opens….her eyes shine brighter than the mooonlight through the trees
Awake, my darling from…
this is just too good I have to give the machine's all the credits I did little more then guide them thru this landscapes in timeless experiential effects. I will have the big video that was cut up and layered here before effects soon to see…
yes this is part three of the disk i did...
this piece includes a hypnosis session doing a past life regression of me, bill newbold,.
just edits in the sounds.
This is a collab song with MTC. I almost hated adding anything to it cuz the first track he sent me was kickass vintage Jim. It totally changed flavors in the collab process, but still one of my favs
Didnt mean to have a political slant but had just got denied my large order soft drink in Manhattan.
All thats left are the small sodas with the "NY loves big cans" tee shirts
always liked this song. as a guitarist in the early 80's i played this song a lot in a band i was in. i went for a live sound on this so it would have a sort of an amplifier played live. i am the only one to blame for this song, as i did it all…
Comments on vaisvil's stuff
beautiful
Still fresh!
very nice,, that sequence is a transcendental equation no?,, very cool,, you never cease to amaze me
VERY COOL! w;-)
Puts The A In Avante Garde!
great sounds,, fun piece
it simply sounds so authentic.. and this part, at 01'00", is brilliant!
Excellent! The percussion is just perfect.
Firstly, love the rhythm, tinkling and the music. Gets the old hips unashamedly swaying. Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
Dancing to this! Wishing I had a jewel in my navel!!!!!
FNG!!!
COOL!!
very cool, good work
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
been humming the main motif all morning long.. - and i thought, some vocals would be great on this, something of Tom Waits, or CharlElie Couture..
Ooo eerie stuff, beautifully done.
Lovely ethereal sounds here - definitely sensing some magic.
never heard of ethopian scales..heard of gypsy, japanese, mixolydian, lydian, ect. This is yet another interesting creation from you.
post-punk-a-delic! loved the vocal first time i've heard this one; hasn't changed since then!
Mustang and MXR, now that's what I like to hear.
Comments made by vaisvil
excellent!
I've never heard you play something like this before - very nice!
Superb all the way around!~ Speed Demon sounds like he's been touring with Kansas! Excellent vocals!
Lovely!
Very cool sounding! re: Closer to Mumbai => its the spices :-)
nicely done!!
you play guitar like Peter Townsend! I love the vocal effects.
This is really nice. I love the vocal harmonies and the slide too.
This is a beautiful medley!
I've enjoyed your work too - though mostly via Sound-In - Alonetone... I've found less and less time for AT as I've been getting more active in the microtonal community. However, Sound-In... I wait for every week :-)
This is fantastic!
Enjoyed that - good song writing and production to my ears
thanks Reg!!
this is... like being inside of a factory at night when the machines wake up and devise artifacts of their alien will.
I found this really interesting.
This series has a good flavor so far. More subtle than usual. The first piece reminded me of the magnetic field of Jupiter as picked up by Voyager.
cool!
love what you guys did here.
wow the a capella is just stunning!
Love the vocal harmonies!! Great tune to pick and nice excution