This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
Wooooooooooooooooooooooooooooo, over the top and off the chart (what ever that means), this music creates a wonderful feeling,, it walks in beauty as the Navajo might say
(my apologizes to any real such persons,, i am currently on a tony hillerman kick)
well done friends R
this is an amazing work,, a standout (at least my opinion) amonst your many many fine pieces...
as Alister says it is well balanced,, and oh so interesting,, the fade in and out of the guitar and ? is very very brilliant, it really pulls you in,,, well well done R
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
Firstly, love the rhythm, tinkling and the music.
Gets the old hips unashamedly swaying.
Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
Billy wanted a project for the 2023 Christmas holidays and asked some of his extremely talented musician friends to play on this track.
Matt Smith: Guitars & backing vocals
Paul Matthews: Pianos & organ
Naomi Daulby: Lead & backing…
Punny title to hint at the sound origin; the sounds left on a reel of tape (or in this case, two different ones) after it has undergone a bulk-erase procedure - placing it on a device that creates a strong electromagnetic field that scrambles…
Four different tracks of Roland SE-02 controlled via MIDI by a Casio DH-100. Choosing different voices on the Casio causes settings to change on the Roland, which were then tweaked a little. Submitted to Sound-In "Roleplay Improv" for 1-8/2/2024.
Three different versions of a similar line created using the onboard sequencer on a Roland SE-02. the different voices were created by changing settings on a Casio DH-100 digital horn attached via MIDI, and playing the horn. Submitted to Sound…
I'm working on a series of new pieces for an electro-acoustic album. As this one is most are done using Pure Data as a somewhat compositional playing in the process. I'm capturing real time playing to loop tables and then laying them into an…
Comments on vaisvil's stuff
Neat-o!
so nice.. feels like a gentle summer breeze! and another great collab..
Wooooooooooooooooooooooooooooo, over the top and off the chart (what ever that means), this music creates a wonderful feeling,, it walks in beauty as the Navajo might say (my apologizes to any real such persons,, i am currently on a tony hillerman kick) well done friends R
this is an amazing work,, a standout (at least my opinion) amonst your many many fine pieces... as Alister says it is well balanced,, and oh so interesting,, the fade in and out of the guitar and ? is very very brilliant, it really pulls you in,,, well well done R
very good work and sound
excellent.. it goes in so many directions and yet so well balanced all the way! great collab'!
Still beautiful!
Beautiful!
verry nice love the guitar
Wow... REALLY nice!
beautiful
Still fresh!
very nice,, that sequence is a transcendental equation no?,, very cool,, you never cease to amaze me
VERY COOL! w;-)
Puts The A In Avante Garde!
great sounds,, fun piece
it simply sounds so authentic.. and this part, at 01'00", is brilliant!
Excellent! The percussion is just perfect.
Firstly, love the rhythm, tinkling and the music. Gets the old hips unashamedly swaying. Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
Dancing to this! Wishing I had a jewel in my navel!!!!!
Comments made by vaisvil
Definitely true to the original - very excellent work!
You always come up with inventive ways to generate sound and I admire that - this is quite cool as it sounds underwater to me.
another brilliant DH-100 application!
such a foreboding piece - were you thinking about it being an election year here in the states?
Nice pocket between ambient, EDM and experimental electronic!
I enjoyed your performance very much!
This is the most unique use of a DH-100 that I know of!
nice work!
Brilliant!
This blew me away - so powerful!
This has such a nice ambience to it. Nice pickin' my friend!
Man you man that dobro sing!
Man you nailed it - your vocals are especially powerful at the end.
Man this is great to happen upon again!
This is a sweet piece!
beautiful!
Excellent!
Alberta too? I thought Canadians were sane.
Excellent work!
Loving it!