This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
Artist's description:
This is all in kontakt 4 and is scored for
hang drums
andean flute
choir
timpani
various percussion
Contributors:
a 17 edo version is here
http://notonlymusic.com/board/download/file.php?id=363
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
My performance on video (see "more") at the odd music convergence with words by Evan Harrington and myself.
Details are available here: http://chrisvaisvil.com/?p=68
The full quality 230 meg video is available here: http://clones.soonlabel…
ensnaring! and oddly, i "prefer" the audio-only version. not that the video harms it in anyway, really not, but i find the piece more intense, when only focusing on sounds.
My performance on video (see "more") at the odd music convergence with words by Evan Harrington and myself.
Details are available here: http://chrisvaisvil.com/?p=68
The full quality 230 meg video is available here: http://clones.soonlabel…
this is full pint listen,,, at times i feel like im in a sf flick and at others perhaps on the ocean floor... the music is cool in that it can make one feel on the scale of vast galaxies or on the micro scale of bacteria or atoms,, very interesting ,, as usual R
Year: 2008
Album:
Singles
Artist's description:
Many years ago a brave soul uploaded several recordings of his sister's recital to a newsgroup I created for amateur musicians. I asked for, and he gave, permission to use the recordings. Well…
Year: 1999
Album:
Alien Air
Artist's description:
Why I write the music I do
Contributors:
Evan, Kristin, Carol, 3 stooges
modplug tracker
home made guitar samples and Casio CZ-101 samples
"real bass" sample
drums from... somewhere
Improvisation using segments of the vocal track from Chris Vaisvil's piece Sweeney's Agony and sample fodder, played via midi keyboard, with live computer processing.
Was going to layer or track this into the jumping on 2 but could not do that legitimately anyhow by the end I start part of the jumping on 2 song, coming next. first here i set the levels then at about min 2 something I sync the beats between…
An unusual traditional tune from the first Scartaglen album way back in 1984. Going through stuff the other day and ran across the LP and couldn't even remember the tune or having recorded it. I played guitar on this track
Reg had sat listening to the Wrinkled Shirts track and decided it was time to tell you the story of how he found his Mojo. it was a time way back when, to far back to remember. when he was just a young man. when he had decided to fast-forward…
Reg has been up to his womanizing ways and has ended up dancing on his own. reg came up with another great funky tune and Reg had to jump all over again. Hope you Funk IT.........
Reg has been up to his womanizing ways and has ended up dancing on his own. reg came up with another great funky tune and Reg had to jump all over again. Hope you Funk IT.........
well - I'm asking for a collaboration - that is the story - I intend to add another bass line though. I've had troubles with my computer the past couple days
THE INAPPROPRIATE QUESTION - Capo @ 2 (6) to sing
G C/G bass
She said, “I can see that you’re hurting,
And I can see that you are wearing a ring.
Perhaps an inappropriate question,
but I’d like to ask you something.
Soon I will be a…
With his lottery money Reg has invested in becoming a funk star. The other reg came up with the tune and Reg jumped all over the thing......come and get funky with thetwoReg
Comments on vaisvil's stuff
FNG!!!
COOL!!
very cool, good work
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
been humming the main motif all morning long.. - and i thought, some vocals would be great on this, something of Tom Waits, or CharlElie Couture..
Ooo eerie stuff, beautifully done.
Lovely ethereal sounds here - definitely sensing some magic.
never heard of ethopian scales..heard of gypsy, japanese, mixolydian, lydian, ect. This is yet another interesting creation from you.
post-punk-a-delic! loved the vocal first time i've heard this one; hasn't changed since then!
Mustang and MXR, now that's what I like to hear.
Damn, that's awesome man. Rockin tune...
Complex and cool.
ahh, yes, very tempted! JRR
very cool.... is that a subway escalator?
A classic. Post the lyrics! Perhaps you can convince Din to post a few things on AT... his percussion & mix mastering really are world class.
so cool and fun
ensnaring! and oddly, i "prefer" the audio-only version. not that the video harms it in anyway, really not, but i find the piece more intense, when only focusing on sounds.
this is full pint listen,,, at times i feel like im in a sf flick and at others perhaps on the ocean floor... the music is cool in that it can make one feel on the scale of vast galaxies or on the micro scale of bacteria or atoms,, very interesting ,, as usual R
great...bring on the desecration... thank you for the comment on my song...
so cool and fun!
Comments made by vaisvil
excellent work!
thank you for "playing" me :-)
This rocks!!
nicely minimal!
nice I like the sound sin the panning sweeps a lot.
peaceful - wonderfully chilled - I enjoyed it very much!!
I love this!!! Excellent!
great!!
is this slide bass then? or bass and slide guitar? sounds cool regardless.
this is very cool. I like the bigness of the sound a lot.
remixed it down? I love how your vocals sounds like Louis Armstrong.
this reminds me of Schoenberg's op 19 in its depth despite brevity.
wow man - just wow~ !!
and - you are on a roll!!
man you got soul!! Are there really two Regs?
well - I'm asking for a collaboration - that is the story - I intend to add another bass line though. I've had troubles with my computer the past couple days
I like it! Can I do something to / with / about / for it?
very good story
man, did you write me into your will like you said??? :-)
wow! motown indeed~~!!