nice,,, i like this,, where did you get the tin synth? i play a bit of the whistle myself, but i have not seen such a synth,,, do they feature different types like clark and susato?
anyway well done Richard
so ahhhhhh are you a usc fan or just a fan of? anyway.....this is smooookin,,,, if this is what whiskey does for one,,, i'll have to go find myself some.... i guess only being a beer imbiber explains my own sounds..... well played/sounded?
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
well done friend,,, it's wonderful piece, and your orchestration it very interesting,,, some questions (and i'll make these as public, in case anyone else is interested in the tech aspects) did you have a digital piano score,, or working from printed manuscript first or perhaps you already know this memorized and broke it out from that? about how long did this process take??? It's a cool thought/work,,, and though i have not done this myself ,, yet,, it looks like a lot of fun.... once again well done,, i am constantly amazed at your creative/musical talents... Richard
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Faith is assurance of things hoped for, the conviction of things not seen.
When Faith goes to the market, it always takes a basket.
The beginning of anxiety is the end of faith and the beginning of faith is the end of anxiety. [George Mueller…
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
Here's a "live" thing, if it can be called that, if one performs in a public place and there's no audience, can you call it "live"...?
If you'd like to hear the rest of the set, go here:
http://soundcloud.com/breaking-light/sets/no-audience…
This is a collab tune which was originally written by Tad Rees (aka Solo). He plays the Keyboard.synth, and I did the guitar and drums. The last half blends with his original which can be heard in completion at :
http://www.traxinspace…
Combined two separate segments from the performance for this remix. I'm posting live recordings on Soundcloud now. To hear the rest of the set go here and bookmark:
http://soundcloud.com/breaking-light/sets/no-audience-breaking-light-live
As Dave rightly guessed, Elvis is not dead. He is alive and well living in our cellar in Sheffield. He kindly agrees to do a bit for us now and again, as he is getting on a bit now and gets out of breath easily. So here he is possibly for the…
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
She's left, your drunk and on the floor not able to see a future, your friend is trying to help, your not listening, he obviously doesn't understand you need the drink..........
This is a song i always wanted to have a go at and it wasn't until Johnny let me have a go on his representation of it i got my chance. Thanks Johnny for letting me have a go, may you rest in peace............
Combined two separate segments from the performance for this remix. I'm posting live recordings on Soundcloud now. To hear the rest of the set go here and bookmark:
http://soundcloud.com/breaking-light/sets/no-audience-breaking-light-live
consider this a microcosm of the final work that might just happen ,, yes a complete Klingon Orchestrated Opera :) (feeling shameful that it was Chris's idea first.) (this is a mire raw example of an outproduced work.>
well - actually - there *was* a Klingon opera which is where I got the title. http://en.wikipedia.org/wiki/%E2%80%99u%E2%80%99
and this Klingon band is interesting...
http://en.wikipedia.org/wiki/Stovokor_%28band%29
Comments on vaisvil's stuff
wow, cool track I like this one.. still pondering just how deep the variety of your stuff is. . Is there a genre yet unturned?????
Excellent arrangement mate the mix sounds good to me. This is a great piece any one who is into piano should do this one. Brilliant.
very very well done!
nice,,, i like this,, where did you get the tin synth? i play a bit of the whistle myself, but i have not seen such a synth,,, do they feature different types like clark and susato? anyway well done Richard
That's it- I'm buying a bottle of Jack Daniels later today!
Raunchy.
so ahhhhhh are you a usc fan or just a fan of? anyway.....this is smooookin,,,, if this is what whiskey does for one,,, i'll have to go find myself some.... i guess only being a beer imbiber explains my own sounds..... well played/sounded?
very hot and cool!
:)
ummm, ummm...I love this track! Excellent work! w;-)
I agree with ACL
One of the most beautiful pieces of music EVER written. Wonderful arrangement. w;-)
sweet
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Sounds lovely, very nicely done!
well done friend,,, it's wonderful piece, and your orchestration it very interesting,,, some questions (and i'll make these as public, in case anyone else is interested in the tech aspects) did you have a digital piano score,, or working from printed manuscript first or perhaps you already know this memorized and broke it out from that? about how long did this process take??? It's a cool thought/work,,, and though i have not done this myself ,, yet,, it looks like a lot of fun.... once again well done,, i am constantly amazed at your creative/musical talents... Richard
The low brass captures the mood of the piece perfectly. Nice interplay between the voices. Well done!
Nice Job Fella! I'll have to check out that link that you sent me. Thanks.
Wonderful job! It all sounds very realistic to me!
This is a frosty little piece, I like the blend and instrument choices
Comments made by vaisvil
excellent!
nice!
enjoyed - nice piano work!
interesting - though why just in the right channel more or less?
great composition!
your voice is just awesome on this!!
a wonderful story!
yes... its live and excellent!
nice work from the two of you.
Do you like your Boss looper pedal? There are quite a few models out there - and mostly expensive - hearing your work makes me lust for one though :-)
very groovy 60's cool sound
a very cool $5 program!!
ha!! great!!
enjoyed!
that is one effected guitar!!
nice!! Would you consider doing a collaboration?
you do a good Morrison!
very strange!
very cool. What gear do you use?
well - actually - there *was* a Klingon opera which is where I got the title. http://en.wikipedia.org/wiki/%E2%80%99u%E2%80%99 and this Klingon band is interesting... http://en.wikipedia.org/wiki/Stovokor_%28band%29