I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
well done friend,,, it's wonderful piece, and your orchestration it very interesting,,, some questions (and i'll make these as public, in case anyone else is interested in the tech aspects) did you have a digital piano score,, or working from printed manuscript first or perhaps you already know this memorized and broke it out from that? about how long did this process take??? It's a cool thought/work,,, and though i have not done this myself ,, yet,, it looks like a lot of fun.... once again well done,, i am constantly amazed at your creative/musical talents... Richard
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Roland SE-02 through EHX Stereo Memory Man -> Zoom RFX-300. Title comes from a combination of the time length, and the fact that it was created for the current Sound-In for 1-7/1/2021.
Beautifully dark and mysterious that then explodes into barely contained chaos that ends in a plaintive song of longing. That's how I hear this. Wonderful piece Ben!
this is a Harold Budd tribute in memory of .. I had been listening to Harold since mid 80’s with pearl and ambient 2 when they came out about. I had a girl friend at the time going to Juilliard taking an elective electronic music class she told…
This is not the same ponderous endless time being that was mentioned by someone, somewhere. But rather I touch the water lightly and expecting the circles to disappear. And again.
from the album 50
vocals Alejandro Olivares
lead guitar Dan Upton
search for so long to belong a place to go thats my own where everything is real the walls are never cold tell you how I feel while I am growing old and I am coming home to…
Comments on vaisvil's stuff
I agree with ACL
One of the most beautiful pieces of music EVER written. Wonderful arrangement. w;-)
sweet
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Sounds lovely, very nicely done!
well done friend,,, it's wonderful piece, and your orchestration it very interesting,,, some questions (and i'll make these as public, in case anyone else is interested in the tech aspects) did you have a digital piano score,, or working from printed manuscript first or perhaps you already know this memorized and broke it out from that? about how long did this process take??? It's a cool thought/work,,, and though i have not done this myself ,, yet,, it looks like a lot of fun.... once again well done,, i am constantly amazed at your creative/musical talents... Richard
The low brass captures the mood of the piece perfectly. Nice interplay between the voices. Well done!
Nice Job Fella! I'll have to check out that link that you sent me. Thanks.
Wonderful job! It all sounds very realistic to me!
This is a frosty little piece, I like the blend and instrument choices
very nice
Cool beans! Love the guitar work here...
Lovely, gentle sounds.
Great synth sounds!
well done I like it.
very cool,,,, and very nice team work
Ha! More like panting than voice. :p
Woah, deep sounds!
Very cool!!! Was the sax, pad, sequences done on the GR-20?
AWESOME COLLAB! Hearing that real sax in there makes me wanna pick my alto back up. Is that pic of 9/11?
Comments made by vaisvil
It is so hard to cut through the end of RPM - I really like what you added to my bass line! Thank you for this! Your work is excellent!
https://youtu.be/7QXKRH0R4Og is the video for it
There are some definitely micro tonal inflections here!
beautiful!
the heavy flanging is a treat! I'll diverge from Bill and say its bigger birds at 14:00. this is cool!
Some excellent effect manipulations going on here!
has a very cool vibe!
Like the guitar - nice addition to a great track!
Beautifully dark and mysterious that then explodes into barely contained chaos that ends in a plaintive song of longing. That's how I hear this. Wonderful piece Ben!
Excellent piece!
this is really great!
Good to see you around these parts again! Enjoying your music with attitude!
This is epic!
indeed beautiful!
great song, vocal and lead!
Really cool sounds Bill!
man I love the vibe you have here!
awesomely deep and cool!
I like the experimental aspect of this!
Kavin you blew out my speakers!