A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
impressions
4 min in -- i am feeling/discovering a hugely large sound scape, plenty of places to get lost in ones thoughts amongst the notes
7 Min in --very expansive (what syth is this?, are you creating the long drawn out notes on a keyboard?)
9 min in --- (not being used to writing this style myself) what sort of land marks, for timing, expression are you using/feeling when you do this? how will you know when you get there?
14 min and 1 beer into the work -- still keeps my interest, but i do wonder where we are headed
17 min --- this is definitely a track to listen to, not background ,, i begin to see where we might be headed..
overall interesting,,, i enjoyed this,,,as i have noticed of late you have a lot of multi interests/talents... lots for me to think about thanks R
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
Outstanding nightmare! I would suggest the gentle listener doesn't get tucked in with this one unless they want to stare at the ceiling for awhile before they finally get to sleep.
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
This is a remix of an improvised track I did for our first RPM album. For this new mix, I got rid of the vocals & added a most excellent electric guitar part by our good friend, Chris Mitchell. He listened to the track just once and proceeded…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
We were having a little tipple down the cellar last night and we came up with a Christmas song for the festive season...hope you enjoy..........
CHRISTMAS TIME AT THE DRUNK’S HOUSE (Lyrics)
it's Christmas time in the drunks house
and the…
Well Jefferry came down the cellar this evening for a chat and a bit of consoling.................. so we decided to recant his tale of woe........................poor old Jeferry.............
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Another work in progress down the cellar.............a first cut...........
I KNOW HOW LOVE CAN FEEL(Lyrics)
I know how love can feel
I know that love can heal
i know i kneel before you
i know it can burn you, destroy you
i know how love can…
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
Sort of a Tuesday improv...
Built up around a synth texture that I built up with:
Operator->FilterStation->Volcano->Kombinat->Panstation->RP-Delay
(what's the fun in having plugins if you can't abuse them)
Heres a collab with Wildgeas Music a beautiful bit of music hope i did it justice with the vocal............
Tomorrow (Lyrics)
I know the curse of the darkness is coming
those dark nights that will feed upon my soul
with no forward glance of tomorrow…
So after hearing some of Stephen Krell's outstanding picking, I asked him if he'd like to play along with any of my songs... I can't be happier with the one he picked to add his banjo to (seeing as how the song is written about my favorite Pete…
Comments on vaisvil's stuff
just went into this one after listening to Nebula, quite a change up, good creepy feel stays with you
impressions 4 min in -- i am feeling/discovering a hugely large sound scape, plenty of places to get lost in ones thoughts amongst the notes 7 Min in --very expansive (what syth is this?, are you creating the long drawn out notes on a keyboard?) 9 min in --- (not being used to writing this style myself) what sort of land marks, for timing, expression are you using/feeling when you do this? how will you know when you get there? 14 min and 1 beer into the work -- still keeps my interest, but i do wonder where we are headed 17 min --- this is definitely a track to listen to, not background ,, i begin to see where we might be headed.. overall interesting,,, i enjoyed this,,,as i have noticed of late you have a lot of multi interests/talents... lots for me to think about thanks R
Great beat mate nice one great mix. Thanks for your recent comments mate. This is a great track mate dig it.
Beam me up Scotty! BEAUTIFUL! w;-)
Whoa! That's menacing. Real cool gentlemen. Some wild sounds.
EXCELLENT! w;-)
This is...wow! A theme song for my favorite sky object.
Immense!
Outstanding nightmare! I would suggest the gentle listener doesn't get tucked in with this one unless they want to stare at the ceiling for awhile before they finally get to sleep.
Mmmmm ... absynth
Ooh, only a few minutes in but this is completely a stargazing soundtrack! And loving the space theme.
love the picture too.
This is so lovely.
Hypnotic!
that was very nice
nice, i enjoyed listening
Very cool effect, great piece. Also, thanks for the process explanation, interesting.
AhHH- A good dose of sonic violence. I needed this this morning! Very cool!
intense and edgy
Whoa! Raise the MF ruf!
Comments made by vaisvil
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
I love the floating feel this has.
also - you have an astounding memory!
Ha - this riff is mine? I sure don't remember it - now I feel embarrassed about my comment :-)
excellent! I love the opening guitar riff and cool ending!
Nailed Tom's voice!
Very Tom Waits - love it!
wow your voice sounds so like the Kinks!
love your voice here!
May I invite you to participate at ImprovFriday? You may have some fun! http://improvfriday.com/
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
What do you have in your ambient rig? I am enjoying your work!
Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.
wow - another side totally! I like the string / piano combination.
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
I love that metallic sound!
The cello work is especially good.
nicely done!!
excellent - this is a great song perfectly played and sung!!
enjoyed!!