This was my sophomore year final project when I was a classical guitar major for two years of my life. I managed to sneak in my strat in this though :-)
For Bass vocal / speech contrabass bowed and used as percussion, piano, electric guitar…
This was my sophomore year final project when I was a classical guitar major for two years of my life. I managed to sneak in my strat in this though :-)
For Bass vocal / speech contrabass bowed and used as percussion, piano, electric guitar…
This was my sophomore year final project when I was a classical guitar major for two years of my life. I managed to sneak in my strat in this though :-)
For Bass vocal / speech contrabass bowed and used as percussion, piano, electric guitar…
3 strats, bass, vocal
There was a place for me
I knew that it was free
Inside your heart
Inside your heart
There was a place for you
And I thought always true
Inside my heart
Inside my heart
I didn't think that it could go
I didn…
3 strats, bass, vocal
There was a place for me
I knew that it was free
Inside your heart
Inside your heart
There was a place for you
And I thought always true
Inside my heart
Inside my heart
I didn't think that it could go
I didn…
Sets the stage for spring breaking well Chris. Lovely swells in the guitar(s) and vocal works well slightly buried in the mix, gives it all a nice flowing feeling!
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
Great,,..absolutely 💯 % great 👍
What a great wake up song for me.. it's like explaining what it means to be awake...
I think it's better not knowing what you are doing.. Really great jamming out there 😁
It's like an art song or something from a modern opera Chris! Well done!
Intergalactic exploration that was quite the journey
Is that Paul Roberson that’s one hell of a voice
oh gosh that is way intense ... I really like songs like this..
Fantastico!
And we have all we need to be who we are now. Great great work 💯👏 👍
Great song, vocal delivery and guitar.
Quite lovely!
Just what Marty needs; a touch of psychedelia. Really lovely.
Well done !
Wow 🤯😳😲
Excellent pretty ☺️ the stereo separation is the best 🙂... It's good 💯😊
I'm going to need more of a clue than what you have typed to explain the song??
Feels like blasting off to 'Lost in Space' and lovely when the electric piano like keys come in!
it is a kinda march too ---
Sets the stage for spring breaking well Chris. Lovely swells in the guitar(s) and vocal works well slightly buried in the mix, gives it all a nice flowing feeling!
Dreamy...drifting away on vaisvil clouds... Sounds like flowers opening.
Comments made by vaisvil
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!