Newbold meets clones. I knew this would be complex from the start. Chris, this was a formidable undertaking! You guys are both old school to me. Nice
Great listen !!! Great to see you both on AT
In 2006 we visited a Japanese garden. In September of 2009 I wrote this piano piece in 17 ET and I hear a connection between the two. So I put together a video from pictures and video taken of our visit and married the two. Please visit the song…
One of my favorite songs from The Lamb Lies Down on Broadway - which I pretty much destroy
12 string guitar, 6 string bass, lead and backing vocals
All the pumping's nearly over for my sweet heart.
This is the one for me,
Time to meet…
Over a month of hourly time lapse (night edited out) with 17 note per octave ambient guitar accompaniment. This is probably the longest project I’ve set out to do. I left my time lapse camera in the kitchen window filming the tree in my backyard…
Over a month of hourly time lapse (night edited out) with 17 note per octave ambient guitar accompaniment. This is probably the longest project I’ve set out to do. I left my time lapse camera in the kitchen window filming the tree in my backyard…
I've gone too long not listening to good experimental music like this. excellent work here, in the composition, the effects, performance, and the accompanying video. --din
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Reminds me of the last movement of Conic Sections "King Pimento", which pissed off two thirds of Liberian nationals when first performed. Keep Stompin' til the Music Stops!
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
Nice Pianist !
http://news.mit.edu/1992/safety-0311
Newbold meets clones. I knew this would be complex from the start. Chris, this was a formidable undertaking! You guys are both old school to me. Nice Great listen !!! Great to see you both on AT
One of the best technical songs ever. Now, regarding the Hurdy Gurdy... Well done my bold brother. And Merry Christmas.
Nice one
ok
Great song and versh! Kavin.
Been listening to Ry Cooder soundtrack music, and this fits right in, great mood and guitar tone and concept.
I've gone too long not listening to good experimental music like this. excellent work here, in the composition, the effects, performance, and the accompanying video. --din
Lovely tone, better than my hammer - doktordoktor (Steve)
Tony Iommi jamming? Very dark
Reminds me of the last movement of Conic Sections "King Pimento", which pissed off two thirds of Liberian nationals when first performed. Keep Stompin' til the Music Stops!
Excellent...
interesting,,and nice
indeed quite intense... very rich in sound and texture.....lots of emotional space here,, very well done indeed!
Great full sound
Cool.... Sneaky little Grinch
Nice and bright sound, great echo.
Nice version. Simple and pure
very good... the repeating beat works well. never heard you do something like this.
Comments made by vaisvil
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!