all things in the song is well ,,, most real I like that some of the words here are multi/phased like could be two different words yet either interpretation fits it is that they fit both words sounding similar and indiscernible between each other but both work...I would have to listen like three or four times to ID the two different words that sound the same.. in the song... ,,,, I just might you know? :) really great soon,
I really like this. I just wish you would mix your voice out a bit or include your lyrics. I want to know every word you are saying. It sounds so interesting.
Entropic Sculpture is an accidental interpenetration of a post-modern sculptural art genre created from analog synthesizer settings my son left for me and then I used and eventually mutated. I ran this mix out of Sonar pretty hot and generated…
Pink Floyd - Echoes (Waters, Wright, Mason, Gilmour)
Overhead the albatross
Hangs motionless upon the air
And deep beneath the rolling waves
In labyrinths of coral caves
An echo of a distant time
Comes willowing across the sand
And…
Pink Floyd - Echoes (Waters, Wright, Mason, Gilmour)
Overhead the albatross
Hangs motionless upon the air
And deep beneath the rolling waves
In labyrinths of coral caves
An echo of a distant time
Comes willowing across the sand
And…
Pink Floyd - Echoes (Waters, Wright, Mason, Gilmour)
Overhead the albatross
Hangs motionless upon the air
And deep beneath the rolling waves
In labyrinths of coral caves
An echo of a distant time
Comes willowing across the sand
And…
Earth’s fate
Main article: Future of the Earth (from Wikipedia)
Above is an artist’s depiction of the Sun entering its red giant phase viewed from Earth. All life on Earth is extinct at this phase.
During the Sun’s life in the main sequence…
"Turn! Turn! Turn! (to Everything There Is a Season)", often abbreviated to "Turn! Turn! Turn!", is a song written by Pete Seeger in the late 1950s. The lyrics were adapted almost entirely from verses in the Book of Ecclesiastes, set to music…
Pen and Quill is performed with a rock ensemble (guitar x3, piano, bass, drums, vocals such as they are) in 22 notes per octave of a poem I wrote some years ago with edits. I apologize for my voice wavers – I’m not a good singer and trying to…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
errrrrr no sleep till Brooklyn ???
all things in the song is well ,,, most real I like that some of the words here are multi/phased like could be two different words yet either interpretation fits it is that they fit both words sounding similar and indiscernible between each other but both work...I would have to listen like three or four times to ID the two different words that sound the same.. in the song... ,,,, I just might you know? :) really great soon,
Soooo gritty. Like listening thru the wall to the club next door. Just before the whole place explodes!
Love all the weird sounds you are using...
I really like this. I just wish you would mix your voice out a bit or include your lyrics. I want to know every word you are saying. It sounds so interesting.
You did a fine presentation of Raga. Nice.
That was totally cool
That is so cool
You should upload part 2 of this. Nice cover.
Really cool
Not predictable at all. Yes.
Great sound
Chris-thnx!
Colorful guitar sounds on five star mix!
cool and quite true
When I first heard it thought there was some time/pitch shifting going on. Cool sound.
I particularly enjoyed the poetry -- nicely done. Brilliant, really. Keep it real, bro!
Would make a great background track for a Sci-Fi flick.
Interesting composition -- dark colors, dreary, but in a pleasant way.
Great versh!
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!